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The Girl Who Drank the Moon
Every year, the people of the Protectorate leave a baby as an offering to the witch who lives in the forest. They hope this sacrifice will keep her from terrorizing their town. But the witch in the forest, Xan, is kind and gentle. She shares her home with a wise Swamp Monster named Glerk and a Perfectly Tiny Dragon, Fyrian. Xan rescues the abandoned children and deliver them to welcoming families on the other side of the forest, nourishing the babies with starlight on the journey.
One year, Xan accidentally feeds a baby moonlight instead of starlight, filling the ordinary child with extraordinary magic. Xan decides she must raise this enmagicked girl, whom she calls Luna, as her own. To keep young Luna safe from her own unwieldy power, Xan locks her magic deep inside her. When Luna approaches her thirteenth birthday, her magic begins to emerge on schedule--but Xan is far away. Meanwhile, a young man from the Protectorate is determined to free his people by killing the witch. Soon, it is up to Luna to protect those who have protected her--even if it means the end of the loving, safe world she’s always known.
One year, Xan accidentally feeds a baby moonlight instead of starlight, filling the ordinary child with extraordinary magic. Xan decides she must raise this enmagicked girl, whom she calls Luna, as her own. To keep young Luna safe from her own unwieldy power, Xan locks her magic deep inside her. When Luna approaches her thirteenth birthday, her magic begins to emerge on schedule--but Xan is far away. Meanwhile, a young man from the Protectorate is determined to free his people by killing the witch. Soon, it is up to Luna to protect those who have protected her--even if it means the end of the loving, safe world she’s always known.
388 pages, Hardcover
First published August 9, 2016
About the author
Kelly Barnhill
48 books3,597 followersKelly Barnhill is an author and teacher. She won the World Fantasy Award for her novella The Unlicensed Magician, a Parents Choice Gold Award for Iron Hearted Violet, the Charlotte Huck Honor for The Girl Who Drank the Moon, and has been a finalist for the Minnesota Book Award, the Andre Norton award, and the PEN/USA literary prize. She was also a McKnight Artist's Fellowship recipient in Children's Literature. She lives in Minneapolis, Minnesota with her three children and husband. You can chat with her on her blog at www.kellybarnhill.com
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Displaying 1 - 30 of 15,657 reviews
June 9, 2023
4.5
Really enjoyed!
Really enjoyed!
October 26, 2022
=====================================
I avidly read fairy-tales because they are replete with folkloric characters (fairies, goblins, witches, giants, and many more), enchantments ineffable, and mysteries inconceivable! They infallibly cure hearts that have stopped believing in the power of goodness and miracles. Additionally, they attach morals to the plot, if not explicitly but subtly!
Post finishing these magical books, the hearts overflow, with ideas of magic, ambitions of achieving the impossible , and smiles nestled with hope inculcated!
They generally proclaim victory of good over evil, all the killings and cruelty are justified by acts of kindness, and kingdom of love thrives amidst all the treacherous and pernicious surroundings!
And Bingo, for me “The Girl who drank the moon”, ticked all the departments of fantasy steadily!
I am “enmagicked” post reading this incredible magnificent fantasy-piece!
It is an endearing, spell-binding, resplendent fairy-tale bursting with enchantment, moonlight, starlight, a baby dragon, a swamp monster, a good-hearted witch, an innocent playful baby and magic overflowing.
Heroes are flawed who evolve into villains. The villains in the story are overflowing with emotions of humanity and love, they are the saviours of grace.
This divergence from the regular, makes this work “enmagicked”!
############################
There is a Protectorate sitting between a hideous forest and a magnanimous Bog. The Protectorate populace lives in the constant fear of a wicked witch, Xan, who haunts the forest for new-born babies. She allows them to live in peace with the stipulation that they would annually sacrifice a new-born to her. Ironically, Xan turns out to be the hero of the novel, she is the one who is the saviour of all the babies, feeds them on starlight, rescues and mothers them, leaves them with neighbouring loving families of the village. Then we have a selfish Gherland, who is the leader to the Council of the Elders in the Protectorate. Gherland every year leaves a baby into the woods for Xan. This time the rescued baby is accidentally fed with moonlight instead of the starlight by Xan, and the child becomes “enmagicked”!
As the child is growing, Xan realises that the baby is overflowing with magical powers, she names her Luna and decides to look after her and nurture her like a grandmother instead of abandoning her. She finds kinship in her. The story has a loving witch who is the HERO ! The swamp monster is a witty poet, and the playful little dragon imbues the plot with humor and intermittent bouts of laughter. Not revealing much to stay back from spoilers.
############################
There is much more magic to this fanciful, thrilling, compelling fairy-tale. There is obsequiousness coupled with fear, oppression bundled with selfishness and corruption. The ending is very satisfying, inundated with love!
The novel is an exposition of voicing against the powerful, corruption and oppression. It is about building own families and nourishing them with unconditional love. It professes that heroes may be disguised as villains, and the heroes whom we idolise as saviours may be the persecutors!
This book is thematic of kindness and cruelty, hope and despair, magic and menace, loss and tragedy, creating families and sprinkling love among all.
A definite and easy 5-star without an iota of doubt!
Few of my favourite quotes from this book are:
“Sorrow is dangerous.”
“Knowledge is power, but it is a terrible power when it is hoarded and hidden.”
“Just because you don't see something doesn't mean it isn't there. Some of the most wonderful things in the world are invisible. Trusting in invisible things makes them more powerful and wondrous.”
“Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.”
“A story can tell the truth...but a story can also lie. Stories can bend and twist and obfuscate. Controlling stories is power indeed.”
“Some of us...choose love over power. Indeed, most of us do.”
“My love isn't divided," she said. "It is multiplied.”
“When you apologize, however, you may begin healing yourself. It is not for us. It is for you. I recommend it.”
“It was wrong not to be curious, it was wrong not to wonder.”
“How many feelings can one heart hold? She looked at her grandmother. At her mother. At the man protecting his family. Infinite, Luna thought. The way the universe is infinite. It is light and dark and endless motion; it is space and time, and space within space, and time within time. And she knew: there is no limit to what the heart can carry.”
I avidly read fairy-tales because they are replete with folkloric characters (fairies, goblins, witches, giants, and many more), enchantments ineffable, and mysteries inconceivable! They infallibly cure hearts that have stopped believing in the power of goodness and miracles. Additionally, they attach morals to the plot, if not explicitly but subtly!
Post finishing these magical books, the hearts overflow, with ideas of magic, ambitions of achieving the impossible , and smiles nestled with hope inculcated!
They generally proclaim victory of good over evil, all the killings and cruelty are justified by acts of kindness, and kingdom of love thrives amidst all the treacherous and pernicious surroundings!
And Bingo, for me “The Girl who drank the moon”, ticked all the departments of fantasy steadily!
I am “enmagicked” post reading this incredible magnificent fantasy-piece!
It is an endearing, spell-binding, resplendent fairy-tale bursting with enchantment, moonlight, starlight, a baby dragon, a swamp monster, a good-hearted witch, an innocent playful baby and magic overflowing.
Heroes are flawed who evolve into villains. The villains in the story are overflowing with emotions of humanity and love, they are the saviours of grace.
This divergence from the regular, makes this work “enmagicked”!
############################
There is a Protectorate sitting between a hideous forest and a magnanimous Bog. The Protectorate populace lives in the constant fear of a wicked witch, Xan, who haunts the forest for new-born babies. She allows them to live in peace with the stipulation that they would annually sacrifice a new-born to her. Ironically, Xan turns out to be the hero of the novel, she is the one who is the saviour of all the babies, feeds them on starlight, rescues and mothers them, leaves them with neighbouring loving families of the village. Then we have a selfish Gherland, who is the leader to the Council of the Elders in the Protectorate. Gherland every year leaves a baby into the woods for Xan. This time the rescued baby is accidentally fed with moonlight instead of the starlight by Xan, and the child becomes “enmagicked”!
As the child is growing, Xan realises that the baby is overflowing with magical powers, she names her Luna and decides to look after her and nurture her like a grandmother instead of abandoning her. She finds kinship in her. The story has a loving witch who is the HERO ! The swamp monster is a witty poet, and the playful little dragon imbues the plot with humor and intermittent bouts of laughter. Not revealing much to stay back from spoilers.
