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If I Had Your Face
Goodreads Choice Award
Nominee for Readers' Favorite Fiction (2020)If I Had Your Face plunges us into the mesmerising world of contemporary Seoul - a place where extreme plastic surgery is as routine as getting a haircut, where women compete for spots in secret 'room salons' to entertain wealthy businessmen after hours, where K-Pop stars are the object of all-consuming obsession and ruthless social hierarchies dictate your every move.
Navigating this cutthroat city are four young women balancing on the razor edge of survival: Kyuri, an exquisitely beautiful woman whose hard-won status at an exclusive 'room salon' is threatened by an impulsive mistake with a client; her flatmate, Miho, an orphan who wins a scholarship to a prestigious art school in New York, where her life becomes tragically enmeshed with the super-wealthy offspring of the Korean elite; Wonna, their neighbour, pregnant with a child that she and her husband have no idea how they will afford to raise in a fiercely competitive economy; and Ara, a hair stylist living down the hall, whose infatuation with a fresh-faced K-Pop star drives her to violent extremes.
Navigating this cutthroat city are four young women balancing on the razor edge of survival: Kyuri, an exquisitely beautiful woman whose hard-won status at an exclusive 'room salon' is threatened by an impulsive mistake with a client; her flatmate, Miho, an orphan who wins a scholarship to a prestigious art school in New York, where her life becomes tragically enmeshed with the super-wealthy offspring of the Korean elite; Wonna, their neighbour, pregnant with a child that she and her husband have no idea how they will afford to raise in a fiercely competitive economy; and Ara, a hair stylist living down the hall, whose infatuation with a fresh-faced K-Pop star drives her to violent extremes.
288 pages, Hardcover
First published April 21, 2020
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154326 people want to read
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Displaying 1 - 30 of 7,399 reviews
April 30, 2020
She does not know what this work does to you—how you cannot hold on to your old perspective. You will not be able to save your money because there will never be enough of it. You will keep doing things you never expected to do. You will be affected in ways you could never imagine.
In the beginning, I was really loving If I Had Your Face. It introduced me to several fascinating characters and it takes on the subject of beauty standards and sexism in Korea. But I think where this book went wrong was that it stretched itself too thin, tried to do too many different things and tell too many different stories, all in less than three hundred pages. The result was a book that barely skimmed the surface of all the themes that it took on.
If I Had Your Face follows four different Korean women's perspectives. It covers the Korean beauty industry, image and cosmetic surgery, prostitution, sexism, classism, and wealth (especially how rich men can use their money to control women). All of these are fascinating - and, in some cases, horrifying - subjects, and yet I found myself wanting more depth and less breadth. I was never able to really know any of the characters or fully explore their personal circumstances.
Ara is a non-verbal hairdresser, styling important clients like a KBC producer, and directly involved in the beauty industry. Kyuri is a "room salon" girl - essentially, a prostitute - whose many successful surgeries attract the wealthiest of men (she was also the most interesting character, IMO). Miho is an artist trying to make her own way and not lean on her rich boyfriend. And Wonna is... pregnant, whilst feeling little more than disdain for her husband.
I felt Kyuri had the strongest story arc. Arguably, she is the only character who actually had a story arc. Wonna was the least interesting character and, honestly, she felt like a completely unnecessary addition. I really felt there was no need to create a fourth perspective for her story, especially when the book was already spread so thin.
The author throws a number of interesting tidbits our way, mostly during Kyuri's perspective, and then abandons them to move onto another topic or another perspective. I was very interested in this room salon girl business. Cha would write things like:
So the girl gets jailed and fined for prostitution, and vilified in society as someone who does this for easy money. The girls who die in the process—the ones who are beaten to death or the ones who kill themselves—they don’t even make the news.
And I wanted to know more about these poor forgotten women who didn't make the news. I wanted her to tell their story. But that's all we got. Or:
those hoity-toity doctors and pharmacists who run their clinics in districts like Miari and profit off the working girls and their sicknesses
These seem like really important issues, tell me more! But no. Moving on to Miho and her boyfriend. In fact, there were many things touched upon that seemed important, and then it was just never mentioned again. Like, at one point, Ara viciously beats up a coworker in a very dramatic scene... and then it is so quickly forgotten. It's almost as if it never happened.
If I Had Your Face introduces so much and never expands upon it... characters, stories, random information and dramatic scenes. The writing was quite basic and had a chatty YA contemporary vibe, though the subject matter was clearly for adults. There were some effective moments, but, overall, I was expecting so much more.
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August 11, 2020
There are great lines throughout. This book does a lot to explore Korean womanhood. At times it felt a bit like there was a checklist of issues to address but it was still an engrossing read.
April 2, 2020
Frances Cha's fascinating debut set in Seoul, South Korea, is an intimate and heartbreaking portrayal of four different flawed women, their lives and friendships, who live in the same apartment building. The novel echoes many similar themes to another book I read earlier this year that focused on a close circle of four female friends, the more humorous Sarong Party Girls by Cheryl Lu-Lien Tan. Cha writes of the harsh cultural norms and expectations that women are expected to adhere to, pandering to the fantasies of rich men, the misogyny and sexism, the class system and distinctions, the heavy emphasis on consumerism, and the bleak pressures of the economic environment. Women chase the exacting and strict standards of beauty required in the western influenced capitalist Korean society, where your face is your fortune, fueling the rise in extreme and expensive plastic surgery, which has become a feature of everyday life.
Kyuri is a gorgeous woman who has undergone numerous cosmetic procedures to compete amidst the fierce rivalries of the highly competitive market to successfully procure a position in entertaining rich businessmen in exclusive bars, or 'salon rooms'. Miho grew up in an orphanage and is a gifted artist who managed to secure a scholarship to study in New York, a dark and troubling experience. She is now back in Seoul, and has a complicated relationship with her wealthy boyfriend from a corporate background. The mute Ara is a hairstylist, caught up in her obsession with a K pop band, and more particularly the lead singer, Taein, whom she is hoping to meet. The married and traumatised Wonna worries about her family's economic future, how they will survive, and desperate to ensure that her daughter should not have to endure the circumstances and past that has been her lot.
Francis Cha's novel is character driven, so if you are looking for a plot driven read, you are going to be doomed to be disappointed. If you are looking for the traditional structure of a beginning, a middle and an end where all the threads are tied up, again you will be disappointed. This is more a glimpse into the lives and friendships of a group of friends with an ending that doesn't give or promise fairy tale happy conclusions. Instead, you get a significantly more realistic ending where the women will continue to face demanding and challenging lives. This is a compelling and insightful read of the complexities and difficulties of Korean women's life experiences, their friendships which can on occasion be competitive, yet ultimately supportive to the needs of their friends. It provides a eye opening and informative look at Korean culture and society, whilst underlining the universality of what it is to be a woman in our contemporary world. Many thanks to Penguin UK for an ARC.
Kyuri is a gorgeous woman who has undergone numerous cosmetic procedures to compete amidst the fierce rivalries of the highly competitive market to successfully procure a position in entertaining rich businessmen in exclusive bars, or 'salon rooms'. Miho grew up in an orphanage and is a gifted artist who managed to secure a scholarship to study in New York, a dark and troubling experience. She is now back in Seoul, and has a complicated relationship with her wealthy boyfriend from a corporate background. The mute Ara is a hairstylist, caught up in her obsession with a K pop band, and more particularly the lead singer, Taein, whom she is hoping to meet. The married and traumatised Wonna worries about her family's economic future, how they will survive, and desperate to ensure that her daughter should not have to endure the circumstances and past that has been her lot.
Francis Cha's novel is character driven, so if you are looking for a plot driven read, you are going to be doomed to be disappointed. If you are looking for the traditional structure of a beginning, a middle and an end where all the threads are tied up, again you will be disappointed. This is more a glimpse into the lives and friendships of a group of friends with an ending that doesn't give or promise fairy tale happy conclusions. Instead, you get a significantly more realistic ending where the women will continue to face demanding and challenging lives. This is a compelling and insightful read of the complexities and difficulties of Korean women's life experiences, their friendships which can on occasion be competitive, yet ultimately supportive to the needs of their friends. It provides a eye opening and informative look at Korean culture and society, whilst underlining the universality of what it is to be a woman in our contemporary world. Many thanks to Penguin UK for an ARC.
June 21, 2020
4.5 stars
Oh wow, I really enjoyed this novel, it felt like a New Adult Korean Gossip Girl, except with way more commentary about patriarchy and capitalism and greater solidarity between women. If I Had Your Face follows four women living in Seoul, Korea: Kyuri, a beautiful woman who’s received a lot of plastic surgery and works in a competitive “room salon,” Miho, a talented artist in a precarious romantic relationship with a rich and handsome boyfriend, Ara, a hairstylist who is obsessed with a male K-Pop idol (throwback to me in middle and early high school, tbh) and supports her best friend after a painful plastic surgery procedure, and Wonna, a woman with a troubled past trying to conceive a baby in a brutal economy. The four women navigate messy relationships, dangerous men, and their own harrowing pasts, as their friendships with one another provide some relief in a society geared toward keeping women down.
I finished this book in about a day because I felt so addicted and compelled by the drama in these characters’ lives. Frances Cha has a talent for writing short yet punchy scenes that keep the plot flowing while still containing raw and believable emotion. As someone who grew up consuming K-Pop (I obsessed about Key from SHINee in middle school and early high school, now I’m obsessed with BlackPink and have a minor crush on Seungyoon from Winner), I felt fascinated and immersed in the Korean culture and lifestyle Cha portrays in If I Had Your Face. Most importantly, Cha displays the patriarchal and capitalist attitudes and behaviors that subjugate women in Korean society, such as the sexist emphasis on appearance and attaining plastic surgery, the ageist way older Korean women are viewed, the lack of economic power possessed by women which leaves them vulnerable to tempestuous and sometimes threatening men, and more. While I loved the drama from an entertainment perspective I also felt keenly aware of Cha’s excellent work giving voice to these four women with varying levels of “beauty” and a common lower socioeconomic class, navigating some pretty awful and humiliating situations.
At the same time, Cha displays the resilience and fortitude of these four women in the face of trauma and sexism. I appreciated how she shows the negative consequences of the oppression they face (e.g., internalized negativity toward their body image, sometimes perpetuating aggression toward fellow women) while also portraying the creative and unique ways they resist patriarchy and capitalism. I cherished the scenes that showed the emotional intimacy between the four women as well as how Cha wrote about their individual ambitions and talents, like Miho’s penchant for art and Kyuri’s desire to climb toward a more hospitable job and overall lifestyle. Most iconically, these women struggle and grow and support one another throughout the book with no male romantic interest “saving” any of them or taking up too much of the spotlight – in fact, most of the male romantic interests are minor or major antagonists that the women manage to overthrow and/or let go of, which I liked a lot. While there’s a budding romantic relationship toward the end of the novel, the four women’s bonds with one another provide the most salvation and hope throughout the story.
