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Matrix: A Novel Kindle Edition
WINNER OF THE 2022 JOYCE CAROL OATES PRIZE
FINALIST FOR THE 2021 NATIONAL BOOK AWARD FOR FICTION
One of Barack Obama's Favorite Books of 2021
Named a Best Book of the Year by The New York Times, The Washington Post, TIME, NPR, The Financial Times, Good Housekeeping, Esquire, Vulture, Marie Claire, Vox, The Los Angeles Times, USA Today and more!
“A relentless exhibition of Groff’s freakish talent. In just over 250 pages, she gives us a character study to rival Hilary Mantel’s Thomas Cromwell .” – USA Today
“An electric reimagining . . . feminist, sensual . . . unforgettable.” – O, The Oprah Magazine
“Thrilling and heartbreaking.” –Time Magazine
“[A] page-by-page pleasure as we soar with her.” –New York Times
One of our best American writers, and author of the highly anticipated THE VASTER WILDS, Lauren Groff returns with this exhilarating and groundbreaking novel
Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease.
At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her: devotion to her sisters, and a conviction in her own divine visions. Marie, born the last in a long line of women warriors and crusaders, is determined to chart a bold new course for the women she now leads and protects. But in a world that is shifting and corroding in frightening ways, one that can never reconcile itself with her existence, will the sheer force of Marie’s vision be bulwark enough?
Equally alive to the sacred and the profane, Matrix gathers currents of violence, sensuality, and religious ecstasy in a mesmerizing portrait of consuming passion, aberrant faith, and a woman that history moves both through and around. Lauren Groff’s new novel, her first since Fates and Furies, is a defiant and timely exploration of the raw power of female creativity in a corrupted world.
- LanguageEnglish
- PublisherRiverhead Books
- Publication dateSeptember 7, 2021
- File size2.6 MB
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From the Publisher

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Customer Reviews |
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Price | $8.90$8.90 | $7.99$7.99 | $7.99$7.99 | $12.99$12.99 |
Editorial Reviews
Review
“Just when it seems there are nothing but chronicles of decline and ruin comes Lauren Groff’s Matrix, about a self-sufficient abbey of 12th-century nuns—a shining, all-female utopian community… it is finally its spirit of celebration that gives this novel its many moments of beauty.” -Wall Street Journal
"[T]hrilling and heartbreaking. Groff. . . crafts an electric work of historical fiction." -TIME
“[A] page-by-page pleasure as we soar with her. ”- New York Times Book Review
“Far more than a treat for history buffs. . . . [Groff] writes a creative, intelligent work that will last.” – Boston Globe
"Incandescent. . . a radiant work of imagination and accomplishment." -Esquire
“In Lauren Groff’s hands, the tale of a medieval nunnery is must-read fiction." -The Washington Post
“Stunning . . .grand, mythic . . .feels both ancient and urgent, as holy as it is deeply human.”-Entertainment Weekly
“An electric reimagining . . . feminist, sensual . . . unforgettable.” – O, The Oprah Magazine
“An inspiring novel that truly demonstrates the power women wield, regardless of the era. It has sisterhood, love, war, sex …[Q]uite impossible to put down.” - NPR
“A relentless exhibition of Groff’s freakish talent. In just over 250 pages, she gives us a character study to rival Hilary Mantel’s Thomas Cromwell or Robert Caro’s Robert Moses.”– USA Today
"The medieval nun drama you didn’t know you needed." -Vulture
“A bold new direction for the accomplished writer.”- Vogue
“[I]n an appealingly unpredictable move, Lauren Groff has turned her attentions to 12th-century English nuns. The result is a highly distinctive novel of great vigour and boldness ... we are carried on the force of her style, and held by the strength of an intelligence that lets comedy and emotional complexity work together ... an assertively modern novel about leadership, ambition and enterprise, and about the communal life of individuals.”- The Guardian
"Transcendently beautiful … It’s surprisingly delicious to read fiction about a historical figure we know so little about.” -Shondaland
