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Housman Country: Into the Heart of England Paperback – June 19, 2018

4.4 4.4 out of 5 stars 68 ratings

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A New York Times Book Review Editor's Choice and Nominated for the 2017 PEN/Bograd Weld Prize for Biography

A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness

A. E. Housman’s
A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print.

In
Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. The poems were taken to war by soldiers who wanted to carry England in their pockets, were adapted by composers trying to create a new kind of English music, and have influenced poetry, fiction, music, and drama right up to the present day. Everyone has a personal “land of lost content” with “blue remembered hills,” and Housman has been a tangible and far-reaching presence in a startling range of work, from the war poets and Ralph Vaughan Williams to Inspector Morse and Morrissey.

Housman Country is a vivid exploration of England and Englishness, in which Parker maps out terrain that is as historical and emotional as it is topographical.

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Book recommendations, author interviews, editors' picks, and more. Read it now

Editorial Reviews

Review

The Financial Times, the Spectator, the Evening Standard and the Sunday Times Best Books of 2016

"Parker ably charts the weird but potent energies of Housman's poetic economy . . . Many of the responses, tributes, and recollection unearthed by Parker are both striking and moving . . . For numerous readers, Parker demonstrates in rich and varied detail, Housman's poetry both articulated and incarnated 'the land of lost content.'"
Mark Ford, New York Review of Books

"Peter Parker’s beautifully written
Housman Country is about how A Shropshire Lad (1896) similarly affected young people, especially young men, during the first part of the 20th century. While partly biographical, it’s mainly a cultural history of a certain sort of romantic, nostalgic Englishness . . . highly recommended." Michael Dirda, Washington Post

"[A] fine exploration . . . Housman once described his poems as a kind of 'morbid secretion,' so what is their special appear to his countrymen? Parker offers an answer: 'At heart, Housman was a romantic -- though a romantic of a peculiarly doom-laden and tight-lipped English variety: Because one is lapidary, it does not mean one has a heart of stone.' Indeed."
Alan Riding, New York Times Book Review

"[Parker] offers a sensitive, well-researched study of the poet and his time . . . Mr. Parker is an unabashed enthusiast who makes a spirited case for the artistic merit of the work . . . Mr. Parker’s labor of love is enriched by a remarkable breadth of research and is guided by keen intelligence, and only a foolhardy writer would have the hubris to undertake another book of its kind."
Jamie James, Wall Street Journal

"Nobody could do it better. [Parker] has sympathetically explored the nature of Housman himself, and the intellectual climate of his day, and the particular sense of mingled pride, resentment and tragedy that was to haunt the England of his time...Parker explores far more profoundly than I can the personal, historical and intellectual impulses that created
A Shropshire Lad." Jan Morris, American Scholar

"An excellent, wholly attractive presentation of [Housman's] life and work by Peter Parker...who writes about his subject in such a way that suggests he is a good candidate for Housman’s ideal reader. In its combination of biographical and literary criticism, historical acuity, and finely tuned response to the “landscape” of Housman’s achievement, Parker provides an introduction to the poet that goes deep “into the heart of England,”as his subtitle has it."
William H. Pritchard, Commonweal

"Parker is a master of portraying Housman's various moods throughout his life . . . Parker's
Housman Country is a huge book of careful scholarship lightly worn." Michael Langan, NBC-2

"Writing with elegance and an informed knowledge of the subject both deep and broad, Parker contributes a cultural history that itself is as distinguished a work of literature as its focus, a book often considered the first great classic of modern literature in English."
―Booklist (starred review)

"A jolly good nostalgic walk through Housman country . . . [A] capacious, generous work of literary and cultural history...Delightful, enchanting, and learned."
―Kirkus

"This work embodies Englishness, with its focus on the rural and its elegiac tone . . . An enjoyable and informative account of a much-loved collection."
―Library Journal

"
Housman Country offers three books for the price of one: a lucid biographical portrait; a study of Housman's lasting influence on our culture; and, as an appendix, the whole of A Shropshire Lad. The poet who emerges is complex: cheery, grumpy,generous, begrudging, gentle and robust . . . As Parker shows in his fine study, the borders of Housman land are uncontrolled and stretch as far as Russia and China.” Blake Morrison, The Guardian

"In offering this rich blend of literary criticism and cultural history, Parker proves to be the perfect guide to what he calls 'Housman Country', measured and discreetly witty . . . his fine book reminds us why so many readers still have passages of
A Shropshire Lad by heart." Robert Douglas-Fairhurst, The Spectator

"Peter Parker's new book is much more than a biography, and having lured us into Housman's life with a magpie's eye for detail, he then sets out on a tour of Housman Country
not a geographical area but a landscape of the mind in which 'literature, landscape,music and emotion' all contribute.” Maggie Ferguson, The Economist

“This excellent and extraordinarily thorough biography … reminds us why [Housman] was so celebrated and how pervasive his influence on British culture has been.”
Mark Cocker, Sunday Telegraph

“[A] glorious fantasia on a theme of Housman … Peter Parker’s book is replete with fabulous observations.”
Roger Lewis, The Times