While I would highly recommend this novel to anyone interested in Korean culture and want a deeper look at the sexism that underlies popular phenomena like K-Pop, I can also see why some people have given this book 3-star reviews as opposed to enjoying it more. Instead of going really deep into any one character’s development, the novel focuses more on the present-day obstacles faced by each woman, even though there is background that helps us understand each character. Furthermore, Wonna’s perspective doesn’t really merge with the other characters’ until the end, which I didn’t mind but I can see how that would give the novel a slight feeling of jaggedness or incompleteness. Thus, if you approach the novel expecting less of a really thorough dive into one or two individuals’ perspectives and more as a slice of life story of four women navigating their present day with some content from the past, I think you may enjoy the book more. It’s definitely making me think more deeply about Korean society and how I consume related content (like, ugh, I’m still gonna stan BlackPink for their bops even though now I’m sad that Jisoo’s gorgeous visual and their super thin bodies almost definitely contribute to problematic beauty standards in Korea, sigh). Excited for whatever Frances Cha writes next!
Oh wow, I really enjoyed this novel, it felt like a New Adult Korean Gossip Girl, except with way more commentary about patriarchy and capitalism and greater solidarity between women. If I Had Your Face follows four women living in Seoul, Korea: Kyuri, a beautiful woman who’s received a lot of plastic surgery and works in a competitive “room salon,” Miho, a talented artist in a precarious romantic relationship with a rich and handsome boyfriend, Ara, a hairstylist who is obsessed with a male K-Pop idol (throwback to me in middle and early high school, tbh) and supports her best friend after a painful plastic surgery procedure, and Wonna, a woman with a troubled past trying to conceive a baby in a brutal economy. The four women navigate messy relationships, dangerous men, and their own harrowing pasts, as their friendships with one another provide some relief in a society geared toward keeping women down.
I finished this book in about a day because I felt so addicted and compelled by the drama in these characters’ lives. Frances Cha has a talent for writing short yet punchy scenes that keep the plot flowing while still containing raw and believable emotion. As someone who grew up consuming K-Pop (I obsessed about Key from SHINee in middle school and early high school, now I’m obsessed with BlackPink and have a minor crush on Seungyoon from Winner), I felt fascinated and immersed in the Korean culture and lifestyle Cha portrays in If I Had Your Face. Most importantly, Cha displays the patriarchal and capitalist attitudes and behaviors that subjugate women in Korean society, such as the sexist emphasis on appearance and attaining plastic surgery, the ageist way older Korean women are viewed, the lack of economic power possessed by women which leaves them vulnerable to tempestuous and sometimes threatening men, and more. While I loved the drama from an entertainment perspective I also felt keenly aware of Cha’s excellent work giving voice to these four women with varying levels of “beauty” and a common lower socioeconomic class, navigating some pretty awful and humiliating situations.
At the same time, Cha displays the resilience and fortitude of these four women in the face of trauma and sexism. I appreciated how she shows the negative consequences of the oppression they face (e.g., internalized negativity toward their body image, sometimes perpetuating aggression toward fellow women) while also portraying the creative and unique ways they resist patriarchy and capitalism. I cherished the scenes that showed the emotional intimacy between the four women as well as how Cha wrote about their individual ambitions and talents, like Miho’s penchant for art and Kyuri’s desire to climb toward a more hospitable job and overall lifestyle. Most iconically, these women struggle and grow and support one another throughout the book with no male romantic interest “saving” any of them or taking up too much of the spotlight – in fact, most of the male romantic interests are minor or major antagonists that the women manage to overthrow and/or let go of, which I liked a lot. While there’s a budding romantic relationship toward the end of the novel, the four women’s bonds with one another provide the most salvation and hope throughout the story.
While I would highly recommend this novel to anyone interested in Korean culture and want a deeper look at the sexism that underlies popular phenomena like K-Pop, I can also see why some people have given this book 3-star reviews as opposed to enjoying it more. Instead of going really deep into any one character’s development, the novel focuses more on the present-day obstacles faced by each woman, even though there is background that helps us understand each character. Furthermore, Wonna’s perspective doesn’t really merge with the other characters’ until the end, which I didn’t mind but I can see how that would give the novel a slight feeling of jaggedness or incompleteness. Thus, if you approach the novel expecting less of a really thorough dive into one or two individuals’ perspectives and more as a slice of life story of four women navigating their present day with some content from the past, I think you may enjoy the book more. It’s definitely making me think more deeply about Korean society and how I consume related content (like, ugh, I’m still gonna stan BlackPink for their bops even though now I’m sad that Jisoo’s gorgeous visual and their super thin bodies almost definitely contribute to problematic beauty standards in Korea, sigh). Excited for whatever Frances Cha writes next!
December 25, 2021
ive said it multiple times before that im a plot person - thats really what i enjoy most in a story. however, there are some instances when i do enjoy a novel that is solely character-driven. and this is one of those times.
this story follows the day-to-day lives of five women who live in the same building in seoul. there are some flashbacks and chapters that focus on things that happened in their past, but the story mostly focuses on their current lives, their jobs, their relationships, and their friendships.
because of the lack of plot, this is obviously very slowly paced, but i was fascinated with the cultural aspect of this book. this was eye-opening in a lot of different ways because im not familiar with east asian norms. from the room salons to the office work environment, from the varying family dynamics and status of elders, the difference in city life to country living, and the gender roles were all so new to me. but its written in a way that had me deeply empathising with each of the characters.
overall, an extremely well-written debut novel that takes the ordinary lives of women and makes them worth reading about.
↠ 3.5 stars
this story follows the day-to-day lives of five women who live in the same building in seoul. there are some flashbacks and chapters that focus on things that happened in their past, but the story mostly focuses on their current lives, their jobs, their relationships, and their friendships.
because of the lack of plot, this is obviously very slowly paced, but i was fascinated with the cultural aspect of this book. this was eye-opening in a lot of different ways because im not familiar with east asian norms. from the room salons to the office work environment, from the varying family dynamics and status of elders, the difference in city life to country living, and the gender roles were all so new to me. but its written in a way that had me deeply empathising with each of the characters.
overall, an extremely well-written debut novel that takes the ordinary lives of women and makes them worth reading about.
↠ 3.5 stars
March 11, 2020
If the purpose of a book is to take you to a place you’ve never been, then this one fulfilled that role. Seoul, Korea and the young girls trying to make their way in a competitive world where beauty is the sole focus and plastic surgery is the norm.
This book is just heartbreaking right from the get go. It delves into the lives of five young women that live in the same apartment building. We hear from four of them, in alternating chapters. This book was a real eye opener for me. I knew about the consumerism and boy band fetish. But I hadn’t realized what a strict class system Korea has, despite being a capitalist society. And while in some ways modern, in other ways Korean society remains extremely misogynistic.
This is a character driven book. It reminds me of Elizabeth Strout’s style of writing. The chapters overlap and the characters interact, but the chapters aren’t linear or tightly joined together. These weren’t necessarily women I could relate to and I definitely didn’t like some of them. But yet, each one touched my heart. Their lives are so tough. And this isn’t a story that gives you happy endings for them.
This novel is extremely polished and doesn’t come across as a debut novel.
My thanks to netgalley and Random House for an advance copy of this book.
This book is just heartbreaking right from the get go. It delves into the lives of five young women that live in the same apartment building. We hear from four of them, in alternating chapters. This book was a real eye opener for me. I knew about the consumerism and boy band fetish. But I hadn’t realized what a strict class system Korea has, despite being a capitalist society. And while in some ways modern, in other ways Korean society remains extremely misogynistic.
This is a character driven book. It reminds me of Elizabeth Strout’s style of writing. The chapters overlap and the characters interact, but the chapters aren’t linear or tightly joined together. These weren’t necessarily women I could relate to and I definitely didn’t like some of them. But yet, each one touched my heart. Their lives are so tough. And this isn’t a story that gives you happy endings for them.
This novel is extremely polished and doesn’t come across as a debut novel.
My thanks to netgalley and Random House for an advance copy of this book.
June 10, 2022
i am many things. a sally rooney fan, primarily. this is "primarily" both because it is the #1 way i prefer to identify myself and because it is relevant to this review: the title vaguely reminded me of a passage in conversations with friends, so i immediately added it to my to-read list and never looked back.
i am a cookie eater, secondarily. this is secondarily because i likely spend the second-most amount of time in my life doing this.
and i am annoying, thirdly, for reasons i won't explain, but if you need a reminder you can reread the preceding two paragraphs and reflect.
but a multiple-perspective enjoyer is not one of the things i am.
and this is the all-time leader in Extremely Multiple Perspective. there's like 100 chapters, and seemingly each one is about a total stranger.
this is mostly about the idea of beauty in modern times, and i very much enjoyed that aspect. i liked the exploration of how common plastic surgery is, and what it means.
but the actual characters and stories i didn't feel invested in.
turns out that's more important.
bottom line: we'll get em next time!
2.5
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currently-reading updates
this title made me think of sally rooney. and i read everything that makes me think of sally rooney. and yes, everything makes me think of sally rooney
------------
reading books by asian authors for aapi month!
book 1: kim jiyoung, born 1982
book 2: siren queen
book 3: the heart principle
book 4: n.p.
book 5: the hole
book 6: set on you
book 7: disorientation
book 8: parade
book 9: if i had your face
i am a cookie eater, secondarily. this is secondarily because i likely spend the second-most amount of time in my life doing this.
and i am annoying, thirdly, for reasons i won't explain, but if you need a reminder you can reread the preceding two paragraphs and reflect.
but a multiple-perspective enjoyer is not one of the things i am.
and this is the all-time leader in Extremely Multiple Perspective. there's like 100 chapters, and seemingly each one is about a total stranger.
this is mostly about the idea of beauty in modern times, and i very much enjoyed that aspect. i liked the exploration of how common plastic surgery is, and what it means.
but the actual characters and stories i didn't feel invested in.
turns out that's more important.
bottom line: we'll get em next time!
2.5
------------
currently-reading updates
this title made me think of sally rooney. and i read everything that makes me think of sally rooney. and yes, everything makes me think of sally rooney
------------
reading books by asian authors for aapi month!
book 1: kim jiyoung, born 1982
book 2: siren queen
book 3: the heart principle
book 4: n.p.
book 5: the hole
book 6: set on you
book 7: disorientation
book 8: parade
book 9: if i had your face
February 17, 2020
wow i just adored this book!! it’s very slice-of-life, but i found myself just falling in love with each of the girls and hoping for the best for each of them. i would recommend it to anyone who loved hello my twenties - this book definitely has a darker/more realistic tone, but i still think if you enjoyed one, you’d enjoy the other!
