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238 pages, Hardcover
Published October 18, 2020
I have considerable uncertainty about the value of reading books, as I believe any rational agent should. Much of that uncertainty is empirical. It's most obvious why one should have empirical uncertainty in the case of unread books: one's information about them is highly limited and secondhand. It's still rather obvious in the case of nonfiction books, even after reading them, as there is no guarantee that the information they provide is accurate. Even credentialed experts might publish egregiously misleading things. You might think fiction I've read would be safe from empirical uncertainty, but no. Can I ever be sure that I noticed all the relevant features? Were there plot holes I missed? Authorial prejudices I failed to detect? Have I been consuming mediocrity and thinking it great only for lack of exposure to true greatness? (That isn't merely hypothetical - Worm and Harry Potter and the Methods of Rationality seriously raised the bar for me.)
Not all my uncertainty is empirical, though. I also have literary uncertainty - that is, uncertainty as to which theory of literary value is correct. There are many open, controversial questions in normative literature. For example, is a book's readworthiness at least partially a function of its author's character? Is a book's readworthiness agent-relative or agent-neutral? Are books worth reading at all?
I need a theory of how to act in the face of all this literary uncertainty. The simplest possibility, which recommends that I use the normative theory in which I have greatest credence, is woefully unsatisfactory - not just for the obvious reason that it completely ignores all but one normative theory in which I have non-negligible credence, but also because theory individuation is a fatal problem for it (much like how similar candidates splitting the vote is a serious problem in first-past-the-post electoral systems). It would be much better to have a theory that takes my whole credence distribution into account to determine expected readworthiness.That, of course, is a far more complex proposition, and raises some thorny problems of intertheoretic comparability. Like, is readworthiness really quantifiable? We do like to map the territory with star ratings, but what about the territory itself? It might be numerical, or it might be a merely ordinal ranking of books. How can we aggregate readworthiness according to theories that disagree on this fundamental question? Even if two theories both quantify differences in readworthiness, they might nonetheless be incomparable - they might have different ranges, and it might not be possible to identify a readworthiness value in each theory such that the two values are certainly equal. Speaking of ranges, positive affine transformations result in infinite proliferation of normative literature theories, further complicating the situation. Someone who rates every book 1 star might be using the 'same' theory, except for a simple transformation, as someone who rates every book 5 stars, and yet the difference sure seems to be meaningful.
Talking in terms of readworthiness has been obscuring yet another complication: theories of literary value are not necessarily monistic. There is, in fact, excellent reason to reject literary value monism: entertainment and information are two distinct goods that may be gained from reading. Of course, they're not necessarily the only two, and distinctions may be even more fine-grained than that - romance novels and hard science fiction novels both provide entertainment, but not the same kind of entertainment. Are tradeoffs between different kinds of literary value possible on all theories? If not, incomparability from the theories that deny tradeoffs threatens to propagate and undermine the whole project of determining expected readworthiness.
It seems the best I can do is as follows:
1) Insist that tradeoffs are possible and coerce readworthiness values for all books under consideration from all theories in my credence distribution, accounting for empirical uncertainty
2) For all groups of theories that quantify differences and are directly comparable, calculate expected readworthiness
3) Take the results from step 2 and and all theories that quantify differences but aren't directly comparable, and aggregate expected readworthiness by assuming each theory has equal variance
4) Take the results from step 3 and all merely ordinal theories, and use the Borda rule to generate a combined readworthiness ranking
5) For Goodreads purposes, make a reasonable assumption about the distribution of readworthiness (i.e., that it follows a normal bell curve), and derive star ratings from the ranking
Take this book, for example. After running the above algorithm for it and all other books that are known to me*...
... I have calculated that on expectation, I should rate it 5 stars.
Literary uncertainty has serious practical implications. We have extremely limited time in which to read, and if we spend some of that time improving our understanding of what makes a book worth reading, the benefits would potentially be enourmous. Consider Shakespeare: high schoolers all around the globe are required to spend considerable time reading, discussing, and performing his plays. But is Shakespeare actually that great, or did he just gain popularity late enough that his works remain intelligible to English speakers, yet early enough for competition to be scarce and for belief that he is great to be handed down through generations, proliferating and becoming tradition bordering on religion? Evidence that Shakespeare is not worth reading, in the hands of those with the power to act on it by modifying high school curricula, would be enormously valuable.
*No, I did not actually do this. That would be crazy.
Jane is at dinner, and she can either choose the foie gras, or the vegetarian risotto. Jane would find either meal equally enjoyable, so she has no prudential reason for preferring one over the other. Let’s suppose that Jane finds most plausible the view that animal welfare is not of moral value so there is no moral reason for choosing one meal over another. But she also finds plausible the view that animal welfare is of moral value, according to which the risotto is the more choiceworthy option.
Julia vurderer om hun skal kjøre fort rundt en uoversiktlig sving. Hun tror det er ganske usannsynlig at det er noen som krysser veien akkurat rundt svingen, men hun er ikke sikker. Hvis hun kjører fort og treffer noen, vil hun definitivt skade dem alvorlig. Hvis hun kjører sakte, vil hun helt sikkert ikke skade noen, men hun vil komme litt senere på jobb enn hun ville ha gjort hvis hun hadde kjørt fort.
Harry vurderer om han skal spise kjøtt eller et vegetarisk alternativ til middag. Han tror det er ganske usannsynlig at dyr har moralsk betydning, men han er ikke sikker. Hvis han spiser kjøtt og dyr faktisk har moralsk betydning, da begår han en alvorlig feil. Hvis han spiser det vegetariske alternativet, vil han helt sikkert ikke begå en alvorlig feil, selv om han vil nyte måltidet mindre enn han ville gjort hvis han hadde spist kjøtt.
"Every generation in the past has committed tremendous moral wrongs on the basis of false moral views. ... Given this dismal track record, it would be extremely surprising if we were the first generation in human history to have even broadly the correct moral worldview."