“Peter Parker’s study of the poems as a cultural phenomenon is an elegant guide to the “land of lost content” ― an England of the imagination whose grip on the national psyche has proved curiously tenacious.”
Jane Shilling, Evening Standard (Books of the Year)

About the Author

Peter Parker was born in Herefordshire and educated in the Malverns, Dorset and London. He is the author of The Old Lie: The Great War and Public-School Ethos and biographies of J.R. Ackerley and Christopher Isherwood. He edited the Reader’s Companion to the Twentieth-Century Novel and The Reader’s Companion to Twentieth Century Writers, and was an associate editor of The Oxford Dictionary of National Biography. He writes about books and gardening for a wide variety of newspapers and magazines and lives in London’s East End.

Product details

  • Publisher ‏ : ‎ Farrar, Straus and Giroux; Reprint edition (June 19, 2018)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 546 pages
  • ISBN-10 ‏ : ‎ 0374537860
  • ISBN-13 ‏ : ‎ 978-0374537869
  • Item Weight ‏ : ‎ 1.75 pounds
  • Dimensions ‏ : ‎ 6 x 1.22 x 9 inches
  • Customer Reviews:
    4.4 4.4 out of 5 stars 68 ratings

About the author

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Peter Parker
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Peter Parker is the author of biographies of J.R. Ackerley and Christopher Isherwood, The Old Lie, The Last Veteran, Housman Country and A Little Book of Latin for Gardeners. He has edited A Reader's Guide to the Twentieth-Century Novel, Reader's Guide to Twentieth-Century Writers, and a two-volume anthology, Some Men In London: Queer Life 1945-1959 and 1960-1967. He is an advisory editor of the Oxford Dictionary of National Biography. He wrote introduction to G.F. Green's In the Making and contributed essays to Britten’s Century and Fifty Gay and Lesbian Books Everybody Must Read. He has written about people, books, art, architecture and gardening for a wide variety of newspapers and magazines.

Customer reviews

4.4 out of 5 stars
4.4 out of 5
68 global ratings
If you wish to know the power of unrequited love and its unfaltering potential
5 Stars
If you wish to know the power of unrequited love and its unfaltering potential
If you wish to know the power of unrequited love and its unfaltering potential, Housman Country is the book that should be read. Mr. Parker, yet again, proves to be a skilled storyteller, surprising the reader with even the minimal details that otherwise may not make much difference. But that is not all. Mr. Parker makes you mourn the completion and there are parts that make you want to keep everything aside and hug Housman.(There is a treat at the end!)
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Top reviews from the United States

Reviewed in the United States on August 22, 2017
In 1896, A.E. Housman (1859-1936) published a poetry collection that might have seemed an unlikely candidate for one of the most popular books of poetry of all time. And yet it was, and is. Pocket editions of “A Shropshire Lad” were carried into the trenches by British soldiers in World War I. Countless editions were printed from 1896 to well after Housman’s death, and the book is still published today. It was widely read not only in England but also Canada, Australia, the United States, and many other countries.

It is not about war, and yet to speaks to the experience of war. It is not about the Industrial Revolution, and yet it looks backward to a time and a place idealized because of what the Industrial Revolution wrought. Critics generally didn’t like it (and haven’t liked it since), but the reading public loved it.

Author Peter Parker explains why, in the recently published “Housman Country: Into the Heart of England.” More than another other book of poetry, more than any other novel, “A Shropshire Lad” is about England, what it meant, what’s been lost, and what’s endured. It is nostalgic, but it is nostalgia with a bite, what Parker calls “true nostalgia,” the past you can recognize but never regain.

“It is when the Lad is furthest away from his country,” he writes, “looking back at it from exile in London, that he finds it most appealing, and this reflects the nostalgia of not only of Housman himself, obliged to abandon the rural scenes of his youth in order to earn a living in the capital, but of a large swathe of the English population.” That nostalgia is not only English but American and Canadian as well. But it is inherently English, and the collection framed the broad understanding of what England was and what it still is.

Parker also undertakes an extensive investigation of how “A Shropshire Lad” came to be. Housman wasn’t a Shropshire lad himself; he was actually born and raised next door in Worcestershire. During his school days, he had a distant view of the Shropshire hills from his window, but he never spent much time there.

The collection was born of Housman’s own experiences, stories he heard while growing up, and even, Parker says, a very long infatuation with a fellow Oxford student and close friend, Moses Jackson, who did not return Housman’s interest. The strains of that infatuation play through “A Shropshire Lad,” and it may be that sense of rejection and being an “outsider” that also appealed to so many readers.

The work was not written as a collection of war poetry, but it undoubtedly influenced the famous poets of World War I, including Wilfred Own, Siegfried Sassoon, and Rupert Brooke. But it became strongly associated with was. “It was the war itself,” Parker says,” that made Housman a war poet, and one of the reasons why is that World War I was the first war fought not be professional soldiers but by volunteers and conscripts, just like those lads from Shropshire.

