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Atomised Hardcover – January 1, 2000

4.2 out of 5 stars 611 ratings

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Text: English (translation)
Original Language: French
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Product details

  • Publisher ‏ : ‎ Heinemann
  • Publication date ‏ : ‎ January 1, 2000
  • Edition ‏ : ‎ First Edition
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 320 pages
  • ISBN-10 ‏ : ‎ 0434007935
  • ISBN-13 ‏ : ‎ 978-0434007936
  • Item Weight ‏ : ‎ 14.1 ounces
  • Customer Reviews:
    4.2 out of 5 stars 611 ratings

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4.2 out of 5 stars
611 global ratings

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Customers find the book highly readable and thought-provoking. One customer describes it as a philosophical treatise on post-modern life.

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8 customers mention "Readability"8 positive0 negative

Customers find the book readable and brilliant, with one customer noting the author's literary genius.

"To be fair, Atomised has some very brilliant, thought-provoking ideas- however, I am not into smut, which this book seems to have a cornucopia of......" Read more

"...The review's in Europe and the U.S. are so fascinating and dazzling that I had to read him for myself...." Read more

"Cri de coeur of an Incel. Best read together with Lena Andersson's Acts of Infidelity and Willful Disregard, Nabokov's Laughter in the Dark and..." Read more

"...Had to read second time. Deep, challenging, a thought provoking. Brilliant...." Read more

8 customers mention "Thought provoking"8 positive0 negative

Customers find the book thought-provoking, with one describing it as a philosophical treatise on post-modern life.

"...says more about the authors own pathological past, I am struck by the depth, clarity, insight, and vision of this book. The author is a genius." Read more

"To be fair, Atomised has some very brilliant, thought-provoking ideas- however, I am not into smut, which this book seems to have a cornucopia of......" Read more

"...The review's in Europe and the U.S. are so fascinating and dazzling that I had to read him for myself...." Read more

"...Had to read second time. Deep, challenging, a thought provoking. Brilliant...." Read more

Top reviews from the United States

  • Reviewed in the United States on August 10, 2016
    Format: PaperbackVerified Purchase
    Atomised (or its more literary title Elementary Particles--a translation of the French Les Particules Élémentaires) dissects the current crisis festering in contemporary Western culture. The title was chosen to emphasize the ever continuing expansion of individualism with its ever increasing alienation of human beings from each other and even from their true feelings, leading to psychological stress, depression, pessimism as to the future, with bodily deterioration and death waiting at the end.

    Most cultures have in the past and many even in the present still stress the group with its discipline and ingroup character and its extended family to the exclusion of the individual. A human being in such a society totally adrift from his fellow humans and not bound by their shared cultural norms and belief-sets is unthinkable. In such cultures the very idea is an oxymoron. Such people in ancient Greece were known as idiots. Cultural norms and customs bind the single person in a complex web of ways of doing things and a common shared worldview. But since the Renaissance and with ever increasing intensity in the West the solitary individual stands alone facing the world like a sheet blowing in the wind, pushed this way and that by countervailing forces. The late German philosopher, Ernst Cassirer, considered culture to be self-liberating. Atomised takes a view 180-degrees from this optimistic appraisal. Rather it is self-suffocating and alienating.

    Culture should function as a womb to shelter humans from the harshness of physical reality. As Western culture entered into its modern phase beginning with the rise of modern science and its increasing insights into physical reality, it has become ever more clear that physical reality is directed by strict laws that physics has revealed. There is no morality at the level of physical reality. A tsumani can inundate towns and cities and kill thousands as it did in 2004 in southeast Asia. A hurricane can swamp a town killing hundreds as it did in New Orleans in 2005. These things have no intention. They are neither good nor evil. They happen due to the exercise of physical laws. Couple that with the disappearance of god (the Death of God) in many parts of the industrialized West, and the solitary human is left in the predicament of following her or his own moral code. In short Western culture has become unhinged. It has lost its mooring. The loss of religion as a bulwark against extreme individualism was also made almost 70 years ago by Max Horkheimer in his Eclipse of Reason. The steady erosion of Western culture from its origins and its history.

    Modern science is mute on religion. One might say that modern technology, the offspring of modern science, has filled in for the role religion used to play in terms of providing a vision for the future. Heaven on Earth by the triumph of modern technology. Western culture has turned increasingly to hedonism, both sexual and sensual through the consumption of more and more consumer goods and services (the bling-bling culture), to assuage its dwindling capacity to find meaning in life. Rampant consumerism also drives the wheels of capitalism, the chief economic force of the Western world and now much of the rest of the world also.

