Stranded in 1955, Marty McFly learns about the death of Doc Brown in 1885 and must travel back in time to save him. With no fuel readily available for the DeLorean, the two must figure how t... Read allStranded in 1955, Marty McFly learns about the death of Doc Brown in 1885 and must travel back in time to save him. With no fuel readily available for the DeLorean, the two must figure how to escape the Old West before Emmett is murdered.Stranded in 1955, Marty McFly learns about the death of Doc Brown in 1885 and must travel back in time to save him. With no fuel readily available for the DeLorean, the two must figure how to escape the Old West before Emmett is murdered.
- Awards
- 5 wins & 11 nominations total
- Buford 'Mad Dog' Tannen
- (as Thomas F. Wilson)
- …
- Buford Tannen's Gang
- (as Sean Gregory Sullivan)
Featured reviews
Michael J. Fox , Christopher Lloyd and Mary Steenburgen are excellent at acting I have enjoyed their performances. Robert Zemeckis writes and directs excellent this sequel. Alan Silvestri writes a beautiful score for third film which it was shot back to back with the second film. I Love the new score for this movie.
Back to the Future Part III (1990)
I love that this film was set in the Old West back in 1885. I love the rescue mission in which Marty goes back in time from the year 1955 back in to the past in to the Old West to save his best friend Doc Brown from getting killed by an outlaw Buford Tannen. I love western movies and Marty McFly was naming him self as Clint Eastwood in this film which it was brilliant. They even make similarity from A Fistful of Dollars (one of my all time favorite western films) in which Marty wears a boiler plate as a bullet proof vest in which Buford 'Mad Dog' Tannen (Thomas F. Wilson) shoots Marty. This movie has comedy, adventure, action, bank robbery, train robbery, gun fights, fist fights and one explosion. Great acting from the actors, great direction and great writing, great score. This movie shows group of Indians, followed closely by Cavalry men who are chasing them. Doc saves Marty just before he would be hang by Buford and his men.
I did like that the film was more focusing on Doc and Marty the characters that we care about. Rather then Loraine and Biff like Part II did. The movie wasn't dark like the second was. I love how Doc and Marty pushes the DeLorean along the spur line, on the tracks attempting to get it up to 88 miles per hour. DeLorean then reaches 88mph and disappears...with the locomotive barreling over the side of the ravine, and exploding in a huge fireball, brilliant and well done special effect. I love that the movie does not messes with the first two movies and it is an original film I appreciate that.
It is Rated PG for language, sensuality and violence. It is a perfect film from the 90's that I have grew up with it. It is my second favorite film in the trilogy I love, love this film to death and doesn't deserve the hate. 10/10 Score: Bad Ass Seal Of Approval a perfect score for me.
"Back to the Future Part III" was directly made after the second, basically recycling the same material, and using the same team, the same casting etc. The continuity between the two films is so determining that there's no way watching the second without getting immediately to the third, it's like keeping in touch with the same family. Indeed, as much as I can watch the first one alone, because it's a class on its own and a film I consider slightly independent from the two sequels, on the other hand, I consider the sequels too connected to each other not to be seen in a row. This continuity helps to appreciate the second part that feels more like a link between the two other films while "Part III" resurrects the spirit of the first one by focusing on the emotionality rather than the eternal "back to the future" mission.
This has always been Marty's preoccupation and the thrust of the trilogy but the travels also had the merit to solve some familial issues and help a beloved character to improve something in his life, if anything, the trilogy defines the notion of 'coming-of-age' as the inspirational aspect of the film, its encouragement for success through self-improvement. But since people were facing less materialistic issues than during the 80's, I guess there was a need to take some distance from these so-called philosophies of successes and a huge step back one century earlier when the 80's followed the Secession War and preceded the Industrial Revolution that would lead to demise of the frontier spirit. The Far West is less a setting or an era, than a state of mind, embodying the roots of the American spirit in its purest form, before greed and profit perverted its meaning. The Far West setting perfectly fitted the tormenting desire of Doc Emmett Brown for retirement and a tacit existential quest for love.
