A fading movie star falls for a lonely young woman in Tokyo.A fading movie star falls for a lonely young woman in Tokyo.A fading movie star falls for a lonely young woman in Tokyo.
- Won 1 Oscar
- 97 wins & 133 nominations total
François du Bois
- Sausalito Piano
- (as Francois du Bois)
Diamond Yukai
- Commercial Director
- (as Yutaka Tadokoro)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I went through an array of emotions and expressions watching this film; most of them centred around how bizarre I thought it was, yet it was like a good book I simply couldn't put down even if the film itself lived up to its title at times.
This is by far the best work Bill Murray has done, and it will be a pleasant surprise for many to see him find a new (to me, anyway) side to his ability as an actor. He captures the role with such precision that you don't realise this is the same guy who, dare I even mention it in the same breath, provided the voice of Garfield last year. You see a few traces of his characteristic smugness every once in a while, but by and large the Bill Murray you see is a lot more serious... and seriously damned good.
It's such a simple story... unhappy married man meets unhappy married woman in a place neither of them are familiar with, and suddenly realise that they're all the other has got at least for the time being. In an age where Hollywood is trying (mostly unsuccessfully) to scare and shock us with something new at every turn, Sofia Coppola takes what should be the premise for a typical chick flick and turns it into something that anyone who has ever experienced an emotion of any description can watch and appreciate.
A brilliant film in any language.
This is by far the best work Bill Murray has done, and it will be a pleasant surprise for many to see him find a new (to me, anyway) side to his ability as an actor. He captures the role with such precision that you don't realise this is the same guy who, dare I even mention it in the same breath, provided the voice of Garfield last year. You see a few traces of his characteristic smugness every once in a while, but by and large the Bill Murray you see is a lot more serious... and seriously damned good.
It's such a simple story... unhappy married man meets unhappy married woman in a place neither of them are familiar with, and suddenly realise that they're all the other has got at least for the time being. In an age where Hollywood is trying (mostly unsuccessfully) to scare and shock us with something new at every turn, Sofia Coppola takes what should be the premise for a typical chick flick and turns it into something that anyone who has ever experienced an emotion of any description can watch and appreciate.
A brilliant film in any language.
I was living in Japan at the time the movie came out and I didn't get it at the time. My mistake was thinking the movie had anything to do with Tokyo and for me, seeing Charlotte (Scarlett Johansson) be bored in Tokyo seemed so stupid to me.
But, I watched it again 15 years later and totally got it. Maybe because I'm lost too I finally got it. It's got nothing to do with Tokyo and everything to do with 2 people feeling completely lost in their lives. Tokyo is just a setting that's different from most westerner's every day lives to try to convey that feeling of "lost" to the viewer.
Neither of them have any idea what to do any more. Their lives seem meaningless to themselves. Charlotte has been married just 2 years but she's already disillusioned in her marriage. She calls her mom very early in the movie crying because she's in Tokyo, seeing new things, knowing it should be exciting but feeling nothing. And further, her husband is seeming like a different person than the person she thought she married. Her mom doesn't listen and doesn't have time for her (same as my mom, haha).
Bob Harris (Murray) is similarly lost. He wants to find some acting project he's passionate about but instead his manager has him making commercials in Japan. His relationship with his wife is clearly not going well (listen to their conversation on the phone about a hour in) and so he's lost too realising his marriage is basically over and they're just two people who happen to be living together.
If, like the younger me, you haven't experienced that feeling of being lost, the movie will probably do nothing for you. But, If you ever get in to a point in your life where you're feeling lost, watch it again and you might enjoy it.
But, I watched it again 15 years later and totally got it. Maybe because I'm lost too I finally got it. It's got nothing to do with Tokyo and everything to do with 2 people feeling completely lost in their lives. Tokyo is just a setting that's different from most westerner's every day lives to try to convey that feeling of "lost" to the viewer.
Neither of them have any idea what to do any more. Their lives seem meaningless to themselves. Charlotte has been married just 2 years but she's already disillusioned in her marriage. She calls her mom very early in the movie crying because she's in Tokyo, seeing new things, knowing it should be exciting but feeling nothing. And further, her husband is seeming like a different person than the person she thought she married. Her mom doesn't listen and doesn't have time for her (same as my mom, haha).
Bob Harris (Murray) is similarly lost. He wants to find some acting project he's passionate about but instead his manager has him making commercials in Japan. His relationship with his wife is clearly not going well (listen to their conversation on the phone about a hour in) and so he's lost too realising his marriage is basically over and they're just two people who happen to be living together.
If, like the younger me, you haven't experienced that feeling of being lost, the movie will probably do nothing for you. But, If you ever get in to a point in your life where you're feeling lost, watch it again and you might enjoy it.
Being in a profession where there is constant noise, I enjoyed this movie for a very odd reason. The characters are pulling away from a hyped up society, away from a world, much of which is based on needless, trivial noise. Everywhere they go there is more numbing action. Watching the director of the commercial gyrating, trying to act like a real film director, despite the fact that they are doing a 30 second liquor commercial, typifies some of what this movie is about, a world where people are worn into the ground by a type A culture that is as vapid and unnecessary as we can imagine. I thought the Bill Murray character developed tremendously. While this trip to Japan was excruciatingly dull (money isn't everything), I believe that he began to see things he hadn't seen before. I liked that while he was struggling with his marriage, the crises were simple, day to day things that living brings to us. The young woman he meets shows through a whimsical kindness, that he is worth something. She is refreshing to look at an to be with. He, like many middle aged men, has self doubts. Because she has a sense of purity and can talk to him honestly about her world and his, he should go back to his life a little more sustained.