“A propulsive, enchanting, and emotionally charged read.” -Washington Independent Review of Books
“A mesmerizing study of faith, passion and violence.”- Harper's Bazaar
“Sumptuous, sublime . . engrossing.”- Atlanta Journal-Constitution
“Expansive . . . . passionately feminist, funny and even a bit profane.”- Good Housekeeping
“This transportive and meditative tale that will swallow you up from the very start.” - Newsweek
“A premier stylist, [Groff] continues to grow….The voice she finds for Marie de France…will hold readers fast.” – Los Angeles Times
“Mesmerizing . . . . A bold, thrilling work that highlights the wild, wide range of Groff's imagination.” – Minneapolis Star-Tribune
“Groff’s . . . most daring work to date. . . . sumptuous but brisk storytelling mines the Dark Age abbey for veins of violence, humor, empowerment, and spirituality and forges something compelling, strange, and recognizable to modern eyes." – Philadelphia Inquirer
“An unforgettable vision.” – Tampa Bay Times
“Both epic and intimate, this sweeping novel explores questions of female ambition, creativity and passion with electrifying prose and sparkling wit. A propulsive, captivating read.”-Brit Bennett, #1 New York Times bestselling author of The Vanishing Half
“An audacious piece of storytelling, full of passion, wisdom and magic.” -Sarah Waters, New York Times bestselling author of The Paying Guests
“A thrillingly vivid, adventurous story about women and power that will blow readers' minds. Left me gasping.” -Emma Donoghue, author of Room
“Luminous, divine, her masterpiece.”-Daisy Johnson, author of Sisters
“Matrix is alive with lust and glory. In the incandescent Marie de France – visionary, cantankerous and uncowed by the constraints of her sex – Groff paints a portrait of sisterhood that shines out of the past and into the lives of women today.”-C Pam Zhang, author of How Much of These Hills is Gold
“Groff has created a labyrinth of jewel-like moments . . . and transformed it into a novel that is perfect for right now.”-BookPage, STARRED review
“Splendid with rich description and period vocabulary, this courageous and spine-tingling novel shows an incredible range for Groff (Florida, 2018), and will envelop readers fully in Marie's world, interior and exterior, all senses lit up. It is both a complete departure and an easy-to-envision tale of faith, power, and temptation.” - Booklist, STARRED review
"Set in early medieval Europe, this book paints a rousing portrait of an abbess seizing and holding power. . .Groff’s trademarkworthy sentences bring vivid buoyancy to a magisterial story." - Kirkus, STARRED review
“Transcendent prose and vividly described settings bring to life historic events, from the Crusades to the papal interdict of 1208. Groff has outdone herself with an accomplishment as radiant as Marie’s visions.” - Publishers Weekly, STARRED review
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
One
1.
She rides out of the forest alone. Seventeen years old, in the cold March drizzle, Marie who comes from France.
It is 1158 and the world bears the weariness of late Lent. Soon it will be Easter, which arrives early this year. In the fields, the seeds uncurl in the dark cold soil, ready to punch into the freer air. She sees for the first time the abbey, pale and aloof on a rise in this damp valley, the clouds drawn up from the ocean and wrung against the hills in constant rainfall. Most of the year this place is emerald and sapphire, bursting under dampness, thick with sheep and chaffinches and newts, delicate mushrooms poking from the rich soil, but now in late winter, all is gray and full of shadows.
Her old warhorse glumly plods along and a merlin shivers in its wicker mew on the box mounted behind her.
The wind hushes. The trees cease stirring.
Marie feels that the whole countryside is watching her move through it.
She is tall, a giantess of a maiden, and her elbows and knees stick out, ungainly; the fine rain gathers until it runs in rivulets down her sealskin cloak and darkens her green headcloths to black. Her stark Angevin face holds no beauty, only canniness and passion yet unchecked. It is wet with rain, not tears. She has yet to cry for having been thrown to the dogs.