############################
There is much more magic to this fanciful, thrilling, compelling fairy-tale. There is obsequiousness coupled with fear, oppression bundled with selfishness and corruption. The ending is very satisfying, inundated with love!
The novel is an exposition of voicing against the powerful, corruption and oppression. It is about building own families and nourishing them with unconditional love. It professes that heroes may be disguised as villains, and the heroes whom we idolise as saviours may be the persecutors!
This book is thematic of kindness and cruelty, hope and despair, magic and menace, loss and tragedy, creating families and sprinkling love among all.
A definite and easy 5-star without an iota of doubt!
Few of my favourite quotes from this book are:
“Sorrow is dangerous.”
“Knowledge is power, but it is a terrible power when it is hoarded and hidden.”
“Just because you don't see something doesn't mean it isn't there. Some of the most wonderful things in the world are invisible. Trusting in invisible things makes them more powerful and wondrous.”
“Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.”
“A story can tell the truth...but a story can also lie. Stories can bend and twist and obfuscate. Controlling stories is power indeed.”
“Some of us...choose love over power. Indeed, most of us do.”
“My love isn't divided," she said. "It is multiplied.”
“When you apologize, however, you may begin healing yourself. It is not for us. It is for you. I recommend it.”
“It was wrong not to be curious, it was wrong not to wonder.”
“How many feelings can one heart hold? She looked at her grandmother. At her mother. At the man protecting his family. Infinite, Luna thought. The way the universe is infinite. It is light and dark and endless motion; it is space and time, and space within space, and time within time. And she knew: there is no limit to what the heart can carry.”
March 19, 2024
I have a new BookTube channel! Come find me at Hello, Bookworm📚🐛
Click here to watch a video review of this book on my (old) channel, From Beginning to Bookend.
The people of the Protectorate leave a baby deep in the forest each year, a sacrificial offering made to a witch to deter her from terrorizing the village. When the witch, Xan, finds the babies, she feeds them starlight, but one year she accidentally pulls light from the moon and enmagicks a baby girl. Xan knows that the baby imbued with moonlight will have extraordinary abilities, so she decides to raise the child. As the child grows, she lacks the skill to control her evermore erratic magic, and her thirteenth birthday approaches - a day when her magic threatens to emerge in full and with dangerous consequences.
The Girl Who Drank the Moon is a shining example of a good ol' fashioned fairy tale, replete with witches and dragons and creatures from the bog, along with enchanted objects, talking animals, and villainous monsters.
The setting is moody and atmospheric, be it the fog-riddled village populated with sorrowful people or the treacherous forest said to have taken the lives of travelers who stumbled into its boiling streams or choked on the foul-smelling fumes spewed from its fissures.
Fog clung to the city walls and cobbled streets like tenacious moss.
At the center of the forest was a small swamp - bubbly, sulfury, and noxious, fed and warmed by an underground, restlessly sleeping volcano and covered with a slick of slime whose color ranged from poison green to lightning blue to blood red, depending on the time of year.
Because this is a multigenerational saga, the cast of characters is relatively large, but each character brings their own quirks and idiosyncrasies to the page, making them easy to differentiate (though pinpointing a "main character" is a bit of a grey area).
The best part of the book - the succulent cherry on top of this decadent treat - is the way magic is used or emerges by accident. Magic is portrayed as being whimsical and sweet, familiar yet fresh. Some forms of magic are playful in their innocence, while other forms rely on the exchange of a sinister currency that is disturbing to read about whenever it's employed.
She transformed a book into a dove and enlivened her pencils and quills so that they stood on their own and performed a complicated dance on the desk.
As [she] ran, each footstep blossomed with iridescent flowers. When she waded into the swamp, the reeds twisted themselves into a boat, and she climbed aboard, floating across the deep red of algae coating the water.
The story is fairly complicated for a middle grade novel and some elements are disquieting; the book is subsequently recommended for a slightly older audience (ages 10 to 14).
With luscious prose, a winding plot, and a charming cast of characters, The Girl Who Drank the Moon makes a proud addition to the list of Newbery Medal winners.
-
This book will likely appeal to fans of The Enchanted Forest Chronicles by Patricia C. Wrede, The Mermaid's Sister by Carrie Anne Noble, or Stardust by Neil Gaiman.
Click here to watch a video review of this book on my (old) channel, From Beginning to Bookend.
The people of the Protectorate leave a baby deep in the forest each year, a sacrificial offering made to a witch to deter her from terrorizing the village. When the witch, Xan, finds the babies, she feeds them starlight, but one year she accidentally pulls light from the moon and enmagicks a baby girl. Xan knows that the baby imbued with moonlight will have extraordinary abilities, so she decides to raise the child. As the child grows, she lacks the skill to control her evermore erratic magic, and her thirteenth birthday approaches - a day when her magic threatens to emerge in full and with dangerous consequences.
The Girl Who Drank the Moon is a shining example of a good ol' fashioned fairy tale, replete with witches and dragons and creatures from the bog, along with enchanted objects, talking animals, and villainous monsters.
The setting is moody and atmospheric, be it the fog-riddled village populated with sorrowful people or the treacherous forest said to have taken the lives of travelers who stumbled into its boiling streams or choked on the foul-smelling fumes spewed from its fissures.
Fog clung to the city walls and cobbled streets like tenacious moss.
At the center of the forest was a small swamp - bubbly, sulfury, and noxious, fed and warmed by an underground, restlessly sleeping volcano and covered with a slick of slime whose color ranged from poison green to lightning blue to blood red, depending on the time of year.
Because this is a multigenerational saga, the cast of characters is relatively large, but each character brings their own quirks and idiosyncrasies to the page, making them easy to differentiate (though pinpointing a "main character" is a bit of a grey area).
The best part of the book - the succulent cherry on top of this decadent treat - is the way magic is used or emerges by accident. Magic is portrayed as being whimsical and sweet, familiar yet fresh. Some forms of magic are playful in their innocence, while other forms rely on the exchange of a sinister currency that is disturbing to read about whenever it's employed.
She transformed a book into a dove and enlivened her pencils and quills so that they stood on their own and performed a complicated dance on the desk.
As [she] ran, each footstep blossomed with iridescent flowers. When she waded into the swamp, the reeds twisted themselves into a boat, and she climbed aboard, floating across the deep red of algae coating the water.
The story is fairly complicated for a middle grade novel and some elements are disquieting; the book is subsequently recommended for a slightly older audience (ages 10 to 14).
With luscious prose, a winding plot, and a charming cast of characters, The Girl Who Drank the Moon makes a proud addition to the list of Newbery Medal winners.
-
This book will likely appeal to fans of The Enchanted Forest Chronicles by Patricia C. Wrede, The Mermaid's Sister by Carrie Anne Noble, or Stardust by Neil Gaiman.
April 27, 2016
Stunning language and memorable characters. Worthy of a spot alongside Susan Cooper, Ursula LeGuin, and Lloyd Alexander. The sort of book that makes you believe in magic (and love).
August 31, 2016
Look at that beaut' of a cover guys! How could anyone walk past this in a bookstore and NOT want to read it?! And then the blurb: witches, tiny dragons, swamp monsters, lunar magic...this book had all the ingredients for me to drop everything and just read! Which is why it turned out to be even more disappointing than it would've been without the great expectations...
Oh, where to start?! The first 10% was fabulous. After that:
I'll just divide this review into pros and cons to make it easier for me to keep it organised and easier for you to read it!
The Pros:
- Magic being drawn directly from mother nature.
- There are a lot of strong female characters present.
- You can discover several elements from classic fairy tales such as Hansel and Gretel, and Little Thumbling.
- Glerk, the friendly gross-looking Swamp Monster. Who doesn't want a scary looking monster for a friend? It's the entire reason I'm the proud owner of an Old English Bulldog!
- Fyrian, the tiny naive dragon with ADD. He reminded me of the original Toothless a lot and we 'all' know how much I love him!
The Cons:
- The repetitiveness of the story. One of my Kindle notes on this said:
"If I have to read about Luna's magic seeping out of her pores one more time, I'll eat my fucking sock."
- The magical realism. If I read a fairytale, I want it to be a 100% fairytale and with none of that emotional metaphorical nonsense.
- The length of the book. It could have easily been cut by a 100 pages if you take out all the redundant parts.