    Disturbing ideas along these lines keep popping up at unexpected junctures in Atomised. Houellebecq also throws in information regarding how certain lifeforms carry on in their unique lifeworlds, reminding the reader of the enormous variety of lifeforms that exist on Earth. Homo sapiens is just one of an almost uncountable multitude.

    The book centers around two half-brothers, Bruno (born 1956) and Michel (born 1958). Both share the same mother, Janine who changes her name to Jane to appear more “cool” during the sexual revolution of the 1960s, which she heartily embraces. Jane left one man (Bruno’s father) to marry another (Michel’s father), who disappears in Tibet. She leaves Bruno as an infant with her parents in Algeria and she leaves Michel with his paternal grandmother, leaving her free to pursue Hippy hedonism and New Age mysticism. Left without a mother at very young ages leaves both men suffering from the lack of maternal love. Bruno finds solace in sex (most of it in his head) and Michel finds it in science: quantum theory and its application to molecular biology. Bruno eventually finds love but it is short-lived. Later in live (when he was 40) Michel has a chance for love with a woman, Annabelle, whom he saw on a regular basis as a teen. A woman who always loved him and wants to bear his child. Although he consents, Annabelle has developed advanced uterine cancer and dies without ever having had his child. Human life is transitory. Within the scope of the universe, a mere flash before it burns out and is extinguished forever.

    After the suicide of his lover Bruno lives out the rest of his days in a psychiatric clinic. Michel relocates to Ireland to conduct research at the Galway Centre for Genetic Research. County Galway is literally at the geographic end of the Western world. Ireland’s atmosphere is strange, haunting, and unique where “the sky, the sea, the light converge.” [p. 365]. Like being on a different planet.

    Eventually Michel’s molecular biology research bears fruit. He has found a way to implement genetically the grand vision of Julian and Aldous Huxley during the 1930s, both of whom believed that biology would make the next great thrust forward in human evolution in the 20th century, even before the discovery of the DNA molecule (Watson and Crick, 1953). He has found a way that human beings can be cloned indefinitely and thus achieve immortality.* His life work being done he disappears, presumably a suicide by drowning in the ocean.

    In summary Atomised scrunitizes not only the lives of its two chief protagonists, Michel and Bruno, but steps back to examine the entire cultural milieu in which they are embedded and portrays a devastating picture of modern Western culture. It is not a cheery read and is not for the gentle reader. Unlike academic philosophy with its jargon-filled pedantic argumentations, it is cultural philosophy in novel format for the seasoned reader.
    ______________________________________

    * Possibly Houellebecq had read about the research of Dr. Daniel Martinez who in the early 1990s studied the longevity of Hydra vulgaris, a multicellular invertebrate. Under conditions where the Hydra are fed regularly and live in an environment where the temperature is not allowed to get too high, they can reproduce by budding off clones of themselves. Martinez published a paper of his work in 1998.

    Whether such a phenomenon would work with human beings is moot. Even if it did, cloning only ensures that the exact genome is preserved, not the person. If you had a clone, it would have your genome. Although your genome controls many things regarding your body, it does not determine your conscious “I,” that which makes “you” who you are not physically but “you” that arises from your lifelong memories, experiences and interactions within the culture and lifeworld that you inhabit. Your clone would have different experiences and interactions. In short, your clone would not be “you.” Your genome would be immortal but “you” as a person would not be. Unless I read Atomised incorrectly, Houellebecq does not make this crucial distinction.

    NOTE: It should be duly noted that the US version of Les Particules Élémentaires is titled The Elementary Particles (2001). There is a separate entry for The Elementary Particles in Amazon Books and many more reviews than under Atomised. It would have been helpful to correlate the two as it is the same book only with a different cover. The cover of Atomised displays a semi-nude woman who I am supposing to be Janine/Jane, the mother of Bruno and Michel. I also like the title Atomised better as I have been using the phrase “our atomized society” with the same meaning it has in Atomised long before I read Atomised.
    37 people found this helpful
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  • Reviewed in the United States on June 8, 2020
    Format: PaperbackVerified Purchase
    Hilarious
  • Reviewed in the United States on January 1, 2024
    Apart from its strong focus on the science, which often left me somewhat lost & confused, and it’s other key focus on sex, which probably says more about the authors own pathological past, I am struck by the depth, clarity, insight, and vision of this book. The author is a genius.
  • Reviewed in the United States on June 4, 2016
    Format: PaperbackVerified Purchase
    confronting
  • Reviewed in the United States on January 5, 2020
    Houellebecque certainly knows his sociology. He is familiar with the personal tragedies that devastated ordinary lives and through the alternating stories of the two brothers, Houellebecque expresses the various philosophical paradigms and dilemmas that plague us today. He masterfully questions the notion of freedom, hinting that we might have confused it with unpredictability and through the language of molecular biology and the ruminations of the character Michel, Houellebecque musters the argument that our individuality is the cause of our suffering and the new species of humankind would remove this flaw in the next phase of our evolution. Very ominous but strangely plausible thoughts indeed.
    4 people found this helpful
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  • Reviewed in the United States on February 5, 2011
    Format: Paperback
    Michel Houellebecq was born to hippie parents and has seen the politically radical, left-liberal-elite movement from the inside. In this novel he exposes the pretentions of that movement and the selfish, destructive society it has created.

