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Christian Roy is an expert on Jacques Ellul, Marshall Mcluhan and Bernard Charbonneau. We discuss technicity, media and its relationship to a symbolic world. Support this channel: https://thesymbolicworld.com/support/ patreon: http://www.patreon.com/pageauvideos subscribestar: https://www.subscr...

Christian Roy is an expert on Jacques Ellul, Marshall Mcluhan and Bernard Charbonneau. We discuss technicity, media and its relationship to a symbolic world.

Support this channel: https://thesymbolicworld.com/support/

patreon: http://www.patreon.com/pageauvideos
subscribestar: https://www.subscribestar.com/jonathan-pageau
paypal: http://www.paypal.me/JonathanPageau

website: http://www.thesymbolicworld.com
facebook: http://www.facebook.com/TheSymbolicWorld
twitter: http://www.twitter.com/pageaujonathan

The unofficial facebook discussion group:
https://www.facebook.com/groups/1989208418065298/

The outro to my videos was written by Matthew Wilkinson

My website designers, Anomalist Design: https://www.anomalistdesign.com/

The music at the opening is Russian Eastern Overture, by Rimsky Korsakov.

(From Youtube)

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I’ve been pulling at a bizarre intellectual paradox. I am simultaneously a strong believer in progress, but believe we ignore the wisdom of tradition at our own peril. Drawing on the two edges of a single string makes me a progressive and a reactionary. I’ve been studying mid-20th...

I’ve been pulling at a bizarre intellectual paradox. I am simultaneously a strong believer in progress, but believe we ignore the wisdom of tradition at our own peril. Drawing on the two edges of a single string makes me a progressive and a reactionary. I’ve been studying mid-20th-century technological theory to resolve the tension. I’ve cited McLuhan in a handful of essays, and Ellul’s ideas mesh with McLuhan’s observations. This is the best introduction I’ve found to the similarities and differences between them. You’ll enjoy the ideas, even if you don’t have any background knowledge on Ellul or McLuhan.

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