-This is supposedly Middle-Grade fiction, but I found it a bit too dark for that at times. Especially in combination with the magical realism. No 10-year-old wants to read about depressed grownups being drowned in magical sorrow. I'm aware that most of the classic myths and fairy tales are also quite dark and have lots of metaphors in them. Yet it's all about being subtle, which wasn't the case in The Girl Who Drank the Moon.
-The male characters are depicted as ignorant simpletons. Which, as a self-proclaimed feminist, shouldn't be that much of a problem *winks*, but I like to see a certain balance between the genders.
-The story tends to drag on and on. I had a hard time ploughing through it at the end.
TL; DR:
The concept is nice. Combining nature with magic and weaving it into a fairy tale is fantastic. Sadly, it was poorly executed in this one. I'm giving it two brownies, meaning it was okay. I'd really like to see a properly edited version some day, though!
Not really recommending it. However, if you're a big fan of magical realism, you might be able to appreciate this book a lot more than I did.
Thanks to Algonquin Young Readers for providing me with a copy via NetGalley in exchange for an honest opinion!
Oh, where to start?! The first 10% was fabulous. After that:
I'll just divide this review into pros and cons to make it easier for me to keep it organised and easier for you to read it!
The Pros:
- Magic being drawn directly from mother nature.
- There are a lot of strong female characters present.
- You can discover several elements from classic fairy tales such as Hansel and Gretel, and Little Thumbling.
- Glerk, the friendly gross-looking Swamp Monster. Who doesn't want a scary looking monster for a friend? It's the entire reason I'm the proud owner of an Old English Bulldog!
- Fyrian, the tiny naive dragon with ADD. He reminded me of the original Toothless a lot and we 'all' know how much I love him!
The Cons:
- The repetitiveness of the story. One of my Kindle notes on this said:
"If I have to read about Luna's magic seeping out of her pores one more time, I'll eat my fucking sock."
- The magical realism. If I read a fairytale, I want it to be a 100% fairytale and with none of that emotional metaphorical nonsense.
- The length of the book. It could have easily been cut by a 100 pages if you take out all the redundant parts.
-This is supposedly Middle-Grade fiction, but I found it a bit too dark for that at times. Especially in combination with the magical realism. No 10-year-old wants to read about depressed grownups being drowned in magical sorrow. I'm aware that most of the classic myths and fairy tales are also quite dark and have lots of metaphors in them. Yet it's all about being subtle, which wasn't the case in The Girl Who Drank the Moon.
-The male characters are depicted as ignorant simpletons. Which, as a self-proclaimed feminist, shouldn't be that much of a problem *winks*, but I like to see a certain balance between the genders.
-The story tends to drag on and on. I had a hard time ploughing through it at the end.
TL; DR:
The concept is nice. Combining nature with magic and weaving it into a fairy tale is fantastic. Sadly, it was poorly executed in this one. I'm giving it two brownies, meaning it was okay. I'd really like to see a properly edited version some day, though!
Not really recommending it. However, if you're a big fan of magical realism, you might be able to appreciate this book a lot more than I did.
Thanks to Algonquin Young Readers for providing me with a copy via NetGalley in exchange for an honest opinion!
May 17, 2023
‘Knowledge is power, but it is a terrible power when it is hoarded and hidden.’
With children’s literature, there is a wonderful opportunity not only to entertain but to educate, and to pass on lessons that a young reader may carry in their heart their entire life. The best tend to be the ones where the reading is so enjoyable it isn’t until later in life you realize how impactful the lessons were. The Girl Who Drank the Moon’, the Newbery Medal novel from Kelly Barnhill, is undeniably one of these books. It has become a favorite of mine, and one I love to recommend to young readers at every opportunity. This fantastical story of a young girl gifted with powers who finds herself in a battle that threatens the world against ancient evils who have long oppressed the kingdom is a slow burn of pure poetry and charm that bestows beautiful lessons of love, challenging the status quo, and being true to your beliefs. With a thrilling cast of characters, both human and magical beings, Barnhill has created a magnificent middle-grade read that is as engaging to young readers as it is to adults who wish to feel the flame of resistance warm their hearts in an empowering burst of magical fire.
‘“Once upon a time, something terrifying lived in the woods. Or perhaps the woods were terrifying. Or perhaps the whole world is poisoned with wickedness and lies, and it's best to learn that now.
No, Fyrian, darling. I don't believe that last bit either.’
The set-up touches on the familiar, pulsating with the mythical aesthetics of fairy tales with menacing dark woods and castle spires, making it feel as if it were already passed down through generations. Yet it remains fresh in a way that is frequently surprising and modern. The world here is bleak and life is hard (they call the town the City of Sorrows in case you didn’t catch on), and a witch threatens the kingdom. Yet the elders have discovered they can keep the witch at bay if they sacrifice a child every year to the witch. Yet, as we soon learn, this is a lie with just enough truth to keep the belief thriving. The story keeps them ‘a frightened people, a subdued people, a compliant people.’ The elders have invented the witch and assume the child dies in the forest every year, yet it turns out there is a witch who carries off the children year after year. But instead of devour them, she takes them to new homes in kingdoms beyond the horrid forests and bogs. Each child is brushed with magic, giving them a happy life, yet one year a child feasts on moonlight and becomes ‘enmagicked’ with powers the witch could never anticipate. And so the story of Luna begins.
This is a blissfully complex novel for a middle-grade, one that believes in the reader’s abilities and guides them through a tangle of plot-lines and characters to create a stunning tapestry of themes. Alongside Luna’s story of coming into her magic that was repressed for years (very metaphorical of puberty here) is the story of a boy in the village, Antain, who has failed from his path to being an elder and is horribly scarred across his face. He encountered a woman kept in the prison after she became uncontrollable from having her baby taken away and sacrificed, and her pain is writ forever across the boy’s face when she attacks him with magically created paper cranes. Antain slowly seeing through the veil of lies and corruption in the village is juxtaposed with Luna learning the truth of herself and their stories are quickly headed on a collision course that threatens to upheave the obdurate structures of powers that have kept the City of Sorrows down for decades.
‘A story can tell the truth...but a story can also lie. Stories can bend and twist and obfuscate. Controlling stories is power indeed.’
The most striking of themes is the way rhetoric can either oppress you or set you free. The kingdom is oppressed by lies and held hostage by fear. The appeal to fear is a powerful political force, one that will make people commit atrocities or push others out. We see this every day in political struggles. Meanwhile we have Luna and her friend Glerk, the beast of the bog, who tells of the world as a beautiful place. Glerk, who frequently quotes “the Poet”, who is less a god-figure and more the world itself, shows the world as a unified idea, the poet, the people, the bog, the beast, all as one Being. It is a message of peace and understanding. And in this book we see these two ideologies clash. Rule by fear is a fast track to power whereas Luna is learning power should only be used for good and aid. It is a beautiful lesson and the poetic unraveling of this theme sews it directly into your heart.
‘Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.’
This is a fantastic story, one I was so glad to share with my own daughter when we read it together. There are witches, some good but still prone to making mistakes, and bad witches who will eat your happiness. There are dragons, and even the smallest of them may have the biggest heart and destiny. Past and present clash in a glorious narrative that will have you flipping pages late into the evening, rollicking along the flow of Barnhill’s prose. This story reminds you to love, to question and to live. The Girl Who Drank the Moon is magic, pure and simple.
5/5
‘How many feelings can one heart hold? She looked at her grandmother. At her mother. At the man protecting his family. Infinite, Luna thought. The way the universe is infinite. It is light and dark and endless motion; it is space and time, and space within space, and time within time. And she knew: there is no limit to what the heart can carry.’
With children’s literature, there is a wonderful opportunity not only to entertain but to educate, and to pass on lessons that a young reader may carry in their heart their entire life. The best tend to be the ones where the reading is so enjoyable it isn’t until later in life you realize how impactful the lessons were. The Girl Who Drank the Moon’, the Newbery Medal novel from Kelly Barnhill, is undeniably one of these books. It has become a favorite of mine, and one I love to recommend to young readers at every opportunity. This fantastical story of a young girl gifted with powers who finds herself in a battle that threatens the world against ancient evils who have long oppressed the kingdom is a slow burn of pure poetry and charm that bestows beautiful lessons of love, challenging the status quo, and being true to your beliefs. With a thrilling cast of characters, both human and magical beings, Barnhill has created a magnificent middle-grade read that is as engaging to young readers as it is to adults who wish to feel the flame of resistance warm their hearts in an empowering burst of magical fire.