Two days earlier, Queen Eleanor had appeared in the doorway of Marie's chamber, all bosom and golden hair and sable fur lining the blue robe and jewels dripping from ears and wrists and shining chapelet and perfume strong enough to knock a soul to the ground. Her intention was always to disarm by stunning. Her ladies stood behind her, hiding their smiles. Among these traitors was Marie's own half sister, a bastardess sibling of the crown just like Marie, the sum of errant paternal lusts; but this simpering creature, having understood the uses of popularity in the court, had blanched and run from Marie's attempts to befriend her. She would one day become a princess of the Welsh.
Marie curtsied clumsily, and Eleanor glided into the room, her nostrils twitching.
The queen said that she had news, oh what delightful news, what relief, she had just now received the papal dispensation, the poor horse had exploded its heart it had galloped so fast to bring it here this morning. That, due to her, the queen's, own efforts over these months, this poor illegitimate Marie from nowhere in Le Maine had at last been made prioress of a royal abbey. Wasn't that wonderful. Now at last they knew what to do with this odd half sister to the crown. Now they had a use for Marie at last.
The queen's heavily lined eyes rested upon Marie for a moment, then moved to the high window that overlooked the gardens, where the shutters were thrust open so Marie could stand on her toes and watch people walking outside.
When Marie's mouth could move, she said, thickly, that she was grateful to the queen for the radiance of her attention, but oh no she could not be a nun, she was unworthy, and besides she had no godly vocation whatsoever in any way, at all.
And it was true, the religion she was raised in had always seemed vaguely foolish to her, if rich with mystery and ceremony, for why should babies be born into sin, why should she pray to the invisible forces, why would god be a trinity, why should she, who felt her greatness hot in her blood, be considered lesser because the first woman was molded from a rib and ate a fruit and thus lost lazy Eden? It was senseless. Her faith had twisted very early in her childhood; it would slowly grow ever more bent into its geometry until it was its own angular, majestic thing.
But at seventeen, in this spare chamber at the court in Westminster, she could be no equal to the elegant and story-loving queen, who, though small in body, absorbed all light, all thought from Marie's head, all breath from her lungs.
Eleanor simply looked at Marie and Marie had not felt so small since she'd last seen Le Maine, her six amazon aunts gone to death or marriage or convent, and her mother taking Marie's hand and pressing it to the egg growing between her breasts, smiling hugely but with tears in her eyes, saying oh darling forgive me, I'm dying; and that great strong body so swiftly reduced to skeleton, acrid breath, then no breath at all, and Marie pressing all her vitality down into the ribs, all her prayers, but the heart stayed still. Twelve-year-old Marie's bitter anguish at the high windy burial ground; and afterward the two years of loneliness because her mother insisted her death remain a secret, for the family wolves would strip the estate from Marie as soon as they heard, she being just a maiden bastardess formed of rape, not entitled to a thing; two lonely years of Marie wringing what coin she could from the land. Then the hoofs on the far bridge and the flight up to Rouen then across the channel to her legitimate half-sibling's royal court at Westminster, where Marie appalled everyone with her ravenousness, her rawness, her gauche bigboned body; where most privileges accorded her royal blood she lost due to the faults of her person.
Eleanor laughed at Marie's refusal of her favor, mocked her. But but but. Did Marie truly think she would one day be married off? She, a rustic gallowsbird? Three heads too tall, with her great rough stomping about, with her terrible deep voice, her massive hands and her disputations and her sword practicing? What spouse would accept Marie, a creature absent of beauty or even the smallest of feminine arts? No, no, this was better, it had long ago been decided, back in the autumn, and her entire family agreed. Marie knew how to run a large estate, she could write in four languages, she could keep account books, she did all this so admirably after her mother died, even though still a tender little maiden, and what's more she did it so well that she fooled the whole world into thinking for two years that she was her own dead mother. Which was, of course, to say that the abbey where Marie would be installed as prioress was so poor they happened just now to be starving to death, alas. They had fallen out of Eleanor's pleasure some years earlier and had suffered grave poverty ever since. Also, there was a sickness still raging there. And the queen could not have the nuns of a royal abbey both starve to death and die of a horrible coughing sickness! That would reflect poorly on her.
