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Zorba the Greek (Korean Edition) Hardcover – January 1, 2011
Purchase options and add-ons
- Publisheropenbooks
- Publication dateJanuary 1, 2011
- ISBN-108932909342
- ISBN-13978-8932909349
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Product details
- Publisher : openbooks (January 1, 2011)
- ISBN-10 : 8932909342
- ISBN-13 : 978-8932909349
- Item Weight : 1.2 pounds
- Best Sellers Rank: #462,326 in Books (See Top 100 in Books)
- #11,540 in Classic Literature & Fiction
- #23,793 in Literary Fiction (Books)
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Zorba is an unforgettable character, a great literary creation. His spirit is contagious and revealing of our own cowardness and pettiness. But he's much more than a simple Dyonisus. Zorba bears the burden of a deep sorrow, and is haunted by all the people he killed in the Balkan Wars. Even so, he understands it is not worth it to live engaged in sad memories, and that is necessary to live to the fullest, as each person defines it. A great novel.
I approached this book from two wildly uninformed angles. The first was from either having seen, or believed I had seen, the Anthony Quinn version of Zorba the Greek in the 1960s movie. A swarthy, swashbuckling Mediterranean was what I remembered. In high school I struggled through another Nikos Kazantzakis novel but remembered it as “great literature”.
No matter how I came to it, Zorba is a wonderful, wonderful read with a story and characters which etch themselves into your soul. The narrator sets out on a journey to resurrect a mine on the island of Crete. Early on he picks up a companion- the older and far more experienced Zorba - to help run the mine. Sancho Panza step aside (check the reference).
Zorba invades the narrator’s physical and psychological space. In their first meeting Zorba suggests he can work at anything - after all he has arms, legs and a head. Oh, and he can also smell minerals in the earth. And, a good thing since the narrator is headed to Crete to hire a crew to mine lignite.
Zorba disrupts the narrator’s obsession with books. The spoken word, not just the written word, allow the writer/narrator to develop. Zorba’s lusts - food, work, sex - are as contagious as they can possibly be. The narrator doesn’t transform to become Zorba, he adapts to become a better, fuller version of himself.
Kazantzakis provides plot, characters, and Buddhist ruminations. Indeed, Zorba the Greek was written when existentialism was in full bloom. (The author came in second by one vote in Nobel Prize voting to Albert Camus in 1957). Most existential writing is anxious, verging on desperation and ennui. Zorba the Greek is life - some triumphs, more tragedies with a constant movement forward. Change happens.
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Reviewed in Brazil on May 9, 2019