‘“Once upon a time, something terrifying lived in the woods. Or perhaps the woods were terrifying. Or perhaps the whole world is poisoned with wickedness and lies, and it's best to learn that now.
No, Fyrian, darling. I don't believe that last bit either.’
The set-up touches on the familiar, pulsating with the mythical aesthetics of fairy tales with menacing dark woods and castle spires, making it feel as if it were already passed down through generations. Yet it remains fresh in a way that is frequently surprising and modern. The world here is bleak and life is hard (they call the town the City of Sorrows in case you didn’t catch on), and a witch threatens the kingdom. Yet the elders have discovered they can keep the witch at bay if they sacrifice a child every year to the witch. Yet, as we soon learn, this is a lie with just enough truth to keep the belief thriving. The story keeps them ‘a frightened people, a subdued people, a compliant people.’ The elders have invented the witch and assume the child dies in the forest every year, yet it turns out there is a witch who carries off the children year after year. But instead of devour them, she takes them to new homes in kingdoms beyond the horrid forests and bogs. Each child is brushed with magic, giving them a happy life, yet one year a child feasts on moonlight and becomes ‘enmagicked’ with powers the witch could never anticipate. And so the story of Luna begins.
This is a blissfully complex novel for a middle-grade, one that believes in the reader’s abilities and guides them through a tangle of plot-lines and characters to create a stunning tapestry of themes. Alongside Luna’s story of coming into her magic that was repressed for years (very metaphorical of puberty here) is the story of a boy in the village, Antain, who has failed from his path to being an elder and is horribly scarred across his face. He encountered a woman kept in the prison after she became uncontrollable from having her baby taken away and sacrificed, and her pain is writ forever across the boy’s face when she attacks him with magically created paper cranes. Antain slowly seeing through the veil of lies and corruption in the village is juxtaposed with Luna learning the truth of herself and their stories are quickly headed on a collision course that threatens to upheave the obdurate structures of powers that have kept the City of Sorrows down for decades.
‘A story can tell the truth...but a story can also lie. Stories can bend and twist and obfuscate. Controlling stories is power indeed.’
The most striking of themes is the way rhetoric can either oppress you or set you free. The kingdom is oppressed by lies and held hostage by fear. The appeal to fear is a powerful political force, one that will make people commit atrocities or push others out. We see this every day in political struggles. Meanwhile we have Luna and her friend Glerk, the beast of the bog, who tells of the world as a beautiful place. Glerk, who frequently quotes “the Poet”, who is less a god-figure and more the world itself, shows the world as a unified idea, the poet, the people, the bog, the beast, all as one Being. It is a message of peace and understanding. And in this book we see these two ideologies clash. Rule by fear is a fast track to power whereas Luna is learning power should only be used for good and aid. It is a beautiful lesson and the poetic unraveling of this theme sews it directly into your heart.
‘Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.’
This is a fantastic story, one I was so glad to share with my own daughter when we read it together. There are witches, some good but still prone to making mistakes, and bad witches who will eat your happiness. There are dragons, and even the smallest of them may have the biggest heart and destiny. Past and present clash in a glorious narrative that will have you flipping pages late into the evening, rollicking along the flow of Barnhill’s prose. This story reminds you to love, to question and to live. The Girl Who Drank the Moon is magic, pure and simple.
5/5
‘How many feelings can one heart hold? She looked at her grandmother. At her mother. At the man protecting his family. Infinite, Luna thought. The way the universe is infinite. It is light and dark and endless motion; it is space and time, and space within space, and time within time. And she knew: there is no limit to what the heart can carry.’
May 18, 2019
Winner of the 2017 Newbery Medal
An Entertainment Weekly Best Middle Grade Book of 2016
A New York Public Library Best Book of 2016
A Chicago Public Library Best Book of 2016
An Amazon Top 20 Best Book of 2016
A Publishers Weekly Best Book of 2016
A School Library Journal Best Book of 2016
Named to KirkusReviews’ Best Books of 2016
2017 Booklist Youth Editors’ Choice
So, this book has won a lot of awards and it is easy to see why. This is a great book for middle school readers who enjoy some fantasy and supernatural elements in their books. Plus, the writing is beautiful, lyrical even at times. It really gives the feel of being in a fairy tale land where every year the people of the Protectorate give up an infant to the witch in the forest. They believe abandoning a child (i.e. sacrificing the baby) will protect them from the *gasp* wicked witch who lives there.
Every year, Xan, rescues the abandoned children in the forest. She is a kind and loving witch. She doesn't understand why the people would leave their infants in the forest. She cuddles them, nourishes them with starlight and finds them new homes with loving families on the other side of the forest. Xan lives with a miniature dragon and a clever swamp monster. She is quite content and one evening she rescues a baby and accidentally gives her moonlight instead of starlight. OOPS! That's a big no-no. So, Xan decides to raise the girl as her own and names her Luna. As Luna draws near her thirteenth birthday and her magic begins to show, things begin to happen....
So obviously there is magic in this book but there was for me also nice messages about loyalty, family and what makes a family. That family can be the family one is born into, but it is also the family we choose, those we let in and share our lives with. It's about learning the truth, coming home, and what is truly magical. This book also has some bittersweet moments because it is also about saying goodbye, about loss, and about grief. What is sorrow? What is sadness? How do we cope with these emotions?
The characters are quirky, like-able - and yes, lovable. A witch raising a child in the woods, what is so magical about that??? Everything! Keep in mind this was written for middle grade readers and it is geared for the age range but don't let that stop you. If you have a middle school reader, this would be a great book to read with your child as there are a lot of relevant issues in this book.
An Entertainment Weekly Best Middle Grade Book of 2016
A New York Public Library Best Book of 2016
A Chicago Public Library Best Book of 2016
An Amazon Top 20 Best Book of 2016
A Publishers Weekly Best Book of 2016
A School Library Journal Best Book of 2016
Named to KirkusReviews’ Best Books of 2016
2017 Booklist Youth Editors’ Choice
So, this book has won a lot of awards and it is easy to see why. This is a great book for middle school readers who enjoy some fantasy and supernatural elements in their books. Plus, the writing is beautiful, lyrical even at times. It really gives the feel of being in a fairy tale land where every year the people of the Protectorate give up an infant to the witch in the forest. They believe abandoning a child (i.e. sacrificing the baby) will protect them from the *gasp* wicked witch who lives there.
Every year, Xan, rescues the abandoned children in the forest. She is a kind and loving witch. She doesn't understand why the people would leave their infants in the forest. She cuddles them, nourishes them with starlight and finds them new homes with loving families on the other side of the forest. Xan lives with a miniature dragon and a clever swamp monster. She is quite content and one evening she rescues a baby and accidentally gives her moonlight instead of starlight. OOPS! That's a big no-no. So, Xan decides to raise the girl as her own and names her Luna. As Luna draws near her thirteenth birthday and her magic begins to show, things begin to happen....
So obviously there is magic in this book but there was for me also nice messages about loyalty, family and what makes a family. That family can be the family one is born into, but it is also the family we choose, those we let in and share our lives with. It's about learning the truth, coming home, and what is truly magical. This book also has some bittersweet moments because it is also about saying goodbye, about loss, and about grief. What is sorrow? What is sadness? How do we cope with these emotions?
The characters are quirky, like-able - and yes, lovable. A witch raising a child in the woods, what is so magical about that??? Everything! Keep in mind this was written for middle grade readers and it is geared for the age range but don't let that stop you. If you have a middle school reader, this would be a great book to read with your child as there are a lot of relevant issues in this book.
September 11, 2020
Update: 3-3.5 stars I really didn’t feel comfortable giving this book 4 stars. I have a lot of friends who LOVED this book and I really wanted to love it too but just couldn’t. I didn’t dislike this book, there was some beautiful writing in it, but I can’t bring myself to rate it any higher.
