Particle Fever

I generally evaluate films on their technical direction and production values, not necessarily their deep meanings -- because as a student of film and a video producer, I know how subjective those "deep-meaning" criteria can be.

I found this film to be an exciting, well-crafted, exceptionally well-edited and sound- designed production. No one in the audience seemed ready to drop off as is so often the case with documentary features. Instead, the director's timing was precise and the arc of the story very well formed. But there was much more happening in this movie below the surface.

The Hadron Collider is as one figure in the film indicated, the largest machine ever constructed by human beings ("machine" being meant as a mechanical unit, not a network like the Internet -- although even the Internet was essential to the successful use of the Collider, to distribute all of the data generated to various locations where it could be processed and analyzed). The drama of its conception was left a little vague, but from the time that construction began to the time it was used to look for the Higgs Boson, the characters involved are well portrayed and their motives thoroughly probed -- in an amazingly short time!

The physics behind the quest for the "God Particle" are not all that hard to understand and besides, the film does a great job of simplifying even further so that anyone with a basic high school education should be able to follow the story and its implications.

I particularly enjoyed the "main" characters, some of the key thinkers whose speculations as physics "theorists" fired the imagination of physics "experimentalists" who are driven to test the others' speculations. The give and take between the two communities gave the film its energy and tension. I hope there will be sequels following down the next round of experiments, to take place in Sweden, where an even bigger collider is being built -- and also the physicists, how their lives are turning based on the results gotten from this unique, massive exploration of the fundaments of existence itself.

PS PARTICLE FEVER is not all youthful, bubbly energy and joyful discovery. The stories of the older physicists, facing their retirement from the field possibly without ever finding elusive answers to questions they posed decades earlier in their lives, was real hankie material -- and for good reason. In the field of particle physics, like other achievement-driven/self-promotional professions, it's not how smart you are but when you're smart, if luck is on your side and you timely get noticed, validated, and lauded. Miss the mark, and you may be relegated to obsolescence even if your mind is still active and your ideas large. Fortunately in this case, most of those with long-ago aspirations have lived long enough to have their ideas tested and thus learn their truth.

Interesting how personal meaning and the meaning of the universe -- or multiverse, according to one theory tested by the Collider -- are so intertwined. And which really is the more important, a question about which there is no easy answer.

See this film, you will emerge glad for the experience, with big questions yet to be answered.

This is a documentary that physicists will love, as will others who really love science. It's the kind of film that carefully explains the difference between theoretical and experimental physicists. If that kind of distinction interests you, then you will like the film. A lot of physics jargon is tossed around in this film with no explanation so you need to bring a working knowledge of particle physics if you want to fully understand the discussions. If you don't know what a GeV is and that lack of knowledge is going to bother you, then you will not like this film. If you enjoy an explanation of the opposing physics theories of supersymmetry and the multiverse, then this is your film. Also, if math scares you, there are blackboards and whiteboards full of some of the hairiest equations you're likely to see. If you find such things frightening, just turn away.

However, if you'd like to meet people who have staked 10, 20, 30, even 40 years of their career on the moment when the ATLAS team finally announced "We've got it!", then this film is for you. This film paints an accurate though relatively lightweight picture of the years spent making the world's largest machine, the LHC (Large Hadron Collider), operational and then confirming the existence of the Higgs boson 40 years after it was predicted in theory. It's exciting to see scores of smart people stretching their brains to the limit so that they can understand something truly fundamental about the universe.

Although billions of particles were smashed in the LHC experiments needed to confirm the Higgs, you will mostly see calm scenes of crops growing in the LHC's vicinity. There are no car chases or crashes, no battling giant robots, no aliens. There are just lots of smart people saying highly intelligent things, most of the time. When they drop into small talk or take time out to brew an espresso, it's actually jarring. (At least it was to me.) About the audience: There were about 40 people in the movie showing I attended on a Sunday afternoon. Every single one of them looked like they had an advanced degree in physics or some other hard science. Indeed, that's who this movie is made for.

Superficially PARTICLE FEVER is a quest-narrative charting the search by a group of 4000 physicists at a variety of locations - Geneva, Princeton, Texas, for a particle that might provide the key to the way the universe works. There are several obstacles placed along the way, including an inconvenient breakdown of the machinery used to conduct the experiment, but the film ends on an optimistic note as the quest is concluded, and everyone celebrates through internet links.

Mark Levinson's film contains a fair amount of technical language spoken by a variety of interviewees, including physicists Martin Aleksa, Nima Arkani-Hamed, Savas Dimopoulos, and Fabiola Gianotti (among others). A lot of it is difficult, well nigh incomprehensible for nonspecialists to understand, but as the documentary unfolds, it soon becomes clear that the quest to prove the theories behind the particles is a peripheral element of the narrative. Levinson is far more interested in showing how the project involves representatives from different nations working together in a community of purpose - even those originating from countries (e.g. the United States, Iran and Iraq), which are supposedly at war with one another. The sight of them participating so enthusiastically offers a hope for the future; beneath the rhetoric expressed by politicians and warmongers there lurks a genuine desire for co-operation across cultures. Perhaps if more attention were paid to these initiatives, then the world might be a safer place.

