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The King Is Dead Kindle Edition
Ellery Queen and his father are meandering through breakfast when their apartment is invaded. Without making a sound, 2 men appear in the Queens’ living room, guns drawn, and proceed to search the place. When they’re done, a 3rd man follows: a paunchy little professor-type who happens to be the brother of a king. King Bendigo doesn’t rule a country, but his control of the international arms trade has made him one of the richest men in the world. It’s not surprising that somebody wants him dead.
Bendigo’s brother comes to the Queens to ask them to save the tycoon’s life—but they fail. The king is found dead in a hermetically sealed room, a bullet lodged in his heart. The murder is impossible to solve—that is, for anyone but Ellery Queen.
- LanguageEnglish
- PublisherMysteriousPress.com/Open Road
- Publication dateSeptember 29, 2015
- File size3530 KB
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About the Author
Product details
- ASIN : B013CUBZQM
- Publisher : MysteriousPress.com/Open Road (September 29, 2015)
- Publication date : September 29, 2015
- Language : English
- File size : 3530 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 302 pages
- Best Sellers Rank: #64,141 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Ellery Queen was a pen name created and shared by two cousins, Frederic Dannay (1905–1982) and Manfred B. Lee (1905–1971), as well as the name of their most famous detective. Born in Brooklyn, they spent forty-two years writing, editing, and anthologizing under the name, gaining a reputation as the foremost American authors of the Golden Age "fair play" mystery. Besides writing the Queen novels, Dannay and Lee cofounded Ellery Queen's Mystery Magazine, one of the most influential crime publications of all time. Although Dannay outlived his cousin by nine years, he retired Queen upon Lee's death in 1971.
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The King (the person's first name too) is shot and almost dies in a locked room par excellence. The basic means, for all the words and angst spent over it, is not that difficult to figure out, but some of the exact details and motives are. The psychology--and this is one of EQ's later works that focuses on psychology--is doubtful by today's standards and given in a report form. There's a tie-in to Wrightsville that seems unnecessary. Three-and-a-half stars for me: I spent several hours happily reading it (skimming parts), but I wouldn't read it again.
Top reviews from other countries
Before we get there, however, we must first endure what feels like a lampoon of a Roger Moore Bond, with Queen father and son taken to a reclusive, overweening oligarch’s secluded secret island, confronted by his immeasurable power, influence and wealth, his gorgeous trophy woman and his frank indifference to their mission of discovering who is threatening his life. What’s weird is that Bond himself was just a gleam in his author’s eye when this was published, with Casino Royale a year or so away still, so this setup is probably more original than the intervening years imply. It’s also a pretty fun context for an Ellery Queen detective novel, which is why it’s a shame there’s so little actual detection in it.
The vox populi would have it that (author) Ellery Queen can do no wrong but, while (detective) Ellery’s acumen once again comes to the fore and solves the underlying mysteries, this is really rather turgid once the detection begins (confined largely to one hideously over-long chapter, high on verisimilitude but low on narrative spice). The solution to the impossible shooting is also unfortunately rather tame, one that I had hoped would be a deliberate ploy before the fireworks began, and also slightly unusual in that it seems to regard such things as actual proof to be rather superfluous – surely an EQ first! The bigger mystery is how it takes Ellery and his father weeks and weeks to actually solve the thing...hardly demonstrating the precocious genius on show previously.
The King is Dead isn’t the most successful attempt at a locked room mystery, then, though many may prefer its understated directness to the histrionics of say John Dickson Carr’s grand guignol characters and tone (not me, though; Carr is a master). Remains a footnote in the history of impossible crime, and a weird one given its rightly-adored provenance; for completists only.