———
some minor spoilers ahead It started slow for me and I was terrified I was going to not enjoy this book. A lot of my friends recommended it, and all wrote glowing reviews. It sounded right up my alley. I love whimsical tales that leave me in wonder and the first 65% of the book had some breathtaking descriptions including a memorable description of a dragon underbelly the color of a freshly laid egg, however the pace was too slow—13 years passed and nothing happened. I fully expected to give this book a 2.5-3 star rating until the real journey began—once Amun’s started her journey of magical discovery and Xan started her rapid aging, the pacing picked up and a clear clock began to tick towards the climax. The final 35% of the book was a solid 5 star read with a beautiful ending that left a smile on my face.
———
some minor spoilers ahead It started slow for me and I was terrified I was going to not enjoy this book. A lot of my friends recommended it, and all wrote glowing reviews. It sounded right up my alley. I love whimsical tales that leave me in wonder and the first 65% of the book had some breathtaking descriptions including a memorable description of a dragon underbelly the color of a freshly laid egg, however the pace was too slow—13 years passed and nothing happened. I fully expected to give this book a 2.5-3 star rating until the real journey began—once Amun’s started her journey of magical discovery and Xan started her rapid aging, the pacing picked up and a clear clock began to tick towards the climax. The final 35% of the book was a solid 5 star read with a beautiful ending that left a smile on my face.
February 18, 2021
Trochę zbyt chaotyczna jak na literaturę dziecięcą, ale bez dwóch zdań będę do niej wracała!
December 25, 2020
توی دنیای اینقدر جدی و خشن، باید گاهی داستان جنوپری بخونیم که تهش همه چیز خوب و خوش تموم میشه. آدم بدا به سزای عملشون میرسن و دخترای گمشده برمیگردن به آغوش مامانشون.
کاش بچه بودم. یازده ساله مثلا. ۱۱ که شبیه عدد زوجه ولی فرده!
کاش بچه بودم. یازده ساله مثلا. ۱۱ که شبیه عدد زوجه ولی فرده!
September 27, 2017
This is a new favorite book of mine. I love this book. I love Luna and her dragon. I love the witch who feed her moonlight. The story feels so big and it seems there is more to it and behind it. I love the tone of the book and the feeling of magic conveyed to the reader. There are some really horrible things that happen in the village and Sister Igraine is quite a character. I love the resolution of the book and how things conclude. It is so satisfying. I don't want to give anything away, simply read the story as it's worth your time.
I love the prose of this work. It is beautiful and it's like a spindle thread of a spider web that has collected the nights dew and now sparkles like diamonds in the sun. Such a work of beauty. I have so enjoyed reading this book and I will miss being part of it's world. This would be one of my favorite books of 2017 for me. It more than deserves the Newberry award.
This book deals with belonging, of life and death, growing up and loss. It deals with sorrow. It turns all this to magic, to transformation and growth. This is a STORY!
I love the prose of this work. It is beautiful and it's like a spindle thread of a spider web that has collected the nights dew and now sparkles like diamonds in the sun. Such a work of beauty. I have so enjoyed reading this book and I will miss being part of it's world. This would be one of my favorite books of 2017 for me. It more than deserves the Newberry award.
This book deals with belonging, of life and death, growing up and loss. It deals with sorrow. It turns all this to magic, to transformation and growth. This is a STORY!
June 15, 2023
Such a beautiful tale. 😍
January 20, 2024
FYI: Middle Grade (MG) and "middle school" are two different things...
Middle Grade = ages 7/8 - 11/12 (elementary school)
Middle school = ages 12-14 (YA readership)
Stop leaving nasty rude comments because you think I'm talking about middle school ages, when I'm talking about elementary school readers. Good grief! I'm not even going to reply with an explanation anymore; I'm just going to delete those uninformed comments.
UPDATE: I have recently been reminded of my loathing of White authors writing dark-skinned characters so the cover can depict a seemingly POC MC. It's all for the diverse book attention. Let POC authors write these books, please. Newbery shouldn't even entertain the thought of awarding White authors writing POC main characters.
Please, when you see a book with a person of color depicted on the cover click over to the author's bio and see if you will be reading and supporting an authentic, diverse Own Voices story.
This book was way too long for Middle Grade, there was too much boring political content, and it was having a huge identity crisis. Some parts read like a great Children's beginner reader chapter book, a lot of it was based on an older character and read like okay YA, and then there were two adults in the story who had their adult thinking added in too often. For such a long book there was very little MG age interesting content.
Many of the scenes were too long and a lot of them were basically the same scene in a different location. It would have been better to write things like, "She felt like she did the day she found the *fill in the blank* when she picked up the book," instead of describing the same sensations and thoughts over, and over, and over again. If these redundant scenes had been taken out, and most of the adult storyline extracted, the book would have been more MG length and a lot more interesting for MG age readers.
Luna, the bog monster, and the tiny dragon were the highlights of the story and more focus should have been on them. This book needed an editor who knows MG inside and out. I was excited to read this book after reading the summary, but ended up being disappointed.
I was approved for an eARC, via Netgalley, in return for an honest review.
Middle Grade = ages 7/8 - 11/12 (elementary school)
Middle school = ages 12-14 (YA readership)
Stop leaving nasty rude comments because you think I'm talking about middle school ages, when I'm talking about elementary school readers. Good grief! I'm not even going to reply with an explanation anymore; I'm just going to delete those uninformed comments.
UPDATE: I have recently been reminded of my loathing of White authors writing dark-skinned characters so the cover can depict a seemingly POC MC. It's all for the diverse book attention. Let POC authors write these books, please. Newbery shouldn't even entertain the thought of awarding White authors writing POC main characters.
Please, when you see a book with a person of color depicted on the cover click over to the author's bio and see if you will be reading and supporting an authentic, diverse Own Voices story.
This book was way too long for Middle Grade, there was too much boring political content, and it was having a huge identity crisis. Some parts read like a great Children's beginner reader chapter book, a lot of it was based on an older character and read like okay YA, and then there were two adults in the story who had their adult thinking added in too often. For such a long book there was very little MG age interesting content.
Many of the scenes were too long and a lot of them were basically the same scene in a different location. It would have been better to write things like, "She felt like she did the day she found the *fill in the blank* when she picked up the book," instead of describing the same sensations and thoughts over, and over, and over again. If these redundant scenes had been taken out, and most of the adult storyline extracted, the book would have been more MG length and a lot more interesting for MG age readers.
Luna, the bog monster, and the tiny dragon were the highlights of the story and more focus should have been on them. This book needed an editor who knows MG inside and out. I was excited to read this book after reading the summary, but ended up being disappointed.
I was approved for an eARC, via Netgalley, in return for an honest review.
January 19, 2021
“How many feelings can one heart hold?... Infinite, Luna thought. The way the universe is infinite. It is light and dark and endless motion; it is space and time, and space within space, and time within time. And she knew: there is no limit to what the heart can carry.”
Kelly Barnhill's The Girl Who Drank the Moon is a compelling story about love, healing friendship and magic. It is geared toward middle school readers, but I enjoyed it. It has a fairy tale quality that was never going to be as dark or philosophical or ambiguous as it might have been had it been for general readers. Goodness and love will triumph over evil. That's certain from the beginning, but getting to the end is still fun.
“Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.”
Kelly Barnhill's The Girl Who Drank the Moon is a compelling story about love, healing friendship and magic. It is geared toward middle school readers, but I enjoyed it. It has a fairy tale quality that was never going to be as dark or philosophical or ambiguous as it might have been had it been for general readers. Goodness and love will triumph over evil. That's certain from the beginning, but getting to the end is still fun.
“Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.”
February 24, 2017
Fwew. Finally! It felt like it took me forever to finally get through this. I would rate this somewhere between 3 and 3.5 stars. It's not a bad book, but for a Newbery winner, I was expecting more.
What Worked:
The writing is very pretty. Descriptive, poetic, lyrical...it has all the makings of an old-fashioned fairy tale story.
It has some intriguing characters- a swamp monster who's been around since the beginning of the world, a sorrow eater, a childlike dragon, a magical girl...it has a lot of promise.
What Didn't Work for Me:
This was slow. It's a case of lots of description and showing and not much action actually happening. It's quite passive. Sleepy would be the word I would use to describe the plot. 13 years go by in the book, but hardly anything really...happens. The first 2/3 sets up the events of the last third of the book, constantly hinting at things to come. And then it does come...and everything fits together seamlessly. There's no real tension or showdown or anything to make the reader wonder what the outcome will be. The climax is a bunch of characters finally meeting, the villain losing without a fight, and a natural disaster that doesn't end up threatening any lives or much besides Xan's home. If you like excitement, there isn't much here.