April 30, 2020
Audiobook....
Narrated by Frances Cha, Sue Jean Kim, Ruthie Anne Miles, and Jeena Yi
Beware....after reading this book:
....It will be hard to ever see Korean woman the same again — without thinking of the horrors associated with the underground beauty subculture regime.
“If I Had Your Face”, is an eye-opening novel of how South Korean women from Seoul, are valued—by both men and women.
....Wealthy men want a pretty women at their side.
....Insecure women want to look like the pretty women.
For modern Korean women, having plastic surgery sounded (almost), like an essential necessity.
The country has one of the highest plastic procedures per capital. Sixty percent of women in their 20’s, have had plastic surgery.
Often if ‘American’ women have plastic surgery- society judges them as vain.
In Korean— plastic surgery is considered a ‘necessity’ in bettering oneself.
Room salons, beauty obsessions, superficiality, misogyny, hierarchy, classism consumerism, female friendships, competition rivalry, economic concerns, and unrealistic expectations, are examined in
Frances Cha’s debut book.
It’s GOOD!!!
FASCINATING actually!!!
Cuckoo-crazy at times ...but its interesting as can be!
We meet five Korean women
....Ara is mute—with mute parents.
She’s a hairdresser with fuchsia hair, an obsession with the lead singer, (Taein), of a K pop band, and parents who are worried about her future.
....Kyuri .... is beautiful and confident about her beauty.
She’s had numerous of plastic surgeries.
Kyuri is shallow, ambitious, and successful. Women want to look like her.
Men want to buy her expensive gifts to have drinks - etc. with her.
Wonna is married and wants desperately to have a child even though she knows financially it would be quite a struggle.
You’ll meet Miho, and Sujin.... learn of their orphaned background, their future goals and desires.
Listening to the audiobook was totally enjoyable- but a few times I lost track of which woman was speaking...but mostly it was easy to follow.... It didn’t seem to matter, which female was telling whose story.
The bigger issue was the awareness of the culture, itself.
Here in San Jose... we have a large population of Koreans.
I’ve been visiting the Korean spa for the past 20 years.
One time while sitting in the Korean sauna — a Korean woman asked me, “why are YOU Here?”
“American’s don’t bath together”, she said.
Hmmm?? Maybe not as often - or in a public bath house —-but I like the indulgence of nourishing my body, as much as the next person.
Spa days with Korean women here in the states are great ‘treat days’....
but until this book - I had no idea of just how ‘much’ Korean women valued beautifying themselves....
‘essential days’ for them!
I loved the freshness of this book..... a look into the world of spoken and unspoken -hush hush - rules.
Looking beautiful, at all costs, doesn’t come cheap!
4.5 rating.
Narrated by Frances Cha, Sue Jean Kim, Ruthie Anne Miles, and Jeena Yi
Beware....after reading this book:
....It will be hard to ever see Korean woman the same again — without thinking of the horrors associated with the underground beauty subculture regime.
“If I Had Your Face”, is an eye-opening novel of how South Korean women from Seoul, are valued—by both men and women.
....Wealthy men want a pretty women at their side.
....Insecure women want to look like the pretty women.
For modern Korean women, having plastic surgery sounded (almost), like an essential necessity.
The country has one of the highest plastic procedures per capital. Sixty percent of women in their 20’s, have had plastic surgery.
Often if ‘American’ women have plastic surgery- society judges them as vain.
In Korean— plastic surgery is considered a ‘necessity’ in bettering oneself.
Room salons, beauty obsessions, superficiality, misogyny, hierarchy, classism consumerism, female friendships, competition rivalry, economic concerns, and unrealistic expectations, are examined in
Frances Cha’s debut book.
It’s GOOD!!!
FASCINATING actually!!!
Cuckoo-crazy at times ...but its interesting as can be!
We meet five Korean women
....Ara is mute—with mute parents.
She’s a hairdresser with fuchsia hair, an obsession with the lead singer, (Taein), of a K pop band, and parents who are worried about her future.
....Kyuri .... is beautiful and confident about her beauty.
She’s had numerous of plastic surgeries.
Kyuri is shallow, ambitious, and successful. Women want to look like her.
Men want to buy her expensive gifts to have drinks - etc. with her.
Wonna is married and wants desperately to have a child even though she knows financially it would be quite a struggle.
You’ll meet Miho, and Sujin.... learn of their orphaned background, their future goals and desires.
Listening to the audiobook was totally enjoyable- but a few times I lost track of which woman was speaking...but mostly it was easy to follow.... It didn’t seem to matter, which female was telling whose story.
The bigger issue was the awareness of the culture, itself.
Here in San Jose... we have a large population of Koreans.
I’ve been visiting the Korean spa for the past 20 years.
One time while sitting in the Korean sauna — a Korean woman asked me, “why are YOU Here?”
“American’s don’t bath together”, she said.
Hmmm?? Maybe not as often - or in a public bath house —-but I like the indulgence of nourishing my body, as much as the next person.
Spa days with Korean women here in the states are great ‘treat days’....
but until this book - I had no idea of just how ‘much’ Korean women valued beautifying themselves....
‘essential days’ for them!
I loved the freshness of this book..... a look into the world of spoken and unspoken -hush hush - rules.
Looking beautiful, at all costs, doesn’t come cheap!
4.5 rating.
September 4, 2020
⭐️⭐️⭐️⭐️⭐️ 5 BEAUTIFUL and bitter stars for compulsively readable writing, wholly compelling characters, and female camaraderie!
ARA. Left mute after a brutal attack when she was a teenager, Ara spends her days as a hairdresser in Seoul, sharing laughs with her best friend Sujin and dreaming about someday meeting k-idol Taein. She's all but left her childhood where it belongs: in the forlorn town that taught her true violence.
KYURI. Numerous cosmetic surgeries have shaped Kyuri into a symmetrical-featured goddess, securing her employment at Gangnam's most expensive room salon. She is under no illusions about the impossibly high stakes of the world she's chosen, or the men she must humour—pleasure—if she is to keep her place.
WONNA. Trapped in a lifeless marriage, Wonna prays for a daughter to take her away from her soul-crushing office job and the husband she scorns. She is drawn to the vibrant youth of the girls in her building, so unlike her when she was their age.... No, her childhood bore only abandonment, and a terrible accident that she will never forget.
MIHO. She is an artist, educated in America, and fixated on the tragedy that took the person she may have loved most. Miho's whimsy, which frustrates her roommate Kyuri, has nonetheless enchanted her best friend's boyfriend. And though she comes from nothing—raised in the same lonely orphanage as Sujin—she has glimpsed wealth. And pain.
◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️
It’s a chemistry thing. I know that. I know that this book isn't going to be for everyone, and it took me a long time to pick it up because I thought I was one of those everyone's. But this book really worked for me.
Chemistry: something that exists solely between two entities, in this case, If I Had Your Face and me; that worms its way under your skin; and that sometimes defies explanation. A perfect tipping of circumstances. Like this: it is May, Asian-Pacific Islander Heritage Month, and I have just discovered the vibrantly abundant world of k-dramas. I am enthralled by the everyday lives and stories of contemporary South Korean women, and I devour each detail—what they eat, where they go, who they are.
As I found myself swept up in the entwined stories of Ara, Kyuri, Wonna, and Miho—four women inhabiting the same office-tel—I became as shameless in my voyeurism as Wonna's unabashed interest in the girls' youth. These are women who are hurt, heartless, darkly funny, and fiercely loyal as they navigate their own traumas and the realities of being a woman in modern-day Seoul.
Above all, I savoured the bittersweet frankness of Frances Cha's prose. The book makes no attempts to shield us from any of the terrible things that occur in each woman’s life, things made all the more painful because they are so mundane, and it is all the richer for it.
ARA. Left mute after a brutal attack when she was a teenager, Ara spends her days as a hairdresser in Seoul, sharing laughs with her best friend Sujin and dreaming about someday meeting k-idol Taein. She's all but left her childhood where it belongs: in the forlorn town that taught her true violence.
KYURI. Numerous cosmetic surgeries have shaped Kyuri into a symmetrical-featured goddess, securing her employment at Gangnam's most expensive room salon. She is under no illusions about the impossibly high stakes of the world she's chosen, or the men she must humour—pleasure—if she is to keep her place.
WONNA. Trapped in a lifeless marriage, Wonna prays for a daughter to take her away from her soul-crushing office job and the husband she scorns. She is drawn to the vibrant youth of the girls in her building, so unlike her when she was their age.... No, her childhood bore only abandonment, and a terrible accident that she will never forget.
MIHO. She is an artist, educated in America, and fixated on the tragedy that took the person she may have loved most. Miho's whimsy, which frustrates her roommate Kyuri, has nonetheless enchanted her best friend's boyfriend. And though she comes from nothing—raised in the same lonely orphanage as Sujin—she has glimpsed wealth. And pain.
◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️◻️
It’s a chemistry thing. I know that. I know that this book isn't going to be for everyone, and it took me a long time to pick it up because I thought I was one of those everyone's. But this book really worked for me.
Chemistry: something that exists solely between two entities, in this case, If I Had Your Face and me; that worms its way under your skin; and that sometimes defies explanation. A perfect tipping of circumstances. Like this: it is May, Asian-Pacific Islander Heritage Month, and I have just discovered the vibrantly abundant world of k-dramas. I am enthralled by the everyday lives and stories of contemporary South Korean women, and I devour each detail—what they eat, where they go, who they are.
As I found myself swept up in the entwined stories of Ara, Kyuri, Wonna, and Miho—four women inhabiting the same office-tel—I became as shameless in my voyeurism as Wonna's unabashed interest in the girls' youth. These are women who are hurt, heartless, darkly funny, and fiercely loyal as they navigate their own traumas and the realities of being a woman in modern-day Seoul.
Above all, I savoured the bittersweet frankness of Frances Cha's prose. The book makes no attempts to shield us from any of the terrible things that occur in each woman’s life, things made all the more painful because they are so mundane, and it is all the richer for it.
April 21, 2021
3.5 "toxic femininity" stars !!!
2020 READ WHERE i WISH I WAS EDITOR AWARD
First of all thank you to Paromjit whose review led me to this novel. I also read Jenny's review that also propelled me to read further.
I was excited to be approved by Netgalley for an e-copy but when I got to it...the book had expired...so I borrowed a copy from a gal pal.
I see great things ahead for Ms. Cha who has her finger on both Korean culture and young womens' nihilism, despair and propensities for cruelties under the guise of victimhood under patriarchal structures.