Her cold eyes rimmed in black bored into Marie; Marie had no courage to look back. The queen told Marie to have faith, in time Marie would make a rather good nun. Anyone with eyes could see she had always been meant for holy virginity.
With this, the ladies were released into laughter. Marie wanted to squeeze their twittering beaks shut. Eleanor extended her hand, encrusted with rings. She said gently that Marie must learn to love her new life, that she must learn to make the best of it, for this was the desire of both god and the queen. She would go tomorrow with a royal escort and Eleanor's own blessing.
Marie, not knowing what else to do, took the small white hand in her great rough ones and kissed it. Such things wrestled inside the girl. She wanted to take the soft flesh in her mouth and bite it to blood; she wanted to strike the hand from the wrist with her dagger and guard it as a relic in her bodice for eternity.
The queen swept out again. Marie went dizzy to the bed, to her servant Cecily, who kissed her head, her lips, her neck. Cecily was as blunt and loyal as a dog. She seethed and murmured calumny, saying that the queen was a dirty licentious southerner, that she had only been made queen the first time because of a single raging French sow, the second time because of a choking plate of English eels, that anyone could bed her for the price of a song, indeed just sing a romance and she'll lift her skirts, if none of her children looked alike it was for a reason, that the devil sent malice into that royal head, oh Cecily had heard dark stories indeed.
And at last Marie roused from her shock and told the servant to hush, for the queen's perfume lingered, a watchful ghost, in the room.
Then Cecily began to weep her fresh face ugly, all snot and blotches, and delivered the second blow. She told Marie that she, herself, would not be going with Marie to the abbey. That though she loved her mistress, she was too young and had far too much life to be lived to be buried alive forever with a bunch of dead-eyed nuns. Cecily was made for marriage, look at these hips, they could bear ten hearty babes, plus her knees were weak and she was not made for kneeling all day long in prayer. Up and down, up and down all day, like marmots. Yes, tomorrow morning, Cecily and Marie would be separated.
And Marie-who had been born into this friendship with Cecily, the daughter of the cook on her family's estate in Le Maine, this rough person who had up until this moment been everything to Marie, mistress and sister and servant and pleasure and single loving soul in all of Angleterre-at last understood that she would be sent into her living death alone.
The servant wept, saying over and over, oh sweet Marie, oh her heart cleaved.
To which Marie, pulling herself away, said it must be the most unloyal form of cleaving.
Then she rose and stared out the open window at the garden in its cloak of fog, feeling the sun go down inside her. She put in her mouth the apricot pits from the fruit she'd stolen in the summer from the queen's private trees, because in the autumn and winter she liked to suck the bitterness out of them. Over the landscape within her the chill of dusk blew, and all in shadow went grotesque with strangeness.
And she felt ebbing out of her the dazzling love that had filled those two years in Eleanor's court in Angleterre, that brushed even the difficulties and the loneliness in Marie with a fine and gleaming light. Her first day in the court in Westminster, she still had the salt of crossing on her lips when she sat at the supper, overwhelmed; and at last the lutes and hautboys played and in the door was Eleanor, swollen with the end of pregnancy, belly and breasts, her right cheek enflamed, for a tooth had been pulled that day, and she moved with such tiny footsteps she seemed to glide like a swan, and she wore that same face that Marie had seen and loved in her dreams from the time she was small. The light in the room drew to a tiny pinprick illuminating only Eleanor. This was the moment that Marie was lost. That night she returned to Cecily in the bed already snoring, and woke the girl by moving urgently against her hand. Marie would have hunted for a grail, hidden her sex and ridden off to war and killed without sorrow, she would have borne cruelty with a bowed head, would have lived patiently among the lepers, she would have done any of these things if Eleanor had asked them of her. For it was out of Eleanor all good things flowed: music and laughter and courtly love; out of her beauty, came beauty, for everyone knew beauty to be the external sign of god's favor.