The writing gets repetitive. Ideas such as the bog, magic being locked inside Luna, poetry, etc. are discussed over and over again. "She is here", "Sorrow is dangerous"...I feel like some ideas and themes were beaten to death. Sometimes the description was so...descriptive that I lost interest and went foggy, having to re-read entire pages. This is so full of symbolic imagery and poetic figurative language that the plot gets a big lost in it. Problem is, I didn't always know what it was getting at. What was up with the bog? Is it symbolic for life? Death? Both? All of the paper birds...was that about the Madwoman trying to fly to her child? Why did they cut up Antain's face? Why was Fyrian small for years and suddenly large? Was he linked with Luna? I could have used a bit more concrete information.
Examples: "She was an old woman. She was a girl. She was somewhere in between. She was all of those things at once." Huh?
"In the beginning, there was the bog. And the bog covered the world and the Bog was the world and the world was the Bog." WTF (This is mentioned several times throughout the story. I still don't get it.)
The POV can be a bit confusing. There are a ton of characters- Xan, Glerk, Fyrian, Luna, the Madwoman, Antain, Grand Elder Gherland, Ethyne- that at some point or another become the focus for the omniscient narrator. It's a lot. And when most of these characters come together and start speaking to each other, the pronouns could have been a bit better defined, IMO. There are also short "story" chapters, in some of which I'm not exactly sure who is supposed to be speaking. Some of the characters' musings get off topic and go on for too long. I feel like this could have been about 100 pages shorter cleaned up.
So...This is okay. Not bad, but not award-winning IMO. Also, it's supposedly written with 5th graders in mind. I teach fifth grade language arts, and I don't think most of my kids would "get this" and want to stick with it. It's like a middle grades book that middle grades kids would be bored by. I think that Diana Wynne Jones or Neil Gaiman has written in a similar vein, but better.
What Worked:
The writing is very pretty. Descriptive, poetic, lyrical...it has all the makings of an old-fashioned fairy tale story.
It has some intriguing characters- a swamp monster who's been around since the beginning of the world, a sorrow eater, a childlike dragon, a magical girl...it has a lot of promise.
What Didn't Work for Me:
This was slow. It's a case of lots of description and showing and not much action actually happening. It's quite passive. Sleepy would be the word I would use to describe the plot. 13 years go by in the book, but hardly anything really...happens. The first 2/3 sets up the events of the last third of the book, constantly hinting at things to come. And then it does come...and everything fits together seamlessly. There's no real tension or showdown or anything to make the reader wonder what the outcome will be. The climax is a bunch of characters finally meeting, the villain losing without a fight, and a natural disaster that doesn't end up threatening any lives or much besides Xan's home. If you like excitement, there isn't much here.
The writing gets repetitive. Ideas such as the bog, magic being locked inside Luna, poetry, etc. are discussed over and over again. "She is here", "Sorrow is dangerous"...I feel like some ideas and themes were beaten to death. Sometimes the description was so...descriptive that I lost interest and went foggy, having to re-read entire pages. This is so full of symbolic imagery and poetic figurative language that the plot gets a big lost in it. Problem is, I didn't always know what it was getting at. What was up with the bog? Is it symbolic for life? Death? Both? All of the paper birds...was that about the Madwoman trying to fly to her child? Why did they cut up Antain's face? Why was Fyrian small for years and suddenly large? Was he linked with Luna? I could have used a bit more concrete information.
Examples: "She was an old woman. She was a girl. She was somewhere in between. She was all of those things at once." Huh?
"In the beginning, there was the bog. And the bog covered the world and the Bog was the world and the world was the Bog." WTF (This is mentioned several times throughout the story. I still don't get it.)
The POV can be a bit confusing. There are a ton of characters- Xan, Glerk, Fyrian, Luna, the Madwoman, Antain, Grand Elder Gherland, Ethyne- that at some point or another become the focus for the omniscient narrator. It's a lot. And when most of these characters come together and start speaking to each other, the pronouns could have been a bit better defined, IMO. There are also short "story" chapters, in some of which I'm not exactly sure who is supposed to be speaking. Some of the characters' musings get off topic and go on for too long. I feel like this could have been about 100 pages shorter cleaned up.
So...This is okay. Not bad, but not award-winning IMO. Also, it's supposedly written with 5th graders in mind. I teach fifth grade language arts, and I don't think most of my kids would "get this" and want to stick with it. It's like a middle grades book that middle grades kids would be bored by. I think that Diana Wynne Jones or Neil Gaiman has written in a similar vein, but better.
August 15, 2020
*4.5 e favoritado!
March 1, 2019
4.5 stars
A beautiful, surprisingly complex story. Perhaps it is a little longer with somewhat darker themes than many middle grade books, but that's not necessarily a bad thing. This reminded me in some ways of A Wrinkle in Time -- the author didn't pull any punches when it came to more sensitive subjects like grief and death.
Although this book deals with some pretty heavy topics, there is also humour sprinkled throughout that lightens the tone. I listened to the audible edition, and Christina Moore did a fantastic job with the various voices.
Badass Female Character score: 5/5 -- At its heart, this is a story about the strength of women. From Xan, to Luna, to the women in the village, this book is filled with women and how they use the powers they possess.
A beautiful, surprisingly complex story. Perhaps it is a little longer with somewhat darker themes than many middle grade books, but that's not necessarily a bad thing. This reminded me in some ways of A Wrinkle in Time -- the author didn't pull any punches when it came to more sensitive subjects like grief and death.
Although this book deals with some pretty heavy topics, there is also humour sprinkled throughout that lightens the tone. I listened to the audible edition, and Christina Moore did a fantastic job with the various voices.
Badass Female Character score: 5/5 -- At its heart, this is a story about the strength of women. From Xan, to Luna, to the women in the village, this book is filled with women and how they use the powers they possess.
November 9, 2022
I read THE GIRL WHO DRANK THE MOON by Kelly Barnhill because I want to give a copy to my ten-year-old neice for her birthday. The book is beautiful and poetic, the language is rich, and the characters finely drawn. Even the smallest speaking characters feel real by the end of the book. The paper birds are one of my favorite literary elements ever. I desperately love Flurian, the prolonged-baby dragon. I listened to an audiobook of this book from Recorded Books. The narrator, Christina Moore, performed it beautifully, and I think I probably liked it better than I would have if I had read it.
Barnhill doesn't opt for a straight narrative in this book, but rather tells the story in chapters that both jump around in time and also alternate character perspective. Chapter headings gloss the chapters, but not in a way that illuminates changes in time or narrative lens. In fact, if anything, the glossing can further obfuscate the function of the coming chapter. If I had to guess, I would say Barnhill is trying to build suspense, but all she really does is reduce clarity. The form of this book is confusing, and I'm an adult, seasoned reader.
Clarity is also reduced by a convoluted concept. I'm not exactly sure what Barnhill was try to say with this book. Communicating multiple messages in a single book is fine; that's why we have subplots. She does, in fact, have so many threads, that she drops them and resumes them with some regularity. Unfortunately, Barnhill's many messages fight with each other for the reader's attention. What are the young readers supposed to invest in? Is this a story about family and loyalty? Individuality and conformity? Power and control? Fear and bravery? Generosity and sorrow? Standing up for what's right or getting along? It's impossible to say, because all these themes smother each other or just plain disappear off the page, only to reappear later.
I will still give this book to my niece, but I will tell her that if it confuses her she can come talk to me. If she comes to talk to me, I will give her the advice that she could DNF it. I want her to know early that she doesn't have to finish books that don't do it for her! Nor does she have to like every book she reads, even books that are just her type, even if everyone else likes it, EVEN if it won a Newberry!
Rating 3 stars
Finished October 2022
Recommended for adult readers of fantasy and children readers of fantasy ages 12 or older, or who have access to an adult who can answer questions about the book
TW violence against children, imprisonment, torture, volcano, falling, abandonment, kidnapping
*Follow my Instagram book blog for all my reviews, challenges, and book lists! http://www.instagram.com/donasbooks *
Barnhill doesn't opt for a straight narrative in this book, but rather tells the story in chapters that both jump around in time and also alternate character perspective. Chapter headings gloss the chapters, but not in a way that illuminates changes in time or narrative lens. In fact, if anything, the glossing can further obfuscate the function of the coming chapter. If I had to guess, I would say Barnhill is trying to build suspense, but all she really does is reduce clarity. The form of this book is confusing, and I'm an adult, seasoned reader.
