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When Kaija Saariaho’s opera L’Amour de loin opened at the New York Metropolitan Opera in 2016, it represented only the second time that the company, in


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“Even we, in the opera’s devastating fallout, must mimic its characters as they try and fail to let go, not to forgive, not to forget, just to remember how to breathe”: @guydammann on a “masterpiece” by @SaariahoKaija @TheTLS