Parker is the author of “Ackerley: The Life of J.R. Ackerley” (1991); “Isherwood: A Life Revealed” (2004); “The Old Lie: The Great War and the Public School Ethos” (2007); and “The Last Veteran: Harry Patch and the Legacy of War” (2009). He writes about novelists, poets, World War I, and gardening for a wide array of publications, including The Spectator. He lives in London’s East End.

“Housman Country” is a significant achievement in scholarship. In addition to the narrative, the book includes an extensive bibliography, notes, and table of contents, as well as the entire text of “A Shropshire Lad” as an appendix. It’s a moving work, reminding us of how our understanding of a poem or a poetry collection, comes to be, and what makes certain poems resonate so deeply within our minds.
7 people found this helpful
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Reviewed in the United States on March 1, 2018
I found this book fascinating, as I had always loved his poetry, but in a vacuum, so it was an eye-opener to see the context in which they were created. I also found it very helpful that the entire "A Shropshire Lad" was included in the book so it was easy to check various poems that were referred to in the text.
Reviewed in the United States on May 22, 2018
There are no words to describe the joy I felt while reading. As a voice major in college years ago I sang music with words of AEH. Of course the burial at the conclusion of Out of Africa was a poignant reminder
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Reviewed in the United States on September 21, 2016
I caught the Housman bug 65 years ago at school, when I was sixteen. I still have many of the poems to heart. Peter Parker'sbook considers Housman and the effect, influence and spread of his immortal verse from a number of cultural, social and specifically English perspectives. Ricjly illuminating.
18 people found this helpful
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Reviewed in the United States on July 26, 2017
I'm a slow reader, but what I have so far read has been informative and of much value to me, a life-long Housman fan. I am so pleased to have it along with a large Housman collection of poems and critiques,
R.L. Stivelman, M.D.
3 people found this helpful
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Reviewed in the United States on October 9, 2017
A very good book for understanding Housman's place in the public imagination from 1900 to the present. Also fills in gaps in his biography. Having all the Shropshire Lad poems in the book is a real aid to readers.
Reviewed in the United States on October 27, 2018
A fantastic read, especially if you’re a fan of A. E. Housman, which I am. Loved it.
Reviewed in the United States on September 26, 2017
Mostly very interesting, but too detailed in the later chapters as to any mention of Housman and his poetry in music and the arts.

Top reviews from other countries

Amazon Customer
5.0 out of 5 stars An unbeatable review of Housman’s life and works.
Reviewed in the United Kingdom on June 7, 2018
This has taken some time to read mainly because the subject warrants careful study but also because I found myself wanting to reflect on what I read and to go back and re-read parts. It is an essential book if you want to understand Housman’s life and work and the quality of his verse. The book also puts it into both the literary and social contexts that a Shropshire Lad particularly relates to and reflects. It’s well written and must be considered an indispensable contribution to English literature in general and to understanding the poetry of the time.
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UES Reader
4.0 out of 5 stars Good book, but no photographs???
Reviewed in the United Kingdom on August 12, 2016
Good things first: this is well written, it has many interesting observations to make, and it's very enjoyable. For fans of Housman or 20th century English poetry at all, or additions to 20th century gay literature, this is a must. It deserves a wide audience which it probably won't get. I'm not even sure if it is to be published in the US at all.
Criticisms: How can you possibly publish a large size book like this in 2016 and not have photographs? Everyone expects them, they add enormously to your subject, and in this case, they are abundantly available, not just, as with some subjects, a bunch of stock shots that everyone has seen. It would have been comparatively easy to get say 10 pages of very good black and white photographs to print in a section on glossy paper as is the normal case. I regard that as a serious, though not "disqualifying" omission.
8 people found this helpful
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Peter Henry
5.0 out of 5 stars A splendid Social and cultural study of Housman
Reviewed in the United Kingdom on January 11, 2018
This is a marvellous book. It is a mini biography of the poet but also sets the poem in its cultural context and shows why it has enduring popularity. Parker writes very well on the poem but he is also very knowledgeable on the music of the period; I also found Parker's section on the influence of Housman on other writers ( particularly EM Forster) fascinating. The book also prints the whole of A Shropshire Lad. Very interesting and wide ranging.
2 people found this helpful
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Brian A Sparkes
5.0 out of 5 stars A perfect Parker
Reviewed in the United Kingdom on August 25, 2017
Parker's book is brilliant, very well constructed and with a wealth of detail. It expands from a sympathetic picture of Housman and his poetry to a wide-ranging review of the way in which his poems were chimed in with the English landscape and English music. Parker also paints a vivid picture of Housman's 'lads' in WW1 and takes the reader on a journey through England in the inter-war period. I am already reading it for a second time.
2 people found this helpful
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Mr. H. G. Thompson
5.0 out of 5 stars The Lad Brilliantly Framed
Reviewed in the United Kingdom on December 16, 2017
I have always loved the poem and its place in our History,Housman is a bit more iffy. Now I love the poem even more,its context brilliantly framed in so many ways by Peter Parker,Housman however will always remain a bit iffy,as some are. Another example of look at the art not the artist.
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