These four women are both minor villains and minor anti-heroes. Cunning, misled and deeply hurt and damaged they try to navigate the modern Korean landscape not only to survive but to get ahead. They will cut each other down, manipulate men and each other and spew out venoms towards others that also get partially swallowed that leads further to despair and self-hatred. Around them there is unfathomable undeserved wealth, oppressive historical traditions and unrelenting pressures to be intelligent, beautiful and docile.
Despite this amazing and intelligent backdrop however, Ms. Cha's prose needs tightening and a more careful editing that would have taken this very good chick-lit novel into a more powerful literary direction.
I so look forward to seeing what Ms. Cha will come up with next.
A group of Korean Salon Workers
2020 READ WHERE i WISH I WAS EDITOR AWARD
First of all thank you to Paromjit whose review led me to this novel. I also read Jenny's review that also propelled me to read further.
I was excited to be approved by Netgalley for an e-copy but when I got to it...the book had expired...so I borrowed a copy from a gal pal.
I see great things ahead for Ms. Cha who has her finger on both Korean culture and young womens' nihilism, despair and propensities for cruelties under the guise of victimhood under patriarchal structures.
These four women are both minor villains and minor anti-heroes. Cunning, misled and deeply hurt and damaged they try to navigate the modern Korean landscape not only to survive but to get ahead. They will cut each other down, manipulate men and each other and spew out venoms towards others that also get partially swallowed that leads further to despair and self-hatred. Around them there is unfathomable undeserved wealth, oppressive historical traditions and unrelenting pressures to be intelligent, beautiful and docile.
Despite this amazing and intelligent backdrop however, Ms. Cha's prose needs tightening and a more careful editing that would have taken this very good chick-lit novel into a more powerful literary direction.
I so look forward to seeing what Ms. Cha will come up with next.
A group of Korean Salon Workers
April 22, 2020
“I would live your life so much better than you if I had your face.”
Whatever I was hoping to get out of this novel, I received just that and even more. I’ve been especially interested in how women in other parts of the world live and interact with one another, so when I saw in the description that this was “...set in contemporary Seoul, Korea, about four young women making their way...”, I really couldn’t pass it up.
Though the four main characters live in close proximity, in the same building, their lives feel separate from one another. When I first started reading I was wondering if this was going to be more of a Sex and the City vibe, where four friends are navigating the dating world and trying to self-actualize. Or maybe there would be petty feuds and backstabbing. It was decidedly not that, and all the better for it.
Frances Cha identifies astounding depth in what’s considered to be the more superficial parts of Korean society. She doesn’t shy away from the uncomfortable parts of typically glamorized industries, like K-Pop and Korean Beauty. Sometimes when we read about other places and people, there’s an instinct to react with relief, like, ‘Oh thank God it’s not like that here!’ It was funny to see some of those reactions directed at American society by the Korean characters, and really made me question my own responses. In If I Had Your Face, Cha challenges our perceptions of what’s acceptable and has been normalized in our respective parts of the world. Both our commonalities and differences are striking.
I absolutely fell in love with all of the female characters. They’re so distinct from one another, but there’s a familiar undercurrent that runs through them all, connecting them when there doesn’t appear to be much common ground. Ara is quiet, but has a ruthless streak. Kyuri seems shallow, but is endlessly ambitious. Miho’s earnestness can come off as naive, but she’s not to be underestimated. And Wonna feels disconnected and alone, though she’s struggling to rekindle her own will. Even the women who don’t have any first-person chapters are layered and complex; it’s difficult not to root for them all.
There isn’t the unattainable levels of achievement and wealth we may have come to expect, like what we get from following around Rachel and Astrid in Crazy Rich Asians. There’s a grittiness to the glamour of the women in this story. They’re connected by the fact that they’re all yearning for something the world seems reluctant to provide them. I deeply enjoyed watching them rise up snatch it for themselves anyways.
*Thanks to Random House - Ballantine & Netgalley for an advance copy!
Whatever I was hoping to get out of this novel, I received just that and even more. I’ve been especially interested in how women in other parts of the world live and interact with one another, so when I saw in the description that this was “...set in contemporary Seoul, Korea, about four young women making their way...”, I really couldn’t pass it up.
Though the four main characters live in close proximity, in the same building, their lives feel separate from one another. When I first started reading I was wondering if this was going to be more of a Sex and the City vibe, where four friends are navigating the dating world and trying to self-actualize. Or maybe there would be petty feuds and backstabbing. It was decidedly not that, and all the better for it.
Frances Cha identifies astounding depth in what’s considered to be the more superficial parts of Korean society. She doesn’t shy away from the uncomfortable parts of typically glamorized industries, like K-Pop and Korean Beauty. Sometimes when we read about other places and people, there’s an instinct to react with relief, like, ‘Oh thank God it’s not like that here!’ It was funny to see some of those reactions directed at American society by the Korean characters, and really made me question my own responses. In If I Had Your Face, Cha challenges our perceptions of what’s acceptable and has been normalized in our respective parts of the world. Both our commonalities and differences are striking.
I absolutely fell in love with all of the female characters. They’re so distinct from one another, but there’s a familiar undercurrent that runs through them all, connecting them when there doesn’t appear to be much common ground. Ara is quiet, but has a ruthless streak. Kyuri seems shallow, but is endlessly ambitious. Miho’s earnestness can come off as naive, but she’s not to be underestimated. And Wonna feels disconnected and alone, though she’s struggling to rekindle her own will. Even the women who don’t have any first-person chapters are layered and complex; it’s difficult not to root for them all.
There isn’t the unattainable levels of achievement and wealth we may have come to expect, like what we get from following around Rachel and Astrid in Crazy Rich Asians. There’s a grittiness to the glamour of the women in this story. They’re connected by the fact that they’re all yearning for something the world seems reluctant to provide them. I deeply enjoyed watching them rise up snatch it for themselves anyways.
*Thanks to Random House - Ballantine & Netgalley for an advance copy!
July 3, 2023
The below review originally appeared in the Pittsburgh Post-Gazette:
Envy became the green-eyed monster when Shakespeare dubbed it so in Iago’s warning to Othello. Today, we just call it access to Instagram. Scrolling endlessly through a sea of heavily altered photos has the capacity to make any of us feel envious of others, or even go so far as to make us think, “I would live your life so much better than you if I had your face.”
So ponders one of the main characters of the appropriately titled “If I Had Your Face,” the first novel released by former CNN travel and culture editor Frances Cha. Set in South Korea, four rotating perspectives make up Cha’s debut; we begin with Ara, a mute hairstylist with a feverish obsession with a K-pop star. Next, we hear from Kyuri, a heavily surgerized beauty and employee of a high-end room salon, in which men pay large sums of money for good liquor and the company of attractive women. Wonna is the unexpected addition, a married woman living in the same building as the others, seemingly incapable of being happy with her kind husband. Finally, Kyuri’s roommate Miho is a naturally beautiful artist with a wealthy boyfriend.
All four are deeply damaged from their pasts filled with cruelty, abandonment, tragic accidents, and loss. Yet the quartet are doing their best to get by, living in Seoul’s fashionable Gangnam District. We follow each one of them roughly an equal number of times throughout this short novel and witness their present internal and external struggles, with backstories slowly poking through. The women can often be startlingly honest about their hardships, revealing themselves to the reader fairly early on. It is only the question of Ara’s muteness that lingers into the back half of the novel.
Their situations may be unique, but all four feel the collective cultural pressures weighing down on them. South Korea is well-known for having exceedingly high beauty standards, likely why the country has the highest ratio of plastic surgery procedures per capita, as Business Insider reported in 2015. Among the most common procedures is the double eyelid surgery, a procedure to enlarge and define the eyes by adding a double eyelid, as opposed to the single eyelid with which many South Koreans are born.
Though many Western countries tend to see such surgeries as elective emblems of vanity, leading with appearance is highly important in modern South Korea. Headshots have been historically required on applicant resumes, though President Moon Jae-in was reportedly attempting to get rid of that requirement. It was also rumored that he would seek to end the employer’s right to ask applicants about their families or even physical attributes. As “If I Had Your Face” character Miho explains:
“For all its millions of people, Korea is the size of a fishbowl and someone is always looking down on someone else. That’s just the way it is in this country, and the reason why people ask a series of rapid-fire questions the minute they meet you. Which neighborhood do you live in? Where did you go to school? Where do you work? Do you know so-and-so? They pinpoint where you are on the national scale of status, then spit you out in a heartbeat.”
Where not much can be done about one’s background, a single controllable status-determining factor can at least be one’s appearance, making it no wonder that so many, including characters Kyuri and Sujin, go under the knife.
Cha’s debut is filled with biting commentary about the position in which women find themselves in modern South Korea. With such an onus on appearance and social rank, women’s lives come to be dominated by envy, and our main characters are no exception. Each one of them, through their narratives, seems suspended in space, desperately grabbing out for something unreachable, believing that getting a hold on whatever is missing will fill the hole inside of them.
Cha’s debut has the potential to provide a window into South Korean culture for the uninitiated, highlighting its richness as well as its problems. The book, for all its sharp wit and acerbic asides, is breezily and delightfully readable, perfect for a one-sitting binge. Wanting only for more differentiation between the character voices and a separate perspective of the group’s keystone friend, Sujin, Cha has given us a novel to write home about. Or, certainly, one with which we can distract ourselves from Instagram.
Envy became the green-eyed monster when Shakespeare dubbed it so in Iago’s warning to Othello. Today, we just call it access to Instagram. Scrolling endlessly through a sea of heavily altered photos has the capacity to make any of us feel envious of others, or even go so far as to make us think, “I would live your life so much better than you if I had your face.”
So ponders one of the main characters of the appropriately titled “If I Had Your Face,” the first novel released by former CNN travel and culture editor Frances Cha. Set in South Korea, four rotating perspectives make up Cha’s debut; we begin with Ara, a mute hairstylist with a feverish obsession with a K-pop star. Next, we hear from Kyuri, a heavily surgerized beauty and employee of a high-end room salon, in which men pay large sums of money for good liquor and the company of attractive women. Wonna is the unexpected addition, a married woman living in the same building as the others, seemingly incapable of being happy with her kind husband. Finally, Kyuri’s roommate Miho is a naturally beautiful artist with a wealthy boyfriend.
All four are deeply damaged from their pasts filled with cruelty, abandonment, tragic accidents, and loss. Yet the quartet are doing their best to get by, living in Seoul’s fashionable Gangnam District. We follow each one of them roughly an equal number of times throughout this short novel and witness their present internal and external struggles, with backstories slowly poking through. The women can often be startlingly honest about their hardships, revealing themselves to the reader fairly early on. It is only the question of Ara’s muteness that lingers into the back half of the novel.
