You know when they say “You’re killing it!” to compliment you on doing an awesome job at whatever it is you’re doing great? Despite the title, Finlay Donovan is definitely NOT killing it. At least not in that way…
I had been wanting to read this one for a while now. I’ve never been one for mysteries like this, but the entire concept of it sounded over the top and ridiculously fun, and to me it really was. It’s over the top, ridiculous, and fun, and so therefore it should be taken that way. If you’re looking for a somewhat cozy mystery, Elle Cosimano has got your back. It’s an entertaining ride that follows an unrealistic scenario.
See, Finlay is simply trying to make ends meet. She’s a struggling, recently divorced single mother of two, her nanny just got fired by her ex-husband (who cheated on her with his now-fiancé), she has a looming dealing to meet for her upcoming book, and she’s broke. With no money to pay the stacking bills on her table, her only hope is making it through with her novel. While she’s meeting with her literary agent, a stranger overheard and completely misunderstood what Finlay does, mistaking her for a hired assassin. When said stranger offered fifty grand to kill her husband, Finlay knows she can’t really walk away from it, and just when she thinks she’s walking away from it all, it just keeps coming back for her. And so we follow Finn as she becomes tangled up in a web of misunderstandings and killings and murders that are actually not done by her. The author makes the experience fun and clean, without relying on violence and unnecessary profanity that makes the reading experience unnecessarily gory. Instead, it’s simply fun and chill, despite the fact that Finlay is a hired assassin who is actually not an assassin.
Seeing Finlay become entangled through different ways was amusing as heck. With the help of Vero, the nanny that was fired and ended up becoming Finn’s partner in crime, their shenanigans are easy to follow. The author provides enough detail on having an imaginary connection to what is happening. I could easily envision what was happening, as the author didn’t only rely on telling and showing but also describing with enough crucial detail to get an understanding of what exactly is happening. I find the writing strong to be when authors describe to us what is happening and what the characters are doing. It makes it feel like we are alongside them, somehow, seeing everything unfolding. The writing is also really easy to follow, never unnecessarily complex yet simple enough.
The tone of the story is humorous. Mystery, humor, and a small and predictable romance threading its way on the side, Finlay Donovan Is Killing It offers a much needed break from a lot of other mysteries. There is always something happening, and Finlay can’t seem to catch a break. Just when she thinks she’s free, it comes back for more. How she walks away and doesn’t get caught is really beyond me, but that’s besides the point. The mystery aspect is honestly not the strongest, and I think it’s because the whodunnit part is solved pretty early on. However, there still is mystery, but it’s much more scattered than the traditional kind—who did what, who is involved, what happened to x, y and z, how is Finlay going to come out of this, will she be caught, etc.
Her platonic relationship with Vero is comical and loving. The two are opposites but work so well together. We also see a bit of character development from Finlay, and it’s spread throughout. She’s not a doormat from the beginning or anything but instead has the usual insecurities anyone her age would have, especially a mother. She’s scared of losing custody of her children; scared of not being enough for someone; scared of not making another successful book hit; scared of not being a good mother. I felt for Finlay, and I found the author to write her character compelling enough. She had personality and warmth, and wasn’t just a mystery character that was put as the protagonist to add to the mystery only. Instead I found her to have depth and character. It was easy to root for her and see how she would be challenged with the hardships she’s facing in life, personal or not.
Vero was definitely my favorite character, though. Her sass, wit, and quick temper made for a perfect combination of enjoyable and even inspiring. I loved how quick she was to jump to Finlay’s defense and was there to help her with the kids no matter what. She was a bit more logical and analytical, which does make sense considering she’s studying to be an accountant, and it showed in her character’s actions. She was 22 and acted like one, and never once did I find myself feeling like Vero was immature or messy. I thought her character was a much needed side to Finlay’s. Vero’s personality is vibrant and kind, despite how fiery she can be. I cannot wait to see how she also grows as a person but also partner in crime with Finlay.
I wasn’t a fan of the love triangle, as I don’t like them in general. I think it’s so unnecessary. It’s ironic how Finlay’s fictional story is connected to her own. It’s weird, but if you go along with it, it can be fun. Regardless, I’m a fan of Julian, but I’ve accepted, realized and learned that he will not be it for Finley, and that’s okay. Nick is pretty swoony himself, so it’s not that I could blame Finlay. I mean, not that I’m the biggest fan of cops in real life but fictional? Mmm. Regardless, I wish there was only one man involved in the picture (or better yet, no one!) And I can’t really say this is a spoiler because the blurbs for books two and three literally mention Nick only, not Julian, so I’d say it’s pretty damn obvious who Finlay chooses (in case you still can’t tell, it’s Nick).
The ending of this has me literally itching to get to the next book. I will be at work tomorrow thinking about it all day and excited to dive into it.