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In Conquest Born Mass Market Paperback – November 1, 2001
- Print length560 pages
- LanguageEnglish
- PublisherDAW
- Publication dateNovember 1, 2001
- Dimensions4.21 x 1.44 x 6.71 inches
- ISBN-100756400430
- ISBN-13978-0756400439
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About the Author
Product details
- Publisher : DAW; Anniversary edition (November 1, 2001)
- Language : English
- Mass Market Paperback : 560 pages
- ISBN-10 : 0756400430
- ISBN-13 : 978-0756400439
- Item Weight : 11 ounces
- Dimensions : 4.21 x 1.44 x 6.71 inches
- Best Sellers Rank: #1,938,313 in Books (See Top 100 in Books)
- #18,583 in Space Operas
- #30,267 in Science Fiction Adventures
- #34,906 in Epic Fantasy (Books)
- Customer Reviews:
About the author
Born in New York City in 1957, Celia S. Friedman inherited the writing bug from her father, technical writer Herbert Friedman, and has been putting pen to paper since she learned how to read. At age 12 she discovered science fiction and realized it was the ultimate form of literature in the universe; she has been writing science fiction and fantasy ever since then.
Celia's original career as a theatrical costume designer left little time for writing, but she managed to sandwich in enough work between dress rehearsals and university teaching positions to put together her first novel, IN CONQUEST BORN, which she sold to DAW Books in 1985. By 1996 she had become successful enough as a novelist that she decided to quit her job as costume designer and write full-time. She has never looked back.
To date Celia has published 14 novels, including the highly acclaimed Coldfire Trilogy (BLACK SUN RISING, WHEN TRUE NIGHT FALLS, CROWN OF SHADOWS) and the groundbreaking science fiction novel THIS ALIEN SHORE, which was a New York Time Notable Book of the Year. Her most recent novel, THIS VIRTUAL NIGHT, was included in Newsweek's list of "25 Must-Read Books to Escape the Chaos of 2020". THE DREAMING KIND is her first short story collection.
Celia lives in Northern Virginia with two very spoiled cats who insist on helping with the typing. If you find any typos in her books, blame it on them. In her spare time she LARPs, plays with molten glass, and hangs out with the Society for Creative Anachronism.
For more information please visit her web page, www.csfriedman.com
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AUTHORS NOTES
I began working on the background material for this novel in high school. With starmaps tucked into the backs of my notebooks and short stories masquerading as note-taking, I was thus able to spend of my school time focused on something far more important than education: world-building. Over time the original concept evolved into something more complex and ambitious, and a collection of interconnected stories began to emerge. In 1978 I was encouraged by a friend “with connections” to develop them into a novel and try to sell it. Alas, I was in grad school by then, which left little free time for writing. It was not until 1983 that I finally organized the “project from hell” into a novel proper and turned it in to DAW books. They bought it immediately, and the rest, as they say, is history.
In Conquest Born is, at its heart, a Cold War tragedy: two peoples so long committed to war, so molded by an endless cultural conflict, that “peace” is no longer in their vocabulary. A millenial war punctuated by unstable truces has become the centerpiece of both civilizations, to the detriment of both cultures. Against this background two leaders arise, challenging all that their peoples have become, locked together in a vendetta that borders on sexual obsession.
It’s a story that gained in depth and complexity every year I worked on it, and while very little of the material in the completed novel came from those early years — most was written the summer before I turned it in — the characters, the universe, and the underlying themes resonated in a way you can only get when you have spent 12 years polishing your concepts.
Don Wollheim accepted the MS for DAW books ‘as is’, declaring he “would not change a word”, but his rapid decline in health meant that his daughter Betsy Wollheim had to take over the business and thus my manuscript.
In a scene which I immortalized in the introduction to the Anniversary edition of the novel, she and I bonded over food (better than a contract for New York Jews) and then proceeded to discuss my manuscript. Hesitantly, she broached to me the idea that maybe the story was a bit more fragmented than a novel should be, and maybe I should add a bit more detail to a few spots. I responded by throwing out about 30% of my work and rewriting the whole novel…which she spent the next 15 years feeling guilty about… guilt being yet another important component of New York Jewish relationships.
What resulted was an infinitely better novel than my original work could ever have been, which won Betsy a place in my personal pantheon of “Editor-Goddesses”, as well as a permanent card in my rolodex of Best Friends Ever. For the 15th anniversy edition I finally was able to add a much-needed glossary, which I just hadn’t had the time to write the first time around.
In 1991, Rick Umbaugh (who had delivered In Conquest Born to DAW and thus kick-started my writing career) reminded me that one page on the original manuscript had never made it into print. When I had sent the manuscript to him back in ’83, I had apparently scrawled a note to him across the top page with a Sharpie:
I WILL NEVER DO THIS AGAIN!
Rick, bless his evil soul, had left that page in place when he delivered the package to DAW. And so (I found out a decade later) the first words of mine that Donald Wollheim ever saw was my vow to never write another book.
Fortunately for me, no one took it seriously.
Fortunately for Rick, I didn’t find out about it until he had moved faaaaaaar away.
Thank you.
Top reviews from other countries
But there is an incredible amount of original ideas in this story.
I like this book more than her other work. I admit the others are better crafted with more experience how to prune the side branches.
But, well, so this not a polished gem, it is an amazing amber from the beach.
This is one of the books I will certainly reread some time.
Faults are obvious: there are at least two hundred pages more than there need to be; flow is almost non-existent, with chapters reading more like strongly interconnected short stories; much more telling than showing; poorly disguised info-dumping; lots of padding. The whole thing is built upon such unlikely and contrived histories, societies, and events, that it threatens to fall if somebody sneezes too loudly. Also, it's barely SF - ICB would require very little to translate into an out-and-out Fantasy milieu, and would be much more comfortable there (it's set far, far into the future and writ wide across the galaxy, but there's only lip service paid to these facts, and little to no sense of deep history).
Yet it was also often compelling (sporadically highly so), with main characters that at least hinted at depth and intricacy (they were certainly spectacularly flawed); and it kept me turning the pages without any compulsion to skim. More Mud than the Dune it aspires to, but even in mud things can gleam.