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Art as Experience Paperback – July 5, 2005
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- Print length371 pages
- LanguageEnglish
- PublisherTarcherPerigee
- Publication dateJuly 5, 2005
- Dimensions5.14 x 1.03 x 7.9 inches
- ISBN-100399531971
- ISBN-13978-0399531972
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- Publisher : TarcherPerigee; 1st edition (July 5, 2005)
- Language : English
- Paperback : 371 pages
- ISBN-10 : 0399531971
- ISBN-13 : 978-0399531972
- Item Weight : 11 ounces
- Dimensions : 5.14 x 1.03 x 7.9 inches
- Best Sellers Rank: #117,685 in Books (See Top 100 in Books)
- #41 in Philosophy Criticism (Books)
- #45 in Philosophy Aesthetics
- #197 in Arts & Photography Criticism
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Dewey's pragmatic philosophy emphasizing social relations between humans was hugely influential in social sciences like sociology, where he clearly inspired writers like Erving Goffman and anthropology (see Roy Rappaport) His influence has been less notable in the field of aesthetics and art theory, and that's a shame, because in my mind, Art as Experience is the best book about the role of Art in human experience ever written.
Art as Experience starts from the observation that there can be no Art without an Audience- the two are intertwined because humans are social creatures and none of us exist in isolation. This statement about the nature of Art stands in direct contradiction to the two main schools of art philosophy: Classicism, which holds that Beauty is an objective truth that exists outside the experience of any single person and Romanticism, which postulates that the Artist stands alone in the world, without reference to his human environment.
Much of the argument of Art as Experience takes the form of the language philosophy strategy of being extremely precise about the terms being used. This gives the actual text of Art as Experience a tedious feel, even as the ideas expressed dance and sparkle with the light of discovery. Dewey works his way through defining, having an experience, the act of expression, the expressive object, substance and form, etc. I won't lie- it's dry. Boring even.
BUT, it's a book that every art critic, blogger, etc should be forced- AT GUN POINT- to read. That's because to read Dewey is to understand that Artists and Critics are on the same side- they both care and appreciate art and artistic products, and they both want to share their love/interest in art with a larger audience.
This idea of critics attacking Artists for some real or perceived "failure" is revealed by Dewey to actually be a failure of the critic- for failing to understand that his or her own experience is intruding on their understanding of the subject of their criticism. It's a wonder to be that Dewey's Art as Experience isn't more commonly read and loved by Artists and Art critics, but I suppose he only has himself to blame- that man was not a prose stylist.
I would say that if you were going to read a single book on the subject of the "Philosophy of Art" it would be this book- and that there isn't another book you need to read after this one. Particularly, while reading Art As Experience I thought of conversations I had with my friend/business partner- Brandon Welchez of the Crocodiles. Brandon often espoused the opinion- common to Artists that "Writing about music is like dancing about Architecture- i.e. pointless" and my response was basically, "Um..." but now I would reply that when a critic really understand the purpose of writing about art- to help clarify, illuminate and publicize worthy artists- and sharing one's interest in a specific art and artists with the wider world- art criticism can help to create an appreciative audience for a specific artist or art product where none existed before.
This text bookends Dewey's "Logic: The Theory of Inquiry" as the two most important works in his entire corpus. Even if you don't think you're all that interested in art, read this to discover how mistaken you were in that evaluation.
This book by Dewey will take you to many places well worth travelling to in print and in person. Read it alongside Wayne Booth's 'Writing as Thinking: Thinking as Writing' The Harper and Row Rhetoric: Writing as Thinking, Thinking as Writing and let Dewey, through his journey with Vernon Lee's ideas on page 101-102, in the chapter entitled 'The Expressive Object' inspire you to explore the rich writing of Violet Paget (aka Vernon Lee, The Beautiful). The high point of the book is the discussion of empathy. Here is Dewey quoting Lee, which is in tune with the sense Dewey is talking about in his book The Beautiful: An Introduction to Psychological Aesthetics (Classic Reprint) :
"The various and variously combined dramas enacted by the lines and curves and angles take place not in the marble or pigment embodying the contemplated shapes, but solely in ourselves..."
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Reviewed in Canada on September 8, 2020
The prose is lucid in parts but dull in others and at times the argument can be difficult to follow.
This is not a work to be studied thoroughly and then put back on the bookshelf; rather it is a work to be visited and re-visited like a well spring of ideas.
I still haven't got through the whole text, nor do I expect to any time soon. That said, it is deep, insightful, and frustrating.
Recommended to those with a good understanding of pragmatism and Dewey's work and ethos. Also worth reading in this vein are the works of Tom Alexander: he does a great job of explicating and indeed elaborating Dewey's views on aesthetics, experience, and action.