Even now, after being thrown away like rubbish, Marie considers, ashamed, riding toward the glum damp abbey, that she still would.
For she is stunned at the poverty of this place in the drizzle and cold, the buildings clenched pale atop the hill. It is true that all England is poorer than France, the cities smaller and darker and fuller of filth, the people scrawny and chilblained, but even for England this is pathetic, the derelict outbuildings, the falling fences, the garden smoldering with burn piles of last year's weeds. Her horse plods along. The merlin cheeps, unhappy, plucking down from under its wings. Marie slowly nears the churchyard. All she had known of the place was that it had been founded by a royal sister made saint centuries before, whose fingerbone in death can now cure a boil; and that in the times of the Danish invasions the place had been sacked and looted, nuns raped, that in the marshlands all around there were still sometimes found skeletons with runes that had been tattooed so deep their tracery showed on the bones of the skulls. And when, in the inn where she had rested for the night, Marie had tentatively said the name of the abbey to the girl who had brought up her dinner, the girl had blanched and said something in English swift and incomprehensible, but the tone of her voice made it clear the people of the countryside found the abbey a dark and strange and piteous place, a place to inspire fear. And so Marie had dismissed her escort in town to arrive at this place of her living death alone.
Now under the yew she counts fourteen fresh black graves, shining under the drizzle. Later she will learn that buried there are the bodies of a dozen nuns and two child oblates taken only weeks before by a strange disease that made the flesh of the sufferers blue as they drowned in their own lungs; that some of the nuns are still sick, wheezing and giving rattling coughs in the night.
There is cut holly on the raw graves and the red berries are the only things that glow faintly in the mizzle, in the world at large, which has no more color in it.
All will be gray, she thinks, the rest of her life gray. Gray soul, gray sky, gray earth of March, grayish whitish abbey. Poor gray Marie. In the tall doors of the abbey now, two small gray nuns have emerged in their woolen habits.
As she nears, Marie sees that one of the nuns has a great soft ageless face, billowy, with eyes gone white with the clouds in them. Marie has been told little of the abbey, but enough to know this woman is the abbess Emme, to whom an internal music has been given as solace for her blindness. She has heard the abbess is terrifically mad, if in a kindly way.
Product details
- ASIN : B08WWZZ9NJ
- Publisher : Riverhead Books
- Accessibility : Learn more
- Publication date : September 7, 2021
- Language : English
- File size : 2.6 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 268 pages
- ISBN-13 : 978-0698405134
- Page Flip : Enabled
- Best Sellers Rank: #45,954 in Kindle Store (See Top 100 in Kindle Store)
- #10 in Medieval Historical Fiction (Books)
- #447 in Historical Literary Fiction
- #474 in Women's Literary Fiction
- Customer Reviews:
About the author

Lauren Groff is the author of five novels: THE VASTER WILDS, forthcoming in September 2023, and two National Book Award Finalists, MATRIX and FATES AND FURIES; as well as ARCADIA and THE MONSTERS OF TEMPLETON. Her story collections include FLORIDA, winner of The Story Prize and a finalist for the National Book Award, and DELICATE EDIBLE BIRDS. She has been twice been a finalist for the Kirkus Prize, as well as for the National Book Critics Circle Award, the LA Times Book Prize, and the Orange Prize for New Writers. She was a Guggenheim Fellow, a Radcliffe Fellow, a Fellow at the American Academy in Berlin, and was named one of Granta's 2017 Best Young American Novelists. Her work has been featured in The New Yorker, The Atlantic, and Harper's, in seven Best American Short Stories anthologies. Her books have been published in over 30 languages. She lives in Gainesville, Florida, with her husband and sons.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers praise the book's remarkable writing style and find it a true masterpiece, appreciating its historical detail of medieval life and careful research. Moreover, the story focuses on women in important positions and features a strong female protagonist. However, the character development receives mixed reviews, with some finding the main protagonist wonderfully characterized while others say there's no real character development. The story quality also gets mixed reactions, with some finding it an imaginative tale while others describe it as a depressing slog.