Their situations may be unique, but all four feel the collective cultural pressures weighing down on them. South Korea is well-known for having exceedingly high beauty standards, likely why the country has the highest ratio of plastic surgery procedures per capita, as Business Insider reported in 2015. Among the most common procedures is the double eyelid surgery, a procedure to enlarge and define the eyes by adding a double eyelid, as opposed to the single eyelid with which many South Koreans are born.
Though many Western countries tend to see such surgeries as elective emblems of vanity, leading with appearance is highly important in modern South Korea. Headshots have been historically required on applicant resumes, though President Moon Jae-in was reportedly attempting to get rid of that requirement. It was also rumored that he would seek to end the employer’s right to ask applicants about their families or even physical attributes. As “If I Had Your Face” character Miho explains:
“For all its millions of people, Korea is the size of a fishbowl and someone is always looking down on someone else. That’s just the way it is in this country, and the reason why people ask a series of rapid-fire questions the minute they meet you. Which neighborhood do you live in? Where did you go to school? Where do you work? Do you know so-and-so? They pinpoint where you are on the national scale of status, then spit you out in a heartbeat.”
Where not much can be done about one’s background, a single controllable status-determining factor can at least be one’s appearance, making it no wonder that so many, including characters Kyuri and Sujin, go under the knife.
Cha’s debut is filled with biting commentary about the position in which women find themselves in modern South Korea. With such an onus on appearance and social rank, women’s lives come to be dominated by envy, and our main characters are no exception. Each one of them, through their narratives, seems suspended in space, desperately grabbing out for something unreachable, believing that getting a hold on whatever is missing will fill the hole inside of them.
Cha’s debut has the potential to provide a window into South Korean culture for the uninitiated, highlighting its richness as well as its problems. The book, for all its sharp wit and acerbic asides, is breezily and delightfully readable, perfect for a one-sitting binge. Wanting only for more differentiation between the character voices and a separate perspective of the group’s keystone friend, Sujin, Cha has given us a novel to write home about. Or, certainly, one with which we can distract ourselves from Instagram.
June 7, 2020
Thank you, Random House Ballantine, for the gifted book.
I’ve read very few books set in Korea, and they’ve all been historical as far as I can remember. If I Had Your Face takes place mostly in Korea, with some chapters in NYC when one character travels there to study art. This book is a deep dive character study of four Korean women.
The thread uniting them all would on the surface appear to be a search for beauty, however, the quests for inner peace and self-acceptance that are also on the table. Extreme plastic surgery is the norm, and the class differences and stifling economy were intriguing and heartrending at the same time.
Kyuri has undergone plastic surgery to be a top tier girl in a “room salon,” only to be stuck there due to all she owes the owner. Miho has traveled abroad to study art, only to find her position in society more precarious than ever. Ara is a mute, hair stylist, the victim of a horrible crime when she was younger. Wonna is a young newlywed planning to start a family but unsure she can afford one. There was so much to think about with every character.
If I Had Your Face is about these four women. If you love a thoughtful portrayal of characters where you learn about a different culture in a contemporary setting, definitely check this one out. It’s a quick, well-written, emotional, memorable story of friendship.
Many of my reviews can also be found on my blog: www.jennifertarheelreader.com and instagram: www.instagram.com/tarheelreader
I’ve read very few books set in Korea, and they’ve all been historical as far as I can remember. If I Had Your Face takes place mostly in Korea, with some chapters in NYC when one character travels there to study art. This book is a deep dive character study of four Korean women.
The thread uniting them all would on the surface appear to be a search for beauty, however, the quests for inner peace and self-acceptance that are also on the table. Extreme plastic surgery is the norm, and the class differences and stifling economy were intriguing and heartrending at the same time.
Kyuri has undergone plastic surgery to be a top tier girl in a “room salon,” only to be stuck there due to all she owes the owner. Miho has traveled abroad to study art, only to find her position in society more precarious than ever. Ara is a mute, hair stylist, the victim of a horrible crime when she was younger. Wonna is a young newlywed planning to start a family but unsure she can afford one. There was so much to think about with every character.
If I Had Your Face is about these four women. If you love a thoughtful portrayal of characters where you learn about a different culture in a contemporary setting, definitely check this one out. It’s a quick, well-written, emotional, memorable story of friendship.
Many of my reviews can also be found on my blog: www.jennifertarheelreader.com and instagram: www.instagram.com/tarheelreader
January 3, 2020
If I Had Your Face is a searing debut that follows five young women living in the fringes of South Korean society, each struggling to make a living for themselves. Few books that claim to tackle misogyny are as successfully unrelenting as this one is; it's a bleak read, but also a beautiful one. This seems to be pitched as a book about the Korean beauty industry, which it is and it isn't; plastic surgery and makeup mostly litter the background of a couple of the narratives, as Cha focuses instead on the women who are actively harmed by cruel and unrealistic beauty standards.
This book's main asset has to be the characters: it's also been a while since I've read anything with characters this convincing. Of the five protagonists, four of them alternate first person point-of-view chapters, and each of their voices is so distinctive I never had trouble remembering whose head I was inhabiting, which tends to be a common pitfall of similarly structured fiction.
Narratively, this falls a bit short; it wraps up rather quickly and at the point where it ends, you feel like it could keep going for at least another 150 pages. One of the characters' arcs felt unfinished to me. And a few of the book's key events feel rushed, even before the end. But despite that, my impression of this book is largely favorable. I don't think I'll forget this in a hurry, and I can't wait for whatever Frances Cha does next.
Thank you to Netgalley and Ballantine for the advanced copy provided in exchange for an honest review.
This book's main asset has to be the characters: it's also been a while since I've read anything with characters this convincing. Of the five protagonists, four of them alternate first person point-of-view chapters, and each of their voices is so distinctive I never had trouble remembering whose head I was inhabiting, which tends to be a common pitfall of similarly structured fiction.
Narratively, this falls a bit short; it wraps up rather quickly and at the point where it ends, you feel like it could keep going for at least another 150 pages. One of the characters' arcs felt unfinished to me. And a few of the book's key events feel rushed, even before the end. But despite that, my impression of this book is largely favorable. I don't think I'll forget this in a hurry, and I can't wait for whatever Frances Cha does next.
Thank you to Netgalley and Ballantine for the advanced copy provided in exchange for an honest review.
January 1, 2021
I listened to the audible production of “If I Had Your Face” by Frances Cha. This highly rated novel includes four female narrators who provide the reader with the soul-crushing beauty expectations in South Korea. From this story, I learned that South Korea has one of the most plastic surgery rates in the world with eyelid and jaw slimming surgeries leading the numbers. What is more astounding is that the jaw surgeries can take over a year to recover. One’s looks ultimately determine one’s wealth and marriage prospects. Thus, plastic surgery is culturally considered very practical in improving one’s life. Cha also reveals South Korea’s consumerism and male dominated culture.
The story takes place in Seoul Korea and follows four young women in an apartment building. Kyuri is a beautiful room salon girl where the rich and elite men go for beautiful female companionship. Kyuri has already undergone multiple plastic surgeries, but finds her looks are fading because of all the heavy drinking required. Her roommate is Miho who is naturally beautiful and is an artist. She relies on the rich to purchase her art. Miho’s narration informs the reader as to the scale of wealth, the hedonistic behavior of the ultra-wealthy when she begins dating a wealthy heir.
Ara is a talented hairdresser who fashions the beautiful women’s hair. She lives across the hall from Kyuri and Miho; Ara dresses Kyuri’s hair daily. Ara is mysteriously mute making her interesting in her ruminations. Ara is obsessed with a K-pop star. Her roommate is Sujin (who doesn’t narrate). Through Ara we see Sujin who will go through extreme measures to gain Korean beauty. Sujin is one of the more tragic characters in her neediness.
Wonna is a pregnant wife. She chose her husband because his mother was dead. In South Korea, there is generally a pernicious wife/mother-in-law relationship. Wonna wants a baby more than anything. Wonna doesn’t play a huge role in the story; she is a working woman who isn’t treated well at work.
Cha’s novel is basically about current Korean culture and obsessions. All the press this novel has received is well earned. The audible production is fantastic.
The story takes place in Seoul Korea and follows four young women in an apartment building. Kyuri is a beautiful room salon girl where the rich and elite men go for beautiful female companionship. Kyuri has already undergone multiple plastic surgeries, but finds her looks are fading because of all the heavy drinking required. Her roommate is Miho who is naturally beautiful and is an artist. She relies on the rich to purchase her art. Miho’s narration informs the reader as to the scale of wealth, the hedonistic behavior of the ultra-wealthy when she begins dating a wealthy heir.
Ara is a talented hairdresser who fashions the beautiful women’s hair. She lives across the hall from Kyuri and Miho; Ara dresses Kyuri’s hair daily. Ara is mysteriously mute making her interesting in her ruminations. Ara is obsessed with a K-pop star. Her roommate is Sujin (who doesn’t narrate). Through Ara we see Sujin who will go through extreme measures to gain Korean beauty. Sujin is one of the more tragic characters in her neediness.
Wonna is a pregnant wife. She chose her husband because his mother was dead. In South Korea, there is generally a pernicious wife/mother-in-law relationship. Wonna wants a baby more than anything. Wonna doesn’t play a huge role in the story; she is a working woman who isn’t treated well at work.
Cha’s novel is basically about current Korean culture and obsessions. All the press this novel has received is well earned. The audible production is fantastic.
July 18, 2020
Two days ago I finished ‘The White Tiger’ by Aravind Adiga (Man Booker Prize award, 1008) and concluded (to myself) that I certainly do not know much about India. ☹
Today I finished this novel, and conclude that I do not know much about South Korea. ☹
Wonder what I’ll read tomorrow? No doubt it will be a trifecta…”I don’t know much about Country X”. ☹
Anyhoo, I liked this book because it was well-written and held my attention, and I thought the four protagonists were quite interesting. So 4 stars for me.
I liked the format. The novel told the evolving story from each woman’s viewpoint as to what was happening in her life at the time (and sometimes one, two, or three of the other women were involved and sometimes not). So it would go Ara, Kyuri, Wonna, Miho, then proceed along with Ara again, and Kyuri again and so on. All had interesting pasts that came out over the course of the novel. I’m trying to think if any had a normal upbringing but I don’t think any of them did.….raised by a cruel grandmother (Wonna, unhappily married and miscarrying babies), raised in an orphanage (Miho), one was attacked by a girl gang (Ari) and as a result of the physical attack became mute. I think Kyuri who worked at a room salon and had had countless cosmetic surgeries, done on mostly her face, had an OK childhood but she was ashamed to tell her mother what she did for a living…serving drinks to businessmen at a room salon, and sometimes sleeping with them.
There was another character in the novel that popped up quite a bit because she was a roommate (and childhood friend) of Ara, Sujin. She was interesting because at the beginning of the novel she had surgery which involved having her jaw was broken so she would look more appealing. Yikes!