It's been a long time since a movie has made me hurt the way this one did. Perhaps "hurt" isn't the right word. "Ache" is more like it. I could so completely identify with both characters.
Bob is a middle-aged actor caught in a life which has lost its zest and purpose, doing what he "ought" to be doing (making money doing whiskey commercials) instead of doing what he WANTS to do (plays). And then a young, beautiful, intelligent woman enters his orbit. On that level alone, with its mute longing and sexual tension, I can identify with him.
And then there is Charlotte, a student of philosophy seeking herself, her soul lost and adrift. She doesn't know who she is, doesn't know what she wants. Her life is a quest for authenticity of self. And I identify with her because so much of my life I have been seeking the same thing.
This movie isn't for everyone. They will call it boring, lifeless, limp. There are people, I realize, who have never experienced that kind of longing, who had never sought meaning in their lives, and searched for their own lost souls. They live for the here and now, without giving a thought to the spiritual aspects of life.
A friend said introverts will love this movie, extraverts will hate it. I think that is a fair surface assessment. This movie is all about the inner lives of two people whose souls connect for a brief time in an alien city. It is a love affair not of bodies, but of minds and spirits.
Some this movie will make angry. Some this movie will make weep.
Bob is a middle-aged actor caught in a life which has lost its zest and purpose, doing what he "ought" to be doing (making money doing whiskey commercials) instead of doing what he WANTS to do (plays). And then a young, beautiful, intelligent woman enters his orbit. On that level alone, with its mute longing and sexual tension, I can identify with him.
And then there is Charlotte, a student of philosophy seeking herself, her soul lost and adrift. She doesn't know who she is, doesn't know what she wants. Her life is a quest for authenticity of self. And I identify with her because so much of my life I have been seeking the same thing.
This movie isn't for everyone. They will call it boring, lifeless, limp. There are people, I realize, who have never experienced that kind of longing, who had never sought meaning in their lives, and searched for their own lost souls. They live for the here and now, without giving a thought to the spiritual aspects of life.
A friend said introverts will love this movie, extraverts will hate it. I think that is a fair surface assessment. This movie is all about the inner lives of two people whose souls connect for a brief time in an alien city. It is a love affair not of bodies, but of minds and spirits.
Some this movie will make angry. Some this movie will make weep.
When I used to think of what made a good movie, I would look at a movie from all aspects: direction, cinematography, editing, acting, story etc. The sum of all these parts make up the whole, and are also what lead me to my opinion of a film...
Then came Lost in Translation. The first time I watched this movie, I felt a strange sense of depression that lasted for a few days, but I couldn't put my finger on why. I watched it again and again, and felt the same way each time. I thought maybe it was because I have never traveled and would really like to, or that I have the desire to find the perfect woman in a strange world.
Whatever the case, I realized one thing. LOST IN TRANSLATION MADE ME THINK. It made me question my life, its purpose, whether I was happy or not, and what I want do with it. Never has a movie touched me in such a way, and for that reason, this is the one of the greatest movies I have ever seen. That doesn't mean its the best movie ever made, in fact, I can name many that are technically better than this film, like the one I named before. But I cannot name a movie that has had more effect on me than Lost in Translation, and that is why I love it and will love it forever.
Think of the last movie that really made you think, one that had such a great influence on you that it somehow changed your life, even for the littlest bit. That, to you, is a great movie...
Then came Lost in Translation. The first time I watched this movie, I felt a strange sense of depression that lasted for a few days, but I couldn't put my finger on why. I watched it again and again, and felt the same way each time. I thought maybe it was because I have never traveled and would really like to, or that I have the desire to find the perfect woman in a strange world.
Whatever the case, I realized one thing. LOST IN TRANSLATION MADE ME THINK. It made me question my life, its purpose, whether I was happy or not, and what I want do with it. Never has a movie touched me in such a way, and for that reason, this is the one of the greatest movies I have ever seen. That doesn't mean its the best movie ever made, in fact, I can name many that are technically better than this film, like the one I named before. But I cannot name a movie that has had more effect on me than Lost in Translation, and that is why I love it and will love it forever.
Think of the last movie that really made you think, one that had such a great influence on you that it somehow changed your life, even for the littlest bit. That, to you, is a great movie...
Did you know
- TriviaBill Murray's favorite film of his own.
- GoofsWhen John (Giovanni Ribisi) first runs into Kelly (Anna Faris) in the lobby of the hotel he calls her Anna.
- Quotes
Bob: It gets a whole lot more complicated when you have kids.
Charlotte: It's scary.
Bob: The most terrifying day of your life is the day the first one is born.
Charlotte: Nobody ever tells you that.
Bob: Your life, as you know it... is gone. Never to return. But they learn how to walk, and they learn how to talk... and you want to be with them. And they turn out to be the most delightful people you will ever meet in your life.
Charlotte: That's nice.
- Crazy creditsAt the end of the closing credits, Hiromix (Hiromi Toshikawa), seen throughout most of the party sequence, waves to the camera.
- ConnectionsFeatured in Kevin Shields: City Girl (2003)
- SoundtracksGirls
(2002)
Written by Tim Holmes and Richard Fearless (as Richard McGuire)
Performed by Death In Vegas
Courtesy of BMG UK & Ireland Ltd.
Under license from BMG Special Products, Inc.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Perdidos en Tokio
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $44,585,453
- Opening weekend US & Canada
- $925,087
- Sep 14, 2003
- Gross worldwide
- $118,688,756
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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