AI Generated from the text of customer reviews
Customers praise the writing style of the book, describing it as remarkable, with one customer noting how the author's words flow and enchant, while another appreciates the balance between poetry and prose.
"...the lyricism and cleverness of the writing was exceptional, the story fascinating, and i’ll admit to some tears at the end...." Read more
"...The novel is well-written and gives the reader the sense of the life of a nun in difficult times. Still, the read may not be for everyone...." Read more
"...She’s such a visual and balanced writer, all the parts fit. Marie de France and a few others are unforgettable. "..." Read more
"...dull, and while there is beautiful prose in the book, there is no dialog at all. This keeps the reader (at least this reader) at arms length...." Read more
Customers find the book highly readable, describing it as a true masterpiece that is wonderfully interesting and entertaining, with one customer noting how it gives the reader a sense of life.
"...The novel is well-written and gives the reader the sense of the life of a nun in difficult times. Still, the read may not be for everyone...." Read more
"...If you are looking for a well-thought out book that will make you think, this is a book for you." Read more
"...Also, it was an interesting and unusual experience to read a book in which all of the characters were female." Read more
"...for a brilliant but “ugly” woman in the Middle Ages is narrow, fascinating, and painful...." Read more
Customers appreciate the book's historical context, particularly its detailed portrayal of medieval life and well-presented historical elements, with one customer noting how it evokes a specific time and place.
"...-century nun who protects her abbey from intruders will appeal to historical fiction fans who enjoy strong female characters...." Read more
"...This historical period is amazing and the characters, especially, Eleanor of Aquitaine, are true forces of nature...." Read more
"...the ecclesiastic and monastic, 12th century, and give us the exaltation of religion but in the form of tone, character, atmosphere, setting, and..." Read more
"...Many of her lines stayed with me. The setting, an impoverished abbey in 12th century England, was interesting to read about...." Read more
Customers appreciate the research quality of the book, describing it as carefully researched and complex, with one customer noting its many levels or layers.
"...Groff’s well-researched work takes the real poet Marie de France and transforms her into a reluctant nun who rises to the position of the abbess and..." Read more
"...Matrix is dense in details and there are so many levels or layers in this novel, but these are just not very apparent for the lay reader, like a..." Read more
"...The book had lots of historical detail that made the setting and events vivid...." Read more
"...The abbey is thereby not a place of spiritual solace, nor does its daily recitation of the Divine Office nurture the people of God who would..." Read more
Customers appreciate the book's portrayal of a strong female protagonist, with one review highlighting the heroine's willingness to defy rules and expectations.
"...They show courage and possess a raw elegance. Marie, made prioress at a shabby abbey at the age of 17, year 1158. Why not be married off? “..." Read more
"...I really liked imagining the life of medieval nuns, particularly as they became more prosperous and successful...." Read more
"...The novel is about strong women and their abilities to overcome adversity. I can't remember a single line of dialog involving a male speaker...." Read more
"...She skillfully telss the story of Marie de France, who as a young teenis banished to a poor and rotting abbey in England, because of her size and..." Read more
Customers appreciate the feminist content of the book, particularly its focus on women in important positions, with one customer highlighting the tale of a powerful medieval woman and another noting how the protagonist learns to wield power.
"...It’s pretty hard to deny that this is a feminist novel. Marie is able to ignore the dictates of the crown and even the pope...." Read more
"...from being cowed by her circumstances, accepts her fate and learns to wield power...." Read more
"...development, the growth of the abbey, and the focus on women in important positions (Marie and Eleanor)...." Read more
"...There is also a feminist element that is not overbearing but feasible given the character of Marie...." Read more
Customers have mixed opinions about the story quality of the book, with some finding it imaginative while others describe it as a depressing slog.