    The story is told through the lives of two half brothers, Bruno and Michel. Bruno's miserable childhood, a victim of the sadism of boys in boarding school, is horrifically described as is his current pathetic existence searching for sexual satisfaction refused him due to his ugliness. Michel's life bears other frustrations. He has a penetrating intelligence and has been the love of a beautiful girl and woman all his life but has never been able to reciprocate it.

    As Houellebecq sees it, the combination of greater sexual freedom, the destruction of traditional values through western left-wing political movements and the infiltration of American popular culture created a society comprised of a self obsessed left-liberal elite who hide (from themselves as much as others) their scathing selfishness in supposed tolerance and equality (though only for certain views and people) and various right-on opinions which they loudly proclaim at dinner parties in affluent suburbs before retiring to smug, self-satisfied sleep in king sized, upholstered beds with fragrant wives.

    "It is interesting to note that the 'sexual revolution' is usually portrayed as a communist utopia, whereas in fact it was simply another stage in the rise of the individual...the couple and the family were to be the last bastion of primitive communism in a liberal society. The sexual revolution was to destroy the last unit separating the individual from the market. The destruction continues to this day.

    ...this decline in Western civilisation since 1945 was simply a return to the cult of power, a rejection of the secular rules slowly built up in the name of justice and morality. Actionists, beatniks, hippies and serial killers were all pure libertarians who advanced the rights of the individual against the social norms and against what they believed to be the hypocricy of morality, sentiment, justice and pity."

    Houellebecq paints an ugly picture of our world that is a refreshing challenge to the widely held view that western society is more open, more tolerant, and more humane than it has ever been and that the technological revolution and, in particular, the internet is the vehicle through which this upward trend will continue rather than the polished screen before which society, incapable of recognising the selfish destruction it has wrought, preens in self admiration.

    The story proceeds to a resolution of western society's ills that is innovative and convincing, if full of despair for anyone with faith in mankind's reform.

    A fine dissection of our failures and self deception.
    20 people found this helpful
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  • Reviewed in the United States on June 16, 2019
    Format: PaperbackVerified Purchase
    It made me think, laugh, and (almost) cry. What more could one expect for entertainment value? But, there's more here. I.e., What do we in a post-belief, collapsing consensus world? "Atomized" is a reflection of the psychic and spiritual moonscape we now inhabit. I'm one of Houllebecq's newest fans.
    5 people found this helpful
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Top reviews from other countries