This is how Ara described Kyuri: “Kyuri…is one of those electrically beautiful girls. The stitches on her double eyelids look naturally faint, while her nose is raised, her cheekbones tapered, and her entire jaw realigned and shaved into a slim v-line. Long leathery eyelashes have been planted along her tattooed eye line, and she does routine light therapy on her skin, which glistens cloudy white, like skim milk. Earlier, she was waxing on about the benefits of lotus leaf masks and ceramide supplements for budding neck lines. The only unaltered part of her is surprisingly her hair, which unfolds like a dark river down her back.”
The author is a former travel and culture editor for CNN in Seoul.
Reviews:
https://www.washingtonpost.com/entert...
https://www.newsday.com/entertainment...
https://www.japantimes.co.jp/culture/...
Note: in this review Cha says it took 10 years to write this book, and that “The narrator that I had spent the most time on was cut out entirely. She will be the protagonist in my second book, which is due soon.” Good! ☺️
Today I finished this novel, and conclude that I do not know much about South Korea. ☹
Wonder what I’ll read tomorrow? No doubt it will be a trifecta…”I don’t know much about Country X”. ☹
Anyhoo, I liked this book because it was well-written and held my attention, and I thought the four protagonists were quite interesting. So 4 stars for me.
I liked the format. The novel told the evolving story from each woman’s viewpoint as to what was happening in her life at the time (and sometimes one, two, or three of the other women were involved and sometimes not). So it would go Ara, Kyuri, Wonna, Miho, then proceed along with Ara again, and Kyuri again and so on. All had interesting pasts that came out over the course of the novel. I’m trying to think if any had a normal upbringing but I don’t think any of them did.….raised by a cruel grandmother (Wonna, unhappily married and miscarrying babies), raised in an orphanage (Miho), one was attacked by a girl gang (Ari) and as a result of the physical attack became mute. I think Kyuri who worked at a room salon and had had countless cosmetic surgeries, done on mostly her face, had an OK childhood but she was ashamed to tell her mother what she did for a living…serving drinks to businessmen at a room salon, and sometimes sleeping with them.
There was another character in the novel that popped up quite a bit because she was a roommate (and childhood friend) of Ara, Sujin. She was interesting because at the beginning of the novel she had surgery which involved having her jaw was broken so she would look more appealing. Yikes!
This is how Ara described Kyuri: “Kyuri…is one of those electrically beautiful girls. The stitches on her double eyelids look naturally faint, while her nose is raised, her cheekbones tapered, and her entire jaw realigned and shaved into a slim v-line. Long leathery eyelashes have been planted along her tattooed eye line, and she does routine light therapy on her skin, which glistens cloudy white, like skim milk. Earlier, she was waxing on about the benefits of lotus leaf masks and ceramide supplements for budding neck lines. The only unaltered part of her is surprisingly her hair, which unfolds like a dark river down her back.”
The author is a former travel and culture editor for CNN in Seoul.
Reviews:
https://www.washingtonpost.com/entert...
https://www.newsday.com/entertainment...
https://www.japantimes.co.jp/culture/...
Note: in this review Cha says it took 10 years to write this book, and that “The narrator that I had spent the most time on was cut out entirely. She will be the protagonist in my second book, which is due soon.” Good! ☺️
June 11, 2024
Such an interesting book, i really liked following the multiple perspectives - i only wish there was a bit more resolution for each of the girls stories at the end. However this was a very fascinating commentary on plastic surgery/beauty standards in Korea, as well the treatment of women and mothers under patriarchy and late stage capitalism.
August 24, 2020
The novel has multiple first-person points of view and although the narrators are from very different backgrounds, they all sound alike, which made the novel a monotonous read for me. The narrators have more or less the same level of self-absorption, and observe of the world with about the same amount of discernment, and they use the same vocabulary and sentence structure, and the way they express themselves is uniformly a little on the bland side. I kept thinking that the novel would have been improved if it were written in the third person, where its author might have felt freer to let her style soar. The way it is written instead, for me, led to a lack of any felt connection with these characters.
November 21, 2020
This is like reading a soap opera...
No real plot, but a whole lot of drama.
Not worth the hype.
Side note:
No real plot, but a whole lot of drama.
Not worth the hype.
Side note:
June 1, 2022
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3 ½ stars
Engaging and insightful If I Had Your Face is a solid debut novel from a promising writer.
If I Had Your Face follows four young women trying to navigate everyday life in contemporary Seoul. They live in the same building but to begin with are not exactly friends. We have Ara, a mute hair stylist who is infatuated with a member of a popular Kpop boy band, Kyuri, who has undergone numerous plastic surgeries and works at a 'room salon' where she entertains wealthy men, Miho, an artist who studied in NY and whose boyfriend comes from an influential family, and Wonna, who lives with her husband and is pregnant.
Part of me wishes that the novel could have been structured differently so that instead of switching between these characters their stories could have been presented as a series of interlinked novellas. This would have probably prevented their voices from blurring together, which they sometimes did. Miho and Wonna's chapters were a lot weaker in terms of 'distinctive' voices. Nevertheless, I enjoyed Cha's breezy prose. It is very readable and vividly rendered the characters'
circumstances/environments.
I liked the balance Cha maintained between drama and realism. Cha's commentary on South Korean society is both sharp and zingy. Through Ara, Miho, Wonna, and Kyuri's stories Cha shows the ways in which their choices, desires, sense of selves, are shaped by gender inequity, class, and oppressive beauty standards. Their parents are either dead or unable to help them financially so they rely on their income...beauty too, is a currency and we see the advantages of being seen as beautiful entails.
Another aspect that I appreciated about this novel was that its characters are not paragons of virtue. They can be selfish, oblivious, not always willing to consider the weight of their actions or words, judgemental, flippant, and cruel. I did find myself far more interested in Ara and Kyuri than Miho and Wonna. This may be because the latter two had chapters that were heavy on 'backstories' (as opposed to focusing on the 'now'). Miho's personality seemed that of the artist (always with her head in the clouds, viewing the world through artistic lenses, too occupied by her art to remember to eat or take care of herself) while Wonna's chapters did not seem to fit with the rest. Her chapters examine her marriage and her anxiety over her pregnancy (understandably since she had several miscarriages), which would have suited another kind of book. The other characters' chapters did not have such a narrow focus. Also, I just found myself growing fonder of Ara and Kyuri. Their storylines were gripping in a way that Miho and Wonna's weren't. The stakes were higher in Ara and Kyuri and their eventual friendship was rather sweet.
Cha's If I Had Your Face is certainly a vibrant read. If you want to read more about modern South Korean society or of the trials and errors, ups and downs of life as a millennial you should definitely give If I Had Your Face a try.
ps: I have a bone to pick with whoever wrote the blurb for this novel. The blurb for the Viking edition not only reveals too much but it is also kind of misleading (Ara's obsession with a K-pop star "drives her to violent extremes"...? When? If this is referring to that one scene...that had very little to do with Ara's crush on that K-pop star).
3 ½ stars
Engaging and insightful If I Had Your Face is a solid debut novel from a promising writer.
If I Had Your Face follows four young women trying to navigate everyday life in contemporary Seoul. They live in the same building but to begin with are not exactly friends. We have Ara, a mute hair stylist who is infatuated with a member of a popular Kpop boy band, Kyuri, who has undergone numerous plastic surgeries and works at a 'room salon' where she entertains wealthy men, Miho, an artist who studied in NY and whose boyfriend comes from an influential family, and Wonna, who lives with her husband and is pregnant.
Part of me wishes that the novel could have been structured differently so that instead of switching between these characters their stories could have been presented as a series of interlinked novellas. This would have probably prevented their voices from blurring together, which they sometimes did. Miho and Wonna's chapters were a lot weaker in terms of 'distinctive' voices. Nevertheless, I enjoyed Cha's breezy prose. It is very readable and vividly rendered the characters'
circumstances/environments.
I liked the balance Cha maintained between drama and realism. Cha's commentary on South Korean society is both sharp and zingy. Through Ara, Miho, Wonna, and Kyuri's stories Cha shows the ways in which their choices, desires, sense of selves, are shaped by gender inequity, class, and oppressive beauty standards. Their parents are either dead or unable to help them financially so they rely on their income...beauty too, is a currency and we see the advantages of being seen as beautiful entails.
Another aspect that I appreciated about this novel was that its characters are not paragons of virtue. They can be selfish, oblivious, not always willing to consider the weight of their actions or words, judgemental, flippant, and cruel. I did find myself far more interested in Ara and Kyuri than Miho and Wonna. This may be because the latter two had chapters that were heavy on 'backstories' (as opposed to focusing on the 'now'). Miho's personality seemed that of the artist (always with her head in the clouds, viewing the world through artistic lenses, too occupied by her art to remember to eat or take care of herself) while Wonna's chapters did not seem to fit with the rest. Her chapters examine her marriage and her anxiety over her pregnancy (understandably since she had several miscarriages), which would have suited another kind of book. The other characters' chapters did not have such a narrow focus. Also, I just found myself growing fonder of Ara and Kyuri. Their storylines were gripping in a way that Miho and Wonna's weren't. The stakes were higher in Ara and Kyuri and their eventual friendship was rather sweet.
Cha's If I Had Your Face is certainly a vibrant read. If you want to read more about modern South Korean society or of the trials and errors, ups and downs of life as a millennial you should definitely give If I Had Your Face a try.
ps: I have a bone to pick with whoever wrote the blurb for this novel. The blurb for the Viking edition not only reveals too much but it is also kind of misleading (Ara's obsession with a K-pop star "drives her to violent extremes"...? When? If this is referring to that one scene...that had very little to do with Ara's crush on that K-pop star).
January 22, 2021
Now longlisted for the Swansea University Dylan Thomas Prize.
This is a book set in Seoul which features five young women living in an Officetel in contemporary Seoul. Four of them feature as alternating first party point of view characters.
Kyuri is a prostitute turned Ten Percent salon girl via sheer determination and copious amounts of plastic surgery. Miho an orphan who won an art scholarship to the US where she got involved with a Rich Korean artist (Ruby) and after Ruby’s suicide started dating Ruby’s rich Chaebol-heir boyfriend while using Ruby as a muse for her latest work. Ara’s parents work as servants on a large Hanok estate, she became a mute after an attack when she was at school and now works as a hairstylist – she is obsessed with the lead singer of a K-pop band. Wonna is married and desparate for a child although increasingly realising the economic challenge (if not impossibility) of having and supporting a child given her and her husband’s perilous economic situation. The fifth character Sujin was a fellow-orphan with Miho (whose career she has always supported) and the middle-school friend of Ara (with who she now shares a flat) – her dream is to have surgery to become a top salon girl like Kyuri.