"...the lyricism and cleverness of the writing was exceptional, the story fascinating, and i’ll admit to some tears at the end...." Read more
"...but “ugly” woman in the Middle Ages is narrow, fascinating, and painful...." Read more
"...Gone are her fine clothes and the accustomed niceties of court life...." Read more
"...It's really a bit dull, and while there is beautiful prose in the book, there is no dialog at all...." Read more
Customers have mixed opinions about the character development in the book, with some praising the main protagonist's characterization while others note a lack of development.
"...Marie matures in the abbey, because she has mettle and noble blood, oozes charisma, and alights a little heretic inside her spirited soul...." Read more
"...It turns out that this fictional character is a committed lesbian. There is no historical basis for attributing this predeliction to Marie de France...." Read more
"...I liked all aspects of the book: the character development, the growth of the abbey, and the focus on women in important positions..." Read more
"...The wholeness of Groff’s characters and the fineness of her detail takes us into a dim world of crusades and superstitions enlightened by Marie’s..." Read more
Reviews with images

"...a powerful work from an author who is in top form."
Top reviews from the United States
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- Reviewed in the United States on May 5, 2025Format: KindleVerified Purchasei don’t really know how to leave a review for this, because despite never liking marie and struggling to get through the first 20% of this book, it’s undeniably a 5 🌟 read. the lyricism and cleverness of the writing was exceptional, the story fascinating, and i’ll admit to some tears at the end.
if you hear me recommending this and saying “just trust me,” please do.
- Reviewed in the United States on September 25, 2021Format: HardcoverVerified PurchaseTHE MATRIX begins in 1158 when Marie, the protagonist, is sent to a nunnery by her half-sister, the sometimes queen of England.
You see, Marie is the product of a rape; she is also a mannish and homely young woman, and Queen Eleanor, whom Marie actually worships, doesn’t see her as a lady in waiting. She is sent to a run-down abbey in England where the nuns are starving. She will be a novice at first, but when she takes her vows she will be second in command, the prioress. The abbess is bordering on senility, so it won’t be long before Marie is in charge.
Marie wants out. She doesn’t believe the mystical hogwash the nuns teach. But then she meets women among the nuns that she respects. Tilde, an heiress of a rich family, will be her prioress. She’s like the administrator of a small city. She makes sure the convent runs efficiently. Ruth will run her almshouse. Wulfhild is her engineer who will run her building projects. Nest will run the infirmary, a job Marie would ordinarily handle. Marie grows to love them all.
One of her first changes is to swap the silk spinning industry for a scriptorium; they can do it cheaper than the monks, and it will bring in enough money to feed the nuns and the servants. Gradually Marie begins to revel in the power she holds as abbess; she doubles the number of nuns, ultimately growing it to near a hundred with many more novices and oblates.
A problem crops up she must solve. Some of the younger nuns and novices are pregnant. She bans men from the abbey and builds a labyrinth to keep any unwanted towns people and visitors away including church officials. Gradually her power goes to her head. When sickness claims the priest who says mass and hears confessions at the abbey, Marie does it herself. The older nuns are outraged. Her next step is to build an elaborate abbess’s house for herself and some of her money-making crafts.
It’s pretty hard to deny that this is a feminist novel. Marie is able to ignore the dictates of the crown and even the pope. When men from the village attack the abbey to steal their wealth, she and the nuns fight them off. When a beautiful young novice who plays the part of a holy woman begins to sway the younger nuns and the novices, Marie puts her in charge of a house for the lepers, something the woman can not abide.
Who would have thought that in the end Marie would have a greater authority as an abbess than she ever would have had at court.
- Reviewed in the United States on November 17, 2024Format: KindleVerified PurchaseSeems Marie was either making love to most of the female characters or seeing visions due to menopause…..really!!!???!? Found it a tedious read.