Consequently, while the central character of the first film was George McFly and the second part focused on the McFly Family, Gale and Zemeckis took the last film as a great opportunity to enrich the character of Doc Brown and close his story's arc through a love story in order to replace the "mad scientist" label by a necessary element of three-dimensionality. On the surface, Marty's mission is to prevent Brown from being killed by the villain who –for our greatest delight- is Biff's ancestor, Buford "Mad Dog" Tannen, but while Marty and Doc try to find a solution to push the DeLorean to 88 mph, destiny puts them in Clara's path. So Doc meets Clara Clayton (Mary Steenburgen), a teacher whose fate was to fall in the Shonash ravine canyon and give it a posthumous name.
At that point of the trilogy, we're all aware of the time travels' mechanisms, we can even be surprised by Marty's incapability "to reason fourth-dimensionally", who he traveled so much. But here, the film invites us to put all the scientific stuff into perspective and think of the real elements that predefine our fates. There's a strong philosophical material hidden behind the love story as the film concludes its approach on time travels with the idea that nothing is written except by our free will and our capacity not to let external elements direct our lives. But I may make the film sound too intellectual when it's also a great comedy and one hell of a western.
The film is the opportunity to rediscover and say goodbye to the wonderful characters of Hill Valley, to see the first McFlys in American land, to witness the inauguration of the clock tower which, as Doc said, was fitting that he and Marty could witness, not to mention Marty pretending to be named Clint Eastwood, at the risk of tarnishing this name by becoming the biggest yellow belly in the Old West. And the delight on the comedic level is in the way the humor works on a meta-referential level as if the film was breaking an imperceptible fourth wall, playing on its own trademarks. I can't resist to the scene where Marty, realizing that he might be killed instead of Doc utters a "Great Scott" followed by Doc's comment "I know this is heavy", when Marty wonders why they always have to "cut these things so damn close" or when, in the most dramatic situations, he reacts by an ironic 'perfect'.
And speaking of dramatic, the film also provides great thrilling moments you'd expect from a Western, and probably the most heart-pounding climax from the trilogy with the train sequence, so suspenseful, I remember I had to pause for seconds the first time I watched it. This was one of the few times, I needed to take a break because it was just too suspenseful, but what a fitting and rewarding conclusion. Action, escapism, duels, stage, rides, Indians, cavalry, "Back to the Future Part III" is also an independent homage to the Western genre with some exhilarating moments, served by Alan Silvestri's terrific score, probably his best work in the trilogy.
And this is why I consider "Back to the Future" as the greatest trilogy after "The Godfather" with a slight advantage that remains the consistency in terms of spirit, thrills, laughs and emotional value. So thank you Robert Zemeckis, Bob Gale, Michael J. Fox, Christopher Lloyd and all the team for these three unforgettable classics!
For many years, in consideration of this one trilogy which served to inspire and excite me as to possibilities of the motion picture industry, I would look with a disappointment on BTTF Part Three, believing it to be an unwelcome, unexciting film which ended the legacy.
However, recently it came upon me to purchase the trilogy on VHS and re-experience it, as I had once did, though now from a more balanced perspective. I watched the first two Back to the Future movies avoided the third in the fear of being once again disappointed. Utter disappointment is no longer the feeling I can use to describe my take of the movie.
Back to the Future 3 is a well-written, well-directed, well-balanced piece. With an incredible musical score, brilliant acting and excellent composition, the movie reminded me that Back to the Future was never about action. It was truly about the characters we came to know and love in the first movie. It was a return to the basics, the friendship between Marty and Doc and how each was thrown through time to change not only the future of Hill Valley, but also their own lives and their future choices.
Robert Zemeckis' (the writer) decision to send the two friends back to 1885, in their final adventure, was brilliant. Imagery like the "famous Hill Valley courthouse under construction" and the "steam engine train wheeling up to the rear of the futuristic Delorean" was unforgettable. For example, the dancing at the Courthouse welcoming festivities contrasted with the action-laden scene (in BTTF2) between Griff and Marty at the same place just a century and a half later.