The style of the book is unremittingly bleak – all four characters could be said to fit the “unlikeable female” genre of say Eilleen Moshfegh (or perhaps more pertinently Patti Yumi Cottrell) – albeit in most cases with an obsession with beauty and appearance (rather than its opposite). It is I think deliberate that the only character with a balanced and optimistic view on life (if perhaps not with an ideal career aspiration) is the one not included as a POV character.
There are a number of aspects by which a book can be analysed: for example for literary fiction one can think of: use of language, detail of plot, characterisation and topicality/contemporary relevance.
The language in this book is simple – unusually I did not highlight any passages when reading the book for their turn of phrase or clever/unusual imagery.
Impressively though (and burnishing its literary credentials) this is not a book heavy on plot in the traditional set-up/confrontation/resolution approach. We are dropped into the character’s complex lives, with some glimpses into their difficult back stories and the challenges of their existing situation (but only via their first party, present day narration); and each of the characters faces something of a moment of confrontation/crisis; however there is little or no resolution – in fact all of the characters finish the book in a far more ambiguous and open ended situation than they started it.
By contrast the novel has a strong emphasis on character – all four first party narrators and the fifth linking character, are strongly drawn and memorable, and the switches of point of view are clear – even for a book that I read in a single sitting I never found myself double checking which character I was reading (which can commonly happen in this form of multiple POV novel). I also enjoyed the ways in which the characters secretly judge each other (for example Kyuri is horrified by aspects of Ara’s art, while Ara dismisses Kyuri as suffering from a victim complex).
In terms of topicality/contemporary relevance – I think the growing Western (and worldwide) Social-media lead interest in K-Pop (and in its darker side with the recent suicides) and K-beauty will gain this book a ready audience, and the title I think has been chosen to perhaps over-emphasise the extent to which this book is around beauty rather than a wider examination of society. However the picture it presents of Korean (and particularly Seoul) society is unremittingly bleak: a literally superficial view of beauty and character, characterised by almost routine use of plastic surgery; workplace bullying (verbal and physical) and sexism; a business based culture of evening alcoholism and use of prostitutes; infidelity; Chaebol-based corruption; rampant nepotism; property speculation; snobbery based on class, high school and region; discrimination against the unfortunate (orphans and disabled); generational conflict – particularly difficult mother-in-law/daughter-in-law conflicts; increasing suicide rates and so on. Perhaps made more stark by the lack of any balancing aspects. All of this of course fitting the genre from which the book originates. My concern here is that while I don’t think anyone would think Moshfegh or PYC is presenting a rounded (as opposed to a deliberately and provocatively one-sided) view of American society – the relative lack of English language books exploring Korean society may mean that this book is taken as completely representative.
Overall I found this a bleak but engrossing read which I read in a single sitting.
My thanks to Penguin Books for an ARC via NetGalley.
This is a book set in Seoul which features five young women living in an Officetel in contemporary Seoul. Four of them feature as alternating first party point of view characters.
Kyuri is a prostitute turned Ten Percent salon girl via sheer determination and copious amounts of plastic surgery. Miho an orphan who won an art scholarship to the US where she got involved with a Rich Korean artist (Ruby) and after Ruby’s suicide started dating Ruby’s rich Chaebol-heir boyfriend while using Ruby as a muse for her latest work. Ara’s parents work as servants on a large Hanok estate, she became a mute after an attack when she was at school and now works as a hairstylist – she is obsessed with the lead singer of a K-pop band. Wonna is married and desparate for a child although increasingly realising the economic challenge (if not impossibility) of having and supporting a child given her and her husband’s perilous economic situation. The fifth character Sujin was a fellow-orphan with Miho (whose career she has always supported) and the middle-school friend of Ara (with who she now shares a flat) – her dream is to have surgery to become a top salon girl like Kyuri.
The style of the book is unremittingly bleak – all four characters could be said to fit the “unlikeable female” genre of say Eilleen Moshfegh (or perhaps more pertinently Patti Yumi Cottrell) – albeit in most cases with an obsession with beauty and appearance (rather than its opposite). It is I think deliberate that the only character with a balanced and optimistic view on life (if perhaps not with an ideal career aspiration) is the one not included as a POV character.
There are a number of aspects by which a book can be analysed: for example for literary fiction one can think of: use of language, detail of plot, characterisation and topicality/contemporary relevance.
The language in this book is simple – unusually I did not highlight any passages when reading the book for their turn of phrase or clever/unusual imagery.
Impressively though (and burnishing its literary credentials) this is not a book heavy on plot in the traditional set-up/confrontation/resolution approach. We are dropped into the character’s complex lives, with some glimpses into their difficult back stories and the challenges of their existing situation (but only via their first party, present day narration); and each of the characters faces something of a moment of confrontation/crisis; however there is little or no resolution – in fact all of the characters finish the book in a far more ambiguous and open ended situation than they started it.
By contrast the novel has a strong emphasis on character – all four first party narrators and the fifth linking character, are strongly drawn and memorable, and the switches of point of view are clear – even for a book that I read in a single sitting I never found myself double checking which character I was reading (which can commonly happen in this form of multiple POV novel). I also enjoyed the ways in which the characters secretly judge each other (for example Kyuri is horrified by aspects of Ara’s art, while Ara dismisses Kyuri as suffering from a victim complex).
In terms of topicality/contemporary relevance – I think the growing Western (and worldwide) Social-media lead interest in K-Pop (and in its darker side with the recent suicides) and K-beauty will gain this book a ready audience, and the title I think has been chosen to perhaps over-emphasise the extent to which this book is around beauty rather than a wider examination of society. However the picture it presents of Korean (and particularly Seoul) society is unremittingly bleak: a literally superficial view of beauty and character, characterised by almost routine use of plastic surgery; workplace bullying (verbal and physical) and sexism; a business based culture of evening alcoholism and use of prostitutes; infidelity; Chaebol-based corruption; rampant nepotism; property speculation; snobbery based on class, high school and region; discrimination against the unfortunate (orphans and disabled); generational conflict – particularly difficult mother-in-law/daughter-in-law conflicts; increasing suicide rates and so on. Perhaps made more stark by the lack of any balancing aspects. All of this of course fitting the genre from which the book originates. My concern here is that while I don’t think anyone would think Moshfegh or PYC is presenting a rounded (as opposed to a deliberately and provocatively one-sided) view of American society – the relative lack of English language books exploring Korean society may mean that this book is taken as completely representative.
Overall I found this a bleak but engrossing read which I read in a single sitting.
My thanks to Penguin Books for an ARC via NetGalley.
April 27, 2020
Utterly addictive read…. Utterly addictive!
I read If I Had Your Face in less than a day, I absolutely could not put this book down and I did not want it to end.
Set in bustling Seoul, Korea we meet four young women who beat all the odds and are currently living in the city, but they continue to face a lot more than they are equipped to handle.
We meet Kyuri who spends her nights getting drunk with rich businessmen at a salon that hires only beautiful women. Kyuri entertain men on a nightly basis and maintains a rigorous beauty regime in the day. She thinks of herself cold-hearted but then she does something that threatens her time at the salon.
Kyuri’s roommate Miho returns to Seoul after spending her time in New York studying art. It is during her time in NYC that she meets and starts dating one of the richest heirs in Korea. Miho has a lot going for her, her long glorious hair and her art that everyone seems to love.
Living together are best friends Ara and Suyrin. Ara is a hair stylist who is mute and remains fascinated by the lead of a boy-band she hopes to meet one day. Suyrin is obsessed with plastic surgery and spends her time researching and saving up for a surgery she believes will change her life.
Last of the four women is Wonna, newly married and struggling to make ends meet even with the help of her husband. Wonna works in a toxic environment and is trying to get pregnant, even though she doesn’t know how she will be able to provide for the child.
Frances Cha explores friendship dynamic of the four women in the must heart-felt and moving way. I love how refreshing the prose is, you get a raw look into the beauty industry and how hard it is for some women to assimilate and keep up with the insane beauty standard placed on them. The writing was utterly addictive, I could not get enough of each of the woman’s backstory and how they process their individual and collective reality. This is a well-crafted, refreshing look at friendship and the beauty industry. I honestly could not get enough….I really wish the author wrote more and added more pages to this novel. This is definitely one to add on your TBR list.
Thanks RandomHouse for this ARC.
I read If I Had Your Face in less than a day, I absolutely could not put this book down and I did not want it to end.
Set in bustling Seoul, Korea we meet four young women who beat all the odds and are currently living in the city, but they continue to face a lot more than they are equipped to handle.
We meet Kyuri who spends her nights getting drunk with rich businessmen at a salon that hires only beautiful women. Kyuri entertain men on a nightly basis and maintains a rigorous beauty regime in the day. She thinks of herself cold-hearted but then she does something that threatens her time at the salon.
Kyuri’s roommate Miho returns to Seoul after spending her time in New York studying art. It is during her time in NYC that she meets and starts dating one of the richest heirs in Korea. Miho has a lot going for her, her long glorious hair and her art that everyone seems to love.
Living together are best friends Ara and Suyrin. Ara is a hair stylist who is mute and remains fascinated by the lead of a boy-band she hopes to meet one day. Suyrin is obsessed with plastic surgery and spends her time researching and saving up for a surgery she believes will change her life.
Last of the four women is Wonna, newly married and struggling to make ends meet even with the help of her husband. Wonna works in a toxic environment and is trying to get pregnant, even though she doesn’t know how she will be able to provide for the child.
Frances Cha explores friendship dynamic of the four women in the must heart-felt and moving way. I love how refreshing the prose is, you get a raw look into the beauty industry and how hard it is for some women to assimilate and keep up with the insane beauty standard placed on them. The writing was utterly addictive, I could not get enough of each of the woman’s backstory and how they process their individual and collective reality. This is a well-crafted, refreshing look at friendship and the beauty industry. I honestly could not get enough….I really wish the author wrote more and added more pages to this novel. This is definitely one to add on your TBR list.
Thanks RandomHouse for this ARC.
March 1, 2020
(3.5) Set in Seoul, If I Had Your Face follows four very different young women who live in the same building. Ara is a mute hairdresser who has an unexpected violent side, heightened by her obsession with a K-pop star. Kyuri is a former prostitute who, having transformed her looks with plastic surgery, makes lots of money at an exclusive 'room salon', but also has huge debts. Miho, outwardly the most successful of the characters – an artist who has returned to Korea after a scholarship in New York – is haunted by memories of her late friend Ruby, whose boyfriend she is now dating. Wonna is married and pregnant; she wants to be a mother, but is both terrified of losing the baby and convinced she can't really afford to bring up a child.