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  • E. de Jonge
    1.0 out of 5 stars Uno de los libros más aburridos que he leído
    Reviewed in Spain on August 1, 2023
    Format: PaperbackVerified Purchase
    No sé cuál es el bombo sobre este escritor. Uno de los libros más aburridos que he leído. No me molesté en terminar el libro después de leer la mitad.
    Report
  • Andrea
    5.0 out of 5 stars love Michel Houellebecq
    Reviewed in Germany on September 10, 2015
    Format: PaperbackVerified Purchase
    I love reading this book (this was a present), there is so much tragedy behind every single characters of the book but it is still so fun to read it.
  • S & B
    5.0 out of 5 stars Surprisingly Beautiful!
    Reviewed in India on October 20, 2018
    Format: PaperbackVerified Purchase
    My first book written by a French author... And now I'm Hungry for more!
  • recluse
    4.0 out of 5 stars 団塊の世代の方、読んでみてください。
    Reviewed in Japan on March 21, 2019
    Format: PaperbackVerified Purchase
    最近発見した作家。それが僕にとってのhouellebecqだ。Submissionを読んで初めてその特異な世界を知る。共感はしないが、彼の世界認識の型にはある種の魅力がある。実は知る人ぞ知る作家のようで、翻訳もたくさんでているのだ。さてどういう順番で読もうかと悩んだが、このAtomisedから読むことにした。二人の異父兄弟(それぞれ1956年と1958年生まれ)の人生の交錯を通して描かれる20世紀後半というテーマには抗しがたい魅力を感じた。そう、彼は僕とほぼ同世代の人物なのだ。68年には間に合わず、internetを体の一部にするには遅すぎた世代。残念ながら僕のフランス語の知識では読めないので、今回も英訳を選ぶ。Atomisedというタイトルになっているが、実は、Elementary Particlesという、より原題に近いタイトルでも英訳があるのだ。
    書き出しはわかりやすい。1998年が書き出しの舞台だ。というわけでと新しい世紀を前にした世紀末の雰囲気を濃厚に漂わせた作品だ。ただこれはdeceivingな書き出しだ。ストーリーはオーソドックスな時系列のスタイルを取る。もっとも二人の特異な生まれをたどるには、その前の世代に触れないわけにはいかないので、話はだいぶ前にさかのぼる。19世紀後半そして戦前のフランス植民地algeriaまでもがその背景として描かれる。つまるところは神が死滅した時代が生み出したパーソナリティが産み落としたのこの二人なのだ。
    そしてそこからは細かく時代風俗を描きながらこの二人の成長がたどられていく。Bildungsromanの型式を踏襲しながらも、その中身はまったくのanti-bildungsromanという逆説だ。そしてこの時代時代の風俗描写。どれほど読者が感情移入できるのか。個人的な自由とその完成を目的とした様々な進歩主義の風俗(つまり整形手術、音楽、エコロジー、ティーン向けの女性雑誌、ヌーディスト、ヒッピー、new age movement等)の90年代の時点での成れの果てが突き放した目で描かれていく。著者の世代にとっては、これらはもはや流行の先端ではなく、醜悪な残骸とガラクタとして腐臭を漂わせている。それを強調するのが著者のpornographyともいうべき描写だろうか。日本人には知られていない様々なこれらの流行・風俗に関わる地名が舞台として登場する。そしてインターネットはまだ著者の世界で大きな比重を占めてはいない。
    これと同時に底流として語られていくのが物理学と生物学に関する著者の思弁だ。本書のタイトルはおそらくこれに由来している。正直なところ、この部分を正確に理解するのはこの分野の知識が欠落している僕には無理だ。どこまでがリアルな思弁でどこからがガラクタなのかは不明なまま。この種の思弁はフランス独特のわけのわからない議論を弄び、読者を煙に巻く典型的なスタイルといってもいいのものかもしれない。著者の文体は決して表面上はわかりにくいものではないが、その中身はどの程度まで著者の想像力の産物に過ぎないのかどうかを判断することはできない。ただこの議論は個人的な自由、人類、疎外、愛などの大きなテーマを包含しながら、最後には驚くべき展開をとげ結末へとつながる。
    最後は二人の主人公の舞台からの退場だけではすまない。退場の場所がアイルランドとされているのも示唆的だ。2009年がBildunsromanの結末と明示されているが、そこからもこの作品は続いていく。後日談として短いPrologueが用意されており、そこでは2029年そしてそのあと2079年まで話は続いていくのだ。具体的なイメージを得ることはできないのだが、そこでは種の新しい形での再生産が実現しており、新しい種は伝統の復権ではなく、新しい哲学を具現するというわけだ。問題作なのだろう。それなりの時間をかけ、読み切ったが、著者の狙いの全体像を的確に把握することはできなかった。再読するといいのかもしれないが。さて、もう一冊読もうか、どうしようか。
  • Glen Brumby
    5.0 out of 5 stars Unfiltered thought, mesmerising and wildly entertaining
    Reviewed in Australia on November 26, 2021
    Houellebecq writes densely opinionated social commentary in complex layers. His technique is unique in that his prose, even in the third person, presents as each character’s unfiltered thinking and yet it fuses effortlessly into both high level abstraction and the most banal of human concerns. It’s this meandering of his text which is perhaps most entertaining because his observations are sharp and often touchingly deep. Despite what comes across as his openly misanthropic bias, he displays plenty of insights into the best parts of the human condition and many of his characters are generous and kind. Somehow, his paragraphs which lurch into sentences that seem not to fit and just pop up out of nowhere are an attraction - it’s as though we can accept the patchy narrative as an example of our our thoughts. Apart from matters of technique, his work and this one more than others, carry impressive detachment and melancholy throughout and although life in his novel is so very disappointing and almost inevitably so, his work cheers me because his standpoint makes me realise that expecting a lot out of it is a huge mistake. Expecting too much is what can make you very unhappy. So thank you MH, for this masterpiece on the human condition.