All in all, Back to the Future Part Three was a perfect ending to a perfect trilogy. To anyone who despises this film, I recommend another full watching. There are so many details which are kudos out to fans of the previous two movies. The movie successfully slowed the pace of the other two movies (in preparation for conclusion) without losing the loyalty of true fans. It captured the essence of what brought these fans to Back to the Future in the first place.
If you haven't seen it, rent and enjoy :) If you have seen it and wasn't particularly pleased, I beg another viewing.
L8r!
I doubt there are many people who will decide to watch 'Part III' of a trilogy first, so my advice is watch them all in order. Then you can experience the full magic of watching a young high school student (Marty McFly - played perfectly by Michael J Fox) get caught up in with his friend 'Doc Brown's' (played by the only person seemingly capable of upstaging Michael J Fox here - Christopher Lloyd) exploits with a time-travelling DeLorean car
There's a brief recap at the beginning of the film as to how our heroes have become stuck in the past and now they have to go further back to the Wild West in order to get home - don't worry, if that sounds confusing - it all makes sense if you've watched all three.
What you have here is a movie that feels totally at home in the 'Back to the Future' trilogy, but this time is set among cowboys and spittoons. It delights in poking fun of the time period and genre, plus gives us familiar faces/enemies in the form of series antagonist 'Biff Tannen's' long lost grandfather as a murderous outlaw - naturally hell-bent on causing all sorts of problems for our heroes. Plus we even have a love interest for Doc - which does add a new dimension to the story. Normally if a new character is introduced so late it feels a bit jarring - I'm glad to say that here the insertion of 'Clara Clayton' feels organic and a necessity to the overall story.
You may not love it as much as the first, you may also consider this (or the second) to be the 'weakest' in the series, but even if that's true - it's still fantastic family entertainment. There are few films that can be considered 'timeless' (especially those made today), but the 'Back to the Future' trilogy can still be enjoyed by the whole family and holds up as it ever did (even if it did fail to predict what 2015 would look like and many of us are still waiting for hover boards and Nike self-lacing trainers!).
'Rick and Morty' may be cool, but they'll never be as well-loved as those they are spoofing. Long may the 'Back to the Future' trilogy never be remade/rebooted/whatever. 'Part III' may only be an 8/10, but overall the series will always remain a 'perfect 10.'
Did you know
- TriviaWhen filming the scene where Buford "Mad Dog" Tannen tries to lynch Marty, Michael J. Fox was accidentally hanged, rendering him unconscious for a short time. He records this in his autobiography "Lucky Man" (2002).
- GoofsBlack bears do not live in the desert or the scrub lands. They are found in wooded areas, grasslands, mountains or where moisture is found, along with edible vegetation and other food sources.
- Quotes
Jennifer Parker: Dr. Brown, I brought this note back from the future and - now it's erased.
Doc: Of course it's erased!
Jennifer Parker: But what does that mean?
Doc: It means your future hasn't been written yet. No one's has. Your future is whatever you make it. So make it a good one, both of you.
Marty McFly: [Marty wraps his arm around Jennifer] We will, Doc.
- Crazy creditsThe film opens with all four versions of the Universal Pictures company bumper.
- Alternate versionsThe original 2002 DVDs for parts II and III had major framing errors when the wrong areas of the open-matte frame were transferred (known as the "framing fiasco"). This is noticeable for several minutes in each movie and usually manifests as too much sky and missing objects at the bottom. Universal had replacements ready by 2003. A sample from part III is the fuel injection manifold exploding out of the car, which is supposed to be visible. Copies with a "V2" next to the copyright notice on the disc (on replacements only; in trilogy sets a "V2" is on the II disc), the 2009 single-disc reprint, and the 25th anniversary sets are OK.
- ConnectionsEdited from Back to the Future (1985)
- SoundtracksDoubleback
Written and Performed by ZZ Top
Courtesy of Warner Bros. Records
Available on Warner Bros. Records
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Volver al futuro III
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $88,277,583
- Opening weekend US & Canada
- $19,089,645
- May 27, 1990
- Gross worldwide
- $245,077,583
- Runtime1 hour 58 minutes
- Color
- Sound mix