This is a South Korea in which women's roles are changing – marriage and birth rates are at an all-time low – while career options are still limited. Even those who would prefer to follow a more traditional path are hampered by financial constraints and lack of support (Wonna is told she can only take three months' maternity leave). Young women like our protagonists, all of whom come from disadvantaged backgrounds, often see physical beauty as a way out of poverty, and to that end they treat cosmetic surgery as a kind of investment. As the novel's title suggests, this obsession with beauty becomes a persistent, slightly exhausting theme.
My main problem with If I Had Your Face only became apparent once I'd finished it: some really odd things are glossed over so everyone can be given a vaguely upbeat ending. I'm thinking in particular of Ara, who savagely beats a girl who pisses her off at work – an incident that's barely mentioned after it occurs, and seems to have been forgotten by the end. Both Miho and Wonna have interesting storylines which aren't fully developed. Miho's story, especially, feels like it's building up to a payoff that never comes.
Altogether, I think this book is best enjoyed as something light and fluffy; it doesn't delve too deep into its characters' most troubling attributes, nor their most intriguing ones. That's not to say it's without literary merit, though, and I found Frances Cha's portrait of Seoul society enlightening as well as entertaining.
I received an advance review copy of If I Had Your Face from the publisher through NetGalley.
TinyLetter
This is a South Korea in which women's roles are changing – marriage and birth rates are at an all-time low – while career options are still limited. Even those who would prefer to follow a more traditional path are hampered by financial constraints and lack of support (Wonna is told she can only take three months' maternity leave). Young women like our protagonists, all of whom come from disadvantaged backgrounds, often see physical beauty as a way out of poverty, and to that end they treat cosmetic surgery as a kind of investment. As the novel's title suggests, this obsession with beauty becomes a persistent, slightly exhausting theme.
My main problem with If I Had Your Face only became apparent once I'd finished it: some really odd things are glossed over so everyone can be given a vaguely upbeat ending. I'm thinking in particular of Ara, who savagely beats a girl who pisses her off at work – an incident that's barely mentioned after it occurs, and seems to have been forgotten by the end. Both Miho and Wonna have interesting storylines which aren't fully developed. Miho's story, especially, feels like it's building up to a payoff that never comes.
Altogether, I think this book is best enjoyed as something light and fluffy; it doesn't delve too deep into its characters' most troubling attributes, nor their most intriguing ones. That's not to say it's without literary merit, though, and I found Frances Cha's portrait of Seoul society enlightening as well as entertaining.
I received an advance review copy of If I Had Your Face from the publisher through NetGalley.
TinyLetter
August 27, 2023
i will meet frances cha and force her to expand on certain character's povs BECAUSE WHY DID IT FEEL SO SHORT AND INCOMPLETE. FEED ME MORE. PLEASE. I'm begging.
May 25, 2020
This novel examines topics of beauty, class, the place of women, friendship, and art through the lives of five women who are connected in various ways, set in Seoul. I believe it is set in present day but because of the extreme plastic surgery felt more like near-future.
I've read several books by female authors set in Korea in the past few years but they were works written in Korean and for Korean audiences (Han Kang, Kim Sagwa, etc). That writing tends to cover similar topics but in a more surreal, sideways, and violent way. The storytelling in this novel is more straightforward, told in the way of books like Big Little Lies, where there is a piece of information (or pieces) withheld from the reader, revealed gradually, through rotating points of view.
It took me a while to find the rhythm of it as it felt like I struggled in the first 40% to stay connected (arguably this could also be quarantine brain) but after that I felt like the pace picked up and I understood the characters more as individuals, making the rest fly by.
I had a copy of this book from the publisher through NetGalley; it came out April 21.
I've read several books by female authors set in Korea in the past few years but they were works written in Korean and for Korean audiences (Han Kang, Kim Sagwa, etc). That writing tends to cover similar topics but in a more surreal, sideways, and violent way. The storytelling in this novel is more straightforward, told in the way of books like Big Little Lies, where there is a piece of information (or pieces) withheld from the reader, revealed gradually, through rotating points of view.
It took me a while to find the rhythm of it as it felt like I struggled in the first 40% to stay connected (arguably this could also be quarantine brain) but after that I felt like the pace picked up and I understood the characters more as individuals, making the rest fly by.
I had a copy of this book from the publisher through NetGalley; it came out April 21.
December 3, 2021
“I will build myself up so high in such a short time that when he leaves me, I will become a lightning storm, a nuclear apocalypse. I will not come out of this with nothing.”
I was intrigued by the world that Frances Cha presents in If I Had Your Face. It is a world defined by the beauty standards of K-pop and put on display in exclusive salons in South Korea catering to rich men. These standards exist beyond the salons to stylists and plastic surgeons and to others who seem to have nothing to do with what seems an unreal but glamorous world.
The four women whose lives are depicted in the alternating chapters of this novel live in the same apartment building. Their unlikely friendship is predicated on an economy that favors beauty and status, and reveals divisions in the nature of work in South Korea. The novel also explores what a woman in South Korea is capable of achieving (in career or marriage) given accidental circumstances like the social status of one's family. This was a well-written novel that kept me engaged!
"I grew up not knowing the difference between a bearable life and an unbearable life, and by the time I discovered there was such a thing, it was too late.”
“I would live your life so much better than you, if I had your face.”
I was intrigued by the world that Frances Cha presents in If I Had Your Face. It is a world defined by the beauty standards of K-pop and put on display in exclusive salons in South Korea catering to rich men. These standards exist beyond the salons to stylists and plastic surgeons and to others who seem to have nothing to do with what seems an unreal but glamorous world.
The four women whose lives are depicted in the alternating chapters of this novel live in the same apartment building. Their unlikely friendship is predicated on an economy that favors beauty and status, and reveals divisions in the nature of work in South Korea. The novel also explores what a woman in South Korea is capable of achieving (in career or marriage) given accidental circumstances like the social status of one's family. This was a well-written novel that kept me engaged!
"I grew up not knowing the difference between a bearable life and an unbearable life, and by the time I discovered there was such a thing, it was too late.”
“I would live your life so much better than you, if I had your face.”
May 20, 2020
For better or for worse, I guess, depending on your hopes and interests (for me, it was for better), this very interesting little book is “about” plastic surgery about as much as Moby Dick is “about” whales or Snowpiercer is “about” trains.
This poignant novel is truly concerned with how a small group of five younger, independent women, who grew up in hardship (in orphanages or in abusive/neglectful family environments) in more remote areas of South Korea and who now inhabit an “office-tel” apartment building in Seoul, navigate cultural and societal barriers -- particularly systemic and entrenched sexism, classism, ageism, able-ism (one character is mute), and the accompanying economic disparities and drastically limited opportunities for social mobility -- to try to achieve as safe, stable, and contented lives as they possibly can.
To accomplish this, the protagonists employ whatever resources accessible to them -- be it plastic surgery, sex or escort work, administrative or custodial jobs, educational opportunities, or dating/marriage -- as well as their own innate talents (one character is a visual artist and one a skilled hair stylist), resourcefulness, mutual support, and skills for working a “rigged system” and advocating for self and other. (A recurring theme of the novel is how characters have, throughout their lives and to the present day, lobbied for opportunities for one another to access tools for self-improvement and increased mobility or stability, including jobs in varied settings, scholarships, placements in vocational schools - or, yes, appointments with in-demand plastic surgeons.)
I really appreciated the author’s ability to portray characters who are fighters and survivors — sure, maybe not always perfect and “likeable,” whatever that means, but certainly resilient, spirited, and ultimately more collaborative than competitive in the face of hardship — and to imbue the book with hints of hope, especially in a sort of inconclusive ending that may bug other readers but that I really liked. It would have been easy to succumb to bleakness and hopelessness and stereotype, and the author has too much respect for her characters to do this.
If I have any complaints about the novel, it’s that it’s always hard to give adequate attention to and differentiate all characters in an alternating-viewpoints-chapters novel, but I think the author fits together the puzzle pieces very well and manages a comprehensive “slice of life” approach that provides moving glimpses of these women’s pasts and presents and instills some cautious hopes for their futures.
The South Korean setting is especially fascinating and hopefully of interest to readers given the popularity of recent films such as Parasite (and shout out again to a personal favorite, Snowpiercer) that explore some similar themes.
I say this often in reviews, but in this case, I really, really do hope this talented author gives us more in the future! To her I say, “If I had your writing skills...”!
This poignant novel is truly concerned with how a small group of five younger, independent women, who grew up in hardship (in orphanages or in abusive/neglectful family environments) in more remote areas of South Korea and who now inhabit an “office-tel” apartment building in Seoul, navigate cultural and societal barriers -- particularly systemic and entrenched sexism, classism, ageism, able-ism (one character is mute), and the accompanying economic disparities and drastically limited opportunities for social mobility -- to try to achieve as safe, stable, and contented lives as they possibly can.
To accomplish this, the protagonists employ whatever resources accessible to them -- be it plastic surgery, sex or escort work, administrative or custodial jobs, educational opportunities, or dating/marriage -- as well as their own innate talents (one character is a visual artist and one a skilled hair stylist), resourcefulness, mutual support, and skills for working a “rigged system” and advocating for self and other. (A recurring theme of the novel is how characters have, throughout their lives and to the present day, lobbied for opportunities for one another to access tools for self-improvement and increased mobility or stability, including jobs in varied settings, scholarships, placements in vocational schools - or, yes, appointments with in-demand plastic surgeons.)
I really appreciated the author’s ability to portray characters who are fighters and survivors — sure, maybe not always perfect and “likeable,” whatever that means, but certainly resilient, spirited, and ultimately more collaborative than competitive in the face of hardship — and to imbue the book with hints of hope, especially in a sort of inconclusive ending that may bug other readers but that I really liked. It would have been easy to succumb to bleakness and hopelessness and stereotype, and the author has too much respect for her characters to do this.
If I have any complaints about the novel, it’s that it’s always hard to give adequate attention to and differentiate all characters in an alternating-viewpoints-chapters novel, but I think the author fits together the puzzle pieces very well and manages a comprehensive “slice of life” approach that provides moving glimpses of these women’s pasts and presents and instills some cautious hopes for their futures.
The South Korean setting is especially fascinating and hopefully of interest to readers given the popularity of recent films such as Parasite (and shout out again to a personal favorite, Snowpiercer) that explore some similar themes.
I say this often in reviews, but in this case, I really, really do hope this talented author gives us more in the future! To her I say, “If I had your writing skills...”!
December 18, 2019
I really enjoyed reading this and found myself picking it up at all hours of the day. The ending was a little abrupt and underwhelming, but the appeal here is less the plot (of which there is little) and more the five women that we follow as they navigate the lower rungs of Korean society and try to claw out a space for themselves in a world of unrelenting misogyny. Some of the women’s arcs are more satisfying than others, and if anything this book left me wanting more of these characters, each of whom could command an entire novel to herself.
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