Clarity is also reduced by a convoluted concept. I'm not exactly sure what Barnhill was try to say with this book. Communicating multiple messages in a single book is fine; that's why we have subplots. She does, in fact, have so many threads, that she drops them and resumes them with some regularity. Unfortunately, Barnhill's many messages fight with each other for the reader's attention. What are the young readers supposed to invest in? Is this a story about family and loyalty? Individuality and conformity? Power and control? Fear and bravery? Generosity and sorrow? Standing up for what's right or getting along? It's impossible to say, because all these themes smother each other or just plain disappear off the page, only to reappear later.
I will still give this book to my niece, but I will tell her that if it confuses her she can come talk to me. If she comes to talk to me, I will give her the advice that she could DNF it. I want her to know early that she doesn't have to finish books that don't do it for her! Nor does she have to like every book she reads, even books that are just her type, even if everyone else likes it, EVEN if it won a Newberry!
Rating 3 stars
Finished October 2022
Recommended for adult readers of fantasy and children readers of fantasy ages 12 or older, or who have access to an adult who can answer questions about the book
TW violence against children, imprisonment, torture, volcano, falling, abandonment, kidnapping
*Follow my Instagram book blog for all my reviews, challenges, and book lists! http://www.instagram.com/donasbooks *
February 18, 2017
The beauty of this book begins with its magical title: The Girl Who Drank the Moon.
Luna is enmagicked as a baby by being fed the silvery honeyed moon beams. I was both jealous of that experience and yet felt kinship with it - how often have I felt graced by the gentle silvery radiance of moonlight! Of course, this being a fantasy novel,Luna's magic was more tangible!
The Girl Who Drank the Moon is a fabulous work of fantasy pulling strongly on the art of storytelling and richly imbued with interesting characters and an unusually imaginative setting.
Of course we have the deep, dark forest home to dangers real and imagined.
There is an enormous bog surrounding the Protectorate (ironically named) which poses many dangers to the villagers and from which they eek out a mere subsistence livelihood. But there is also an immense volcanic area surrounding this all with treacherous vents, steaming cauldrons of gasses and seven craters marking the border -it kept putting images of Yellowstone in my mind.
After the beginning event, the story unfolds slowly and it is a leisurely exploration of two separate plot threads. One is the life in the Protectorate where villagers have an appalling tradition of offering a young baby to the witch in the woods. All this happens in the first few pages, so no spoiler here. We meet the young ANTAIN whose uncle is a powerful Elder. We quickly realize ANTAIN is a kind and sensitive soul. We know he will be a good character, perhaps a hero but perhaps just an innocent who in fairy tale fashion will gather goodness to him. His is a wonderfully developed character - much richer than I would have expected.
Naturally we have a witch (or two or three) and Xan, our main character, is an unexpected delight. Loved that she is the antithesis of usual witches. And then there are the unique creatures of the fantasy world: Fyrian, a miniature rainbow colored dragon who is all love and enthusiasm and naïveté - and just wants everyone to get along. Even though he had mysteries about him he provides a kind of childlike delightful humor.
My favorite creature is Glerk, the poetic monster of the Bog who may have five or six legs and a prehensile tail and is long time loyal friend to Xan and protector of Fyrian and young Luna. Glerk , the great poet of the Bog: "In the beginning, there was only Bog, and Bog, and Bog. The Bog was everything, and everything was the Bog.
But the Bog was lonely. It wanted eyes with which to see the world. It wanted a strong back with which to carry itself from place to place. It wanted legs to walk and hands to touch and a mouth that could sing.
And so the Bog created a Body: a great Beast that walked out of the Bog on its own strong boggy legs. The Beast was the Bog and the Bog was the Beast. The Beast lived the Bog and the Bog loved the Beast, just as a person loves the image of himself in a quiet pond of water, and looks upon it with tenderness. The Beasts chest was full of warm and life-giving compassion. He felt the shine of love radiating outward. And the Beast wanted words to explain how he felt. ...He opened his mouth and a poem came out."
This is not a traditional quest story. It's a story about secrets that can do harm, about misguided protection, about young people needing to grow up to be their true self, about the beauty and pain of motherly love, about the cost of sorrow and healing power of hope. It's beautifully told - such gorgeous writing. It radiates love - but it would not be balanced without some villains.
"Time was a tricky thing - as slippery as mud" - a refrain throughout the book. When is it time to tell young people true things, when does protecting them deny them power over their own life, when is it time to teach the important things they need to know to empower them.
It's a beautiful story - perfect as a read aloud/read together for eight to nine year olds, (course I would argue longer but I'm always keen on shared reading for the way discussions can grow with your kids) and certainly independent reading from nine on up. I did shed some tears at the end - a heartwarming read! As my granddaughter said, "Nana, there is a sad part at the end, but don't worry - it's a good kind of sad."
Luna is enmagicked as a baby by being fed the silvery honeyed moon beams. I was both jealous of that experience and yet felt kinship with it - how often have I felt graced by the gentle silvery radiance of moonlight! Of course, this being a fantasy novel,Luna's magic was more tangible!
The Girl Who Drank the Moon is a fabulous work of fantasy pulling strongly on the art of storytelling and richly imbued with interesting characters and an unusually imaginative setting.
Of course we have the deep, dark forest home to dangers real and imagined.
There is an enormous bog surrounding the Protectorate (ironically named) which poses many dangers to the villagers and from which they eek out a mere subsistence livelihood. But there is also an immense volcanic area surrounding this all with treacherous vents, steaming cauldrons of gasses and seven craters marking the border -it kept putting images of Yellowstone in my mind.
After the beginning event, the story unfolds slowly and it is a leisurely exploration of two separate plot threads. One is the life in the Protectorate where villagers have an appalling tradition of offering a young baby to the witch in the woods. All this happens in the first few pages, so no spoiler here. We meet the young ANTAIN whose uncle is a powerful Elder. We quickly realize ANTAIN is a kind and sensitive soul. We know he will be a good character, perhaps a hero but perhaps just an innocent who in fairy tale fashion will gather goodness to him. His is a wonderfully developed character - much richer than I would have expected.
Naturally we have a witch (or two or three) and Xan, our main character, is an unexpected delight. Loved that she is the antithesis of usual witches. And then there are the unique creatures of the fantasy world: Fyrian, a miniature rainbow colored dragon who is all love and enthusiasm and naïveté - and just wants everyone to get along. Even though he had mysteries about him he provides a kind of childlike delightful humor.
My favorite creature is Glerk, the poetic monster of the Bog who may have five or six legs and a prehensile tail and is long time loyal friend to Xan and protector of Fyrian and young Luna. Glerk , the great poet of the Bog: "In the beginning, there was only Bog, and Bog, and Bog. The Bog was everything, and everything was the Bog.
But the Bog was lonely. It wanted eyes with which to see the world. It wanted a strong back with which to carry itself from place to place. It wanted legs to walk and hands to touch and a mouth that could sing.
And so the Bog created a Body: a great Beast that walked out of the Bog on its own strong boggy legs. The Beast was the Bog and the Bog was the Beast. The Beast lived the Bog and the Bog loved the Beast, just as a person loves the image of himself in a quiet pond of water, and looks upon it with tenderness. The Beasts chest was full of warm and life-giving compassion. He felt the shine of love radiating outward. And the Beast wanted words to explain how he felt. ...He opened his mouth and a poem came out."
This is not a traditional quest story. It's a story about secrets that can do harm, about misguided protection, about young people needing to grow up to be their true self, about the beauty and pain of motherly love, about the cost of sorrow and healing power of hope. It's beautifully told - such gorgeous writing. It radiates love - but it would not be balanced without some villains.
"Time was a tricky thing - as slippery as mud" - a refrain throughout the book. When is it time to tell young people true things, when does protecting them deny them power over their own life, when is it time to teach the important things they need to know to empower them.
It's a beautiful story - perfect as a read aloud/read together for eight to nine year olds, (course I would argue longer but I'm always keen on shared reading for the way discussions can grow with your kids) and certainly independent reading from nine on up. I did shed some tears at the end - a heartwarming read! As my granddaughter said, "Nana, there is a sad part at the end, but don't worry - it's a good kind of sad."
