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Art as Experience Paperback – July 5, 2005

4.5 4.5 out of 5 stars 273 ratings

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Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
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About the Author

John Dewey (1859-1952), philosopher, psychologist, and educator, is widely credited as the most influential thinker on education in the twentieth century. He taught philosophy at the University of Michigan, the University of Chicago , and Columbia University.

Product details

  • Publisher ‏ : ‎ TarcherPerigee; 1st edition (July 5, 2005)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 371 pages
  • ISBN-10 ‏ : ‎ 0399531971
  • ISBN-13 ‏ : ‎ 978-0399531972
  • Item Weight ‏ : ‎ 11 ounces
  • Dimensions ‏ : ‎ 5.14 x 1.03 x 7.9 inches
  • Customer Reviews:
    4.5 4.5 out of 5 stars 273 ratings

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4.5 out of 5 stars
4.5 out of 5
273 global ratings

Top reviews from the United States

Reviewed in the United States on November 19, 2011
John Dewey was an American philosopher of the late 19th and 20th century best known for his espousal of a "pragmatic" philosophy and progressive political ideas, but he also wrote about Art. Art as Experience is not a book per se, but rather a rewriting of a series of lectures he gave on the "philosophy of art" at Harvard in 1931.

Dewey's pragmatic philosophy emphasizing social relations between humans was hugely influential in social sciences like sociology, where he clearly inspired writers like Erving Goffman and anthropology (see Roy Rappaport) His influence has been less notable in the field of aesthetics and art theory, and that's a shame, because in my mind, Art as Experience is the best book about the role of Art in human experience ever written.

Art as Experience starts from the observation that there can be no Art without an Audience- the two are intertwined because humans are social creatures and none of us exist in isolation. This statement about the nature of Art stands in direct contradiction to the two main schools of art philosophy: Classicism, which holds that Beauty is an objective truth that exists outside the experience of any single person and Romanticism, which postulates that the Artist stands alone in the world, without reference to his human environment.

Much of the argument of Art as Experience takes the form of the language philosophy strategy of being extremely precise about the terms being used. This gives the actual text of Art as Experience a tedious feel, even as the ideas expressed dance and sparkle with the light of discovery. Dewey works his way through defining, having an experience, the act of expression, the expressive object, substance and form, etc. I won't lie- it's dry. Boring even.

BUT, it's a book that every art critic, blogger, etc should be forced- AT GUN POINT- to read. That's because to read Dewey is to understand that Artists and Critics are on the same side- they both care and appreciate art and artistic products, and they both want to share their love/interest in art with a larger audience.

This idea of critics attacking Artists for some real or perceived "failure" is revealed by Dewey to actually be a failure of the critic- for failing to understand that his or her own experience is intruding on their understanding of the subject of their criticism. It's a wonder to be that Dewey's Art as Experience isn't more commonly read and loved by Artists and Art critics, but I suppose he only has himself to blame- that man was not a prose stylist.

I would say that if you were going to read a single book on the subject of the "Philosophy of Art" it would be this book- and that there isn't another book you need to read after this one. Particularly, while reading Art As Experience I thought of conversations I had with my friend/business partner- Brandon Welchez of the Crocodiles. Brandon often espoused the opinion- common to Artists that "Writing about music is like dancing about Architecture- i.e. pointless" and my response was basically, "Um..." but now I would reply that when a critic really understand the purpose of writing about art- to help clarify, illuminate and publicize worthy artists- and sharing one's interest in a specific art and artists with the wider world- art criticism can help to create an appreciative audience for a specific artist or art product where none existed before.
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Reviewed in the United States on September 2, 2011
This book is invaluable for artists and non-artists alike, and it is definitely a primer for all serious practitioners! From the first sentence of Chapter One, you know you about to take a journey through one of the most thought provoking and serious discussions of art to be published: "By one of the ironic perversities that often attend the course of affairs, the existence of the works of art upon which formation of an esthetic theory depends has become an obstruction to theory about them."
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Reviewed in the United States on March 17, 2022
For many years this was my favorite work of Dewey's to never finish: I'd just be so overwhelmed by the ideas that I'd have to set it down and spend a year or two thinking about what he'd said.