More significantly, Levinson's film shows that the so-called "two cultures" theory espoused by C. P. Snow and other writers has been satisfactorily exploded. Snow insisted that the "arts" and the "sciences" could never work cohesively with one another: one was interested in "ideas," the other in "truths." PARTICLE FEVER begins by insisting that the scientists are pursuing universal "truths" that would help individuals understand the worlds they inhabit; but as the documentary unfolds, so several of the scientists admit that their conclusions will be tenuous at best, and always subject to renegotiation. Put another way, they admit that "truth" is a relative term, dependent on the context in which the term has been employed; this knowledge lies at the heart of all "artistic" endeavors as well. We understand that both communities are engaged in similar activities; the need to discover new things about the world we inhabit and share them with others. This is what drives new research, irrespective of whether it is in the "arts" or the "sciences."

Ultimately PARTICLE FEVER is an uplifting film that demonstrates the value of common research, and how it can be conducted across all platforms and all disciplines. Let us hope that the group of scientists have been inspired to continue their valuable work.

Although this is a documentary about the world's greatest scientific undertaking, there's no need for those who've abandoned hope of understanding physics or other advanced sciences to roll their eyes and move on. This one is less about the abstract principles and obscure questions motivating thousands of scientists and dozens of governments to collaborate on the massive European nuclear facility CERN (European Organization for Nuclear Research) than about the personal and human factors behind it.

The script offers some degree of Physics for Dummies (present company included), in trying to explain the basics of what we know about subatomic particles, and what proving there's such a thing as the Higgs boson could mean about the nature of existence. The so-called "God Particle" was posited as the reason atoms collect to form all matter, including life as we know it, in the universe. Supposedly, learning not only that it exists, but what it weighs could either support arguments for some sort of intelligent or symmetrical design, or a cosmic randomness that might pervade through innumerable parallel universes.

But before you doze off, remember this is mainly about the people behind the curtain. We learn about their dreams and motives. We even share in many of their lighter moments, along with the suspense of whether this massive undertaking would even work, what it would help us understand, and where any results might lead academic endeavors in multiple disciplines for generations to come. It's less scientifically informative, or slickly produced, than the new incarnation of Cosmos that's been running on several TV networks. But it's more intimate in showing relatable emotions among the brainiacs who've devoted years of their lives to this highly speculative venture.

Perhaps the best feature of the film is its clarity about the underlying difference between science and other human pursuits like religion or politics. Everyone at CERN was seeking objective, provable answers, even if they unraveled their own beliefs. And all were dedicated to the mission with absolutely no idea of what commercial uses, if any, their outcomes might engender. It's the purity of human curiosity at its finest. Learning for its own sake. No one at NASA expected the space race to leave us with Tang and other related products. Time will tell on the practical applications and cultural developments we'll receive from the labors of these scholars. For now, it's reassuring to know they've got a place to find the answers.

This is not an educational film designed for physicists. Those who say the film is light on science should look to its title: "Particle Fever". What does "fever" refer to? Unbridled emotions--from joy to fear--that accompanied scientists' anticipation of an historic event: the operation of the LHC (Large Hadron Collider) in Meyrin, Switzerland.

The film explains how the theoretical basis for the CERN experiments dates back decades. Entire scientific careers have focused on theories that might be perfected or destroyed with data from the LHC.

Before I started watching this documentary, I decided that I was looking for clarity regarding the physics behind this endeavor. And I was hoping that the film would be engaging. The film is a success on both points. As a layperson, I could never hope to understand the mathematics of theoretic physics or the mechanics of experimental physics, but this film provides the basics for understanding the issues at play and their magnitude. Using a few "actors" to speak to the camera, especially those with overt enthusiasm and those who have invested their lifetimes in this arena of scientific thought, helped me feel their "fever" and understand the stakes.

For the most part, this film is presented chronologically, beginning in 2007 as the LHC becomes operational. History and theory are interspersed throughout the film.

The most anticipated results of the LHC data pertained to the Higgs boson, a theoretical particle critical to modern particle theory. Much of the drama, at least for those unfamiliar with the data CERN has provided over the years, concerns this particle.

This film also shows the relationship of the scientific community with media, which sometimes has the power to excite popular opinion for better or worse. Information presented about a CERN-like project in Texas illustrates that politics play its part, often controlling the purse strings.

On the downside, I found some of the universe theory to be anthropocentric and even anthropomorphic. Also, when Nima A. says it is "incredible" that the laws of nature are understandable via math, I understand what he means, but I wonder if there are other "maths" unavailable to us that could explain those laws of nature that are imperceivable by man. We can know but a small part of the multiverse. This is something astronomers have already accepted.