Shaun of the Dead

Shaun's nearing 30, stuck in a crappy sales job, and his girlfriend Liz is unhappy with the amount of time he spends with his ultra-slacker B-class drug dealer friend, Ed, at their local pub, the Winchester. When Liz dumps him, Shaun's so glum he doesn't even realise that London's been overrun with flesh-eating zombies. But somewhere within his console-happy lazy self, a hero is born.

I can't even begin to emphasise how cool this quintessentially British film is. The amount of time it takes for Shaun (Simon Pegg) and Ed (Nick Frost) to realise anything's wrong is priceless. Director Edgar Wright, who co-wrote the film with Pegg, also demonstrates that there's little difference between glassy eyed commuters and their undead brethren.

The plot rips along beautifully and parodies both the romantic comedy and zombie genres, while at the same time remaining true to them. Hopefully a new genre, the romzom com, has been born – incidentally, that's where you can go to find out more about the movie – romzom.com. The fabulous supporting cast includes Bill Nighy (Love Actually) as Shaun's supercilious stepfather, Penelope Wilton (Calendar Girls) as Shaun's absent-minded mum, Dylan Moran (Black Books) as Liz's snooty housemate David and Lucy Davis (The Office) as wannabe actress Diane.

Shaun of the Dead was partially inspired by the classic zombie flick, Dawn of the Dead. Its creator George Romero was reportedly so impressed with Shaun of the Dead that Simon Pegg and Edgar Wright are taking on cameo roles in Romero's latest instalment, Land of the Dead.

Shaun of the Dead is one of the best comedy of 2004 and a must-see for all rom zom com (romantic comedy with zombies) afficionados. ****½/***** stars.

Shaun Of The Dead was an absolute comedic treasure. From the punny name itself (poking fun at Dawn of The Dead) to the beginning and then to the end, this movie was an absolute laugh and masterfully written. There's so many funny one liners throughout and an actual story line behind everything. Every time I watch this, I notice new Easter eggs of funny or witty things included. The whole movie is just the perfect blend of humor and an actual story line with drama and suspense. There's never been such a success movie before that's done what this movie has done. Absolutely recommend this movie to anyone.

The first of the Cornetto trilogy, sees Shaun, his mum and a small bunch of friends battling a hoard of flesh eating zombies.

I'm staggered to see an IMDb rating of 7.9, what on Earth have some people seen, that I haven't, it's an out and out classic. Shaun of The Dead is an absolute riot, a mix of horror and comedy, with a very British flavour.

It's one of those films that simply doesn't get tired, it doesn't matter how many times you watch it, it is just so appealing.

Can't decide what the best bit is, there are so many contenders, but final encounter in the pub, and zombie girl in the garden, there are a hoard of moments that can be chosen.

Zombie comedies had been tried before, and have been tried since, but none even come close to this, Pegg and Frost nailed it.

10/10.

The great British sit-com has undergone something of a revival in recent years. Galvanised by the new wave of smart, sassy imports from the US, the Brits have girded their loins and produced a spate of quality comedies that have banished memories of the bland, identikit dross of the late eighties and early nineties.

One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.

Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).

When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.

Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.

Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.

What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.

8/10

Shaun of the Dead is an incredibly entertaining and cleverly crafted film that seamlessly blends horror and comedy genres. The film follows Shaun, a dead-end retail worker who finds himself battling an undead horde in the midst of a zombie apocalypse. The humor in the film is top-notch, with hilarious one-liners and perfectly timed jokes that keep the audience laughing throughout.

What makes "Shaun of the Dead" so unique is its ability to balance the humor with genuine moments of heart and emotion. The film is a perfect blend of witty banter and heartfelt character development, making the audience genuinely care about the characters and their journey.

Director Edgar Wright's sharp direction and clever editing style make for a visually stunning film that is as entertaining as it is visually impressive. The performances by Simon Pegg and Nick Frost are also worth noting, as they bring a level of chemistry and humor to the screen that is unmatched.

Overall, "Shaun of the Dead" is a must-watch film for anyone who loves horror, comedy, or just great filmmaking in general. With its perfect balance of humor and heart, it's no wonder that this film has become a cult classic and remains one of the most beloved comedies of all time. It deserves a solid 8/10 rating for its ability to make audiences laugh, care, and come back for more.