This text bookends Dewey's "Logic: The Theory of Inquiry" as the two most important works in his entire corpus. Even if you don't think you're all that interested in art, read this to discover how mistaken you were in that evaluation.
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Reviewed in the United States on April 17, 2018
This book is worth the read for those who are interested in the arts. I'm an art student, and I read it out of personal interest. I found it very insightful in how Dewey defines art itself, and how I can approach creating my own art. It's a dense book, but it really helped me look at art in a more practical lense.
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Reviewed in the United States on June 13, 2010
Dewey is the inspiration behind my PhD so as an owner of his collected works in print and electronic form I can offer a few words on Art as Experience. The 1934 first edition is a handsome object in itself. Written by a mature Dewey, this book is about art in its broadest sense, and experience in its particular sense as our primary way of engaging the world. It is a book about the wonder of experiencing life in context. And that is what makes it as relevant today as it was in 1934 - both eras are marked by significant socio-cultural development, received at such a pace it is hard to keep pace or pause to reflect. When was the last time you stopped think about the meaning of experiences in your life? Have you ever thought of yourself and the people near you as the shape and form of expression in this world?

This book by Dewey will take you to many places well worth travelling to in print and in person. Read it alongside Wayne Booth's 'Writing as Thinking: Thinking as Writing' 
The Harper and Row Rhetoric: Writing as Thinking, Thinking as Writing  and let Dewey, through his journey with Vernon Lee's ideas on page 101-102, in the chapter entitled 'The Expressive Object' inspire you to explore the rich writing of Violet Paget (aka Vernon Lee, The Beautiful). The high point of the book is the discussion of empathy. Here is Dewey quoting Lee, which is in tune with the sense Dewey is talking about in his book  The Beautiful: An Introduction to Psychological Aesthetics (Classic Reprint) :

"The various and variously combined dramas enacted by the lines and curves and angles take place not in the marble or pigment embodying the contemplated shapes, but solely in ourselves..."
10 people found this helpful
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Reviewed in the United States on March 1, 2023
The media could not be loaded.
 The apparatus underneath the bed is the missing premise for the substance of the riddle expressed by the above video directly inspired by what said book, Art As Experience, refers to as a literal photograph, only now you can see it in motion.
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Top reviews from other countries

ANa
5.0 out of 5 stars A must-have!
Reviewed in Canada on September 8, 2020
Fast delivery. perfect book
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ANa
5.0 out of 5 stars A must-have!
Reviewed in Canada on September 8, 2020
Fast delivery. perfect book
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Marta Carvalho
5.0 out of 5 stars Excelente!
Reviewed in Spain on September 16, 2020
Excelente.
One person found this helpful
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Akshita Dhiman
5.0 out of 5 stars Good product
Reviewed in India on May 9, 2019
Good product
One person found this helpful
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Conor
5.0 out of 5 stars Possibly Dewey's greatest work
Reviewed in the United Kingdom on December 15, 2013
Art as Experience stands alone as one of Dewey's most complex and perplexing works of his later period.

The prose is lucid in parts but dull in others and at times the argument can be difficult to follow.

This is not a work to be studied thoroughly and then put back on the bookshelf; rather it is a work to be visited and re-visited like a well spring of ideas.

I still haven't got through the whole text, nor do I expect to any time soon. That said, it is deep, insightful, and frustrating.

Recommended to those with a good understanding of pragmatism and Dewey's work and ethos. Also worth reading in this vein are the works of Tom Alexander: he does a great job of explicating and indeed elaborating Dewey's views on aesthetics, experience, and action.
13 people found this helpful
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Clara Swaboda
2.0 out of 5 stars A classic that seems outdated as compared with recent research
Reviewed in Germany on July 27, 2020
The main idea of the book, that is the emphasis on experience of art rather than on artworks, might have been novel and innovative at the time the book was written. It is still an interesting approach but it is now rather common ground in the field of empirical aesthetics. As this branch of research has been expanding a lot in the last years, there is a richness of empirical findings and insights that the book lacks (obviously as it was written in the 1930s). Thus, it seems a bit outdated to me plus the style of writing was not the most comprehensible for me. I often find that the author looses sight of his argument. I consider this book more as a classic that illustrates a specific history of thought but I don't find it very useful if one wants to get an insight in the field of empirical aesthetics (or philosophical aesthetics).
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