- Reviewed in the United States on October 28, 2021Format: HardcoverVerified PurchaseLauren Groff’s novel about a 12th-century nun who protects her abbey from intruders will appeal to historical fiction fans who enjoy strong female characters. Groff’s well-researched work takes the real poet Marie de France and transforms her into a reluctant nun who rises to the position of the abbess and engages with fierce intensity against her foes. As a young woman, Marie belongs to the court of Eleanor of Aquitaine in France, whom she respects, fears, and loves. Marie is a large-boned plain girl not thought to have marriage prospects. Much to her horror, the Queen decides to place Marie in a nunnery, a fate that often happened to women of a particular class who became inconvenient to have around.
Marie, who is not particularly religious, tries to escape before she gets to her destination, an abbey in Britain. She realizes that there is no place for her to go and becomes resigned to her fate. Her life begins as a novice in a highly structured and disciplined environment. Gone are her fine clothes and the accustomed niceties of court life. In their place, Marie learns the life of a nun, which revolves around prayers: Matins, Lauds, Prime, Terce, Sext, Vespers, and Compline. Between these services, Marie is expected to do the work of the cloister. For her, this means scrubbing floors, writing letters for the abbess, and interpreting the disorganized account books.
Over the years, Marie makes friends, thrives under the structure of the order, and rises to the position of the abbess. Her shrewdness saves the abbey from famine, enemies, land grabs, and poverty. She instructs the nuns into building a labyrinth around the abbey to prevent troublemakers from entering. Her skills and reputation grow. Even Queen Eleanor takes notice. From a frightened teen, Marie turns into an indomitable leader.
Groff writes with authority about a time in history filled with snares for women who didn’t fit a specific mold. Her main character is a woman who, far from being cowed by her circumstances, accepts her fate and learns to wield power. The novel is well-written and gives the reader the sense of the life of a nun in difficult times. Still, the read may not be for everyone. There are some scenes between the nuns which some readers may find offensive. I recommend this book to those interested in medieval times from the perspective of an unconventional woman in a world of women.
Top reviews from other countries
- shaperReviewed in the United Kingdom on September 25, 2021
5.0 out of 5 stars wonderful, engrossing, revealing
above all, this is an excellent story. it's the sort of tale one could imagine told alongside a winter fire in times of yore, a cracking yarn winding this way and that, now revealing, now concealing. i love it for its reframing of the original humanness story, and for the manner in which that restatement is evidenced by the tale.
be bold, be brave. tuck in and allow yourself to encounter deeper truths than more commonly allowed about what it is to be woman. and yes, by this is firmly, and exclusively meant those among humans who are born into childbearing capacity (even when unused) and form: women.
- AnnetteReviewed in Germany on March 30, 2022
4.0 out of 5 stars It’s a great way to write a historical novel.
Format: HardcoverVerified PurchaseA book to treasure. Place,pace and each word so carefully chosen for its poetic smoothness. What a refreshing and gentle escape into an entirely different world. I loved Lauren’s characters; her abbey of unstructured women; the fact that they ranged from confidence to timidity. In her world the seasons unfold to show treasure and disease in equal measure . It’s a novel encompassing huge rich bundles of nature so often understated.
Loved it!
- busbyReviewed in Australia on November 3, 2021
5.0 out of 5 stars A masterpiece
Riveting. Glorious.
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MouaisReviewed in France on April 18, 2023
5.0 out of 5 stars Fiction ou Magie ?
Biographie imaginaire de Marie de France, dont on ignore à peu près tout... Qui s'appuie sur les textes qu'elle a écrits mais aussi sur un manuscrit fictif. Un tour de magie de l'écriture dans lequel le lecteur de trouve emporté avec délectation. La lectrice de Marie de France que je suis, en tout cas. Certaines ont été brûlées pour moins que ça.
- davidReviewed in Canada on September 18, 2024
3.0 out of 5 stars An acquired taste
Format: HardcoverVerified PurchaseThis book is a fictional account of Marie de France. It will appeal to feminists, amateur historians of the angevin dynasty and religious people particularly christians.