March 19, 2017
I've been done with this book for a couple of weeks, and wasn't sure how to write this review. I thought about just throwing a 3 or 4 star rating down and being done with it, but I feel like I owe it to my friends that have similar tastes to be honest.
I wanted to love this book.
The cover was gorgeous.
The writing was gorgeous.
The ending came together perfectly.
I didn't love this book.
I kept pushing through it, hoping that I would have an "AH-HA" moment and fall head over heels in love with it. I finished it, but kinda wish I hadn't wasted my time.
I don't see this as middle grade fiction. To me, it seems more like an adult book with a middle grade character. It's what adults wished middle graders wanted to read. The first 3/4 of the book is slow, sad and repetitive. I was bored.
It has so many elements that I thought I would love: A bog monster, a tiny dragon, and magic from the moon. All while living in a forest.
I wish it had worked for me.
A tiny note for Audible listeners. The narrator for this book is FANTASTIC!
I wanted to love this book.
The cover was gorgeous.
The writing was gorgeous.
The ending came together perfectly.
I didn't love this book.
I kept pushing through it, hoping that I would have an "AH-HA" moment and fall head over heels in love with it. I finished it, but kinda wish I hadn't wasted my time.
I don't see this as middle grade fiction. To me, it seems more like an adult book with a middle grade character. It's what adults wished middle graders wanted to read. The first 3/4 of the book is slow, sad and repetitive. I was bored.
It has so many elements that I thought I would love: A bog monster, a tiny dragon, and magic from the moon. All while living in a forest.
I wish it had worked for me.
A tiny note for Audible listeners. The narrator for this book is FANTASTIC!
November 9, 2018
Update: changing my rating from 5 stars to 4.5 stars
Read
June 6, 2017I’m not surprised this won the Newbery, because it is absolutely stunning. Told in a wonderfully mystical narrative, this book is sure to join the ranks of enduring middle grade classics. The story centers around a long held tradition in the Protectorate, that every year the youngest child must be sacrificed to appease the witch in the forest. But right away the reader finds out the the witch, named Xan, is actually kind and makes the yearly trek to the Protectorate to save the babies from dying alone. One day, Xan picks up a baby girl and instead of feeding her starlight she feeds her moonlight, which imbues the child with incredible powers. What follows is an intricate cast of characters that are all affected by Luna, the girl who drank the moon. I loved every word in this book, and I look forward to reading it again and again and again.
–Karina Glaser
from The Best Books We Read In March 2017: http://bookriot.com/2017/04/04/riot-r...
–Karina Glaser
from The Best Books We Read In March 2017: http://bookriot.com/2017/04/04/riot-r...
December 4, 2020
“A story can tell the truth...but a story can also lie. Stories can bend and twist and obfuscate. Controlling stories is power indeed.”
The Girl Who Drank the Moon is a lovely little book that I would recommend to everyone from ages 10 to 100.
It was surprisingly sophisticated and complex with its poetic writing, sprinkles of magical realism and darkness. The magic within this book felt like it was simply seeping out through the pages. It had the tone of a classic fairy tale- complete with dark themes and the occasional melancholic passage. It is no surprise to me that this won the Newbery award as it is without a doubt one of the best middle grade novels I have read in a while.
“How many feelings can one heart hold?... Infinite, Luna thought. The way the universe is infinite. It is light and dark and endless motion; it is space and time, and space within space, and time within time. And she knew: there is no limit to what the heart can carry.”
As for the plot, I would recommend just reading it and seeing where the story takes you. I will just let you know a few things that are included to give you an idea:
- a kindhearted witch
- a young girl who becomes accidentally enmagicked
- a tiny little dragon who believes that he is Simply Enourmous
- a bog creature who loves poetry
all this combines effortlessly to create a spell binding tale of family, magic and sorrow. Be prepared to maybe take it a little slower than other books in this age category. It truly is like a fairytale in its slow burning, occasionally repetitive nature, but that just added to its charm for me.
I am not quite sure what prevented me from loving this book to a 5 star extent. All of the elements were there, the writing was beautiful and I liked the characters. But looking back on it, something is inexplicably holding me back from giving it 5 stars. Perhaps I will reread it in a couple of years and see if my thoughts have changed, but for now I am settling on 4 stars.
Overall, this was an endearing and charming book that helped to break up the heavy fantasies I was reading at the time. I would recommend this if you like slower, magical realism type books but also loveable characters. I would love to try out any books that are in the same vein as this, so definitely feel free to let me know if you know of any!
“Stuff. The stuff of stars. The stuff of light. The stuff of a planet before it is a planet. The stuff of a baby before it is born. The stuff of a seed before it is a sycamore. Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.”
The Girl Who Drank the Moon is a lovely little book that I would recommend to everyone from ages 10 to 100.
It was surprisingly sophisticated and complex with its poetic writing, sprinkles of magical realism and darkness. The magic within this book felt like it was simply seeping out through the pages. It had the tone of a classic fairy tale- complete with dark themes and the occasional melancholic passage. It is no surprise to me that this won the Newbery award as it is without a doubt one of the best middle grade novels I have read in a while.
“How many feelings can one heart hold?... Infinite, Luna thought. The way the universe is infinite. It is light and dark and endless motion; it is space and time, and space within space, and time within time. And she knew: there is no limit to what the heart can carry.”
As for the plot, I would recommend just reading it and seeing where the story takes you. I will just let you know a few things that are included to give you an idea:
- a kindhearted witch
- a young girl who becomes accidentally enmagicked
- a tiny little dragon who believes that he is Simply Enourmous
- a bog creature who loves poetry
all this combines effortlessly to create a spell binding tale of family, magic and sorrow. Be prepared to maybe take it a little slower than other books in this age category. It truly is like a fairytale in its slow burning, occasionally repetitive nature, but that just added to its charm for me.
I am not quite sure what prevented me from loving this book to a 5 star extent. All of the elements were there, the writing was beautiful and I liked the characters. But looking back on it, something is inexplicably holding me back from giving it 5 stars. Perhaps I will reread it in a couple of years and see if my thoughts have changed, but for now I am settling on 4 stars.
Overall, this was an endearing and charming book that helped to break up the heavy fantasies I was reading at the time. I would recommend this if you like slower, magical realism type books but also loveable characters. I would love to try out any books that are in the same vein as this, so definitely feel free to let me know if you know of any!
“Stuff. The stuff of stars. The stuff of light. The stuff of a planet before it is a planet. The stuff of a baby before it is born. The stuff of a seed before it is a sycamore. Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.”
August 10, 2020
3.5/5
“Knowledge is power, but it is a terrible power when it is hoarded and hidden.”
― Kelly Barnhill, The Girl Who Drank the Moon
This is a hard one for me to rate. I kept going back and forth between 3 or 4, and finally settled upon 3. There are things I loved about this book and other elements that I did not care for. This a book I really wanted to love and had high expectations for. Perhaps I've grown too old for YA novels.
An elderly witch, an enmagicked girl, a brave young father, a wise, poetry loving monster, a tiny dragon, with a huge heart, paper birds, and a mysterious madwoman meet to stop an evil witch who feeds on sorrow. The heroes and heroines here are all endearing; in fact they are enchanting.
As a baby, Luna is left as a sacrifical offering to an evil witch ~~ but is she??? Instead, the witch, Xan, rescues baby Luna, just as she had rescued hundred of babies like her the past 500 years. In addition to goat's milk, Xan feeds the babies starlight. That gives the babbies strength while Xan looks for a safe home for children. However, with Luna, Xan makes a huge mistake. She feeds Luna moonlight, which fills the girl with magical powers.
As Luna grows, her magic is unstopable ~~ and truths begin to unfold about the place and her people and where she came from. There’s so much to love in this book ~~ and yet, I didn't love it. What I admire about The Girl Who Drank the Moon is Barnhill championing the spiritual powers of hope, love and rebellion in the face of fear and cruelty and nationalism. And while I didn't love this book, I do think it is is a marvelous read for young readers all over the world.
“Knowledge is power, but it is a terrible power when it is hoarded and hidden.”
― Kelly Barnhill, The Girl Who Drank the Moon
This is a hard one for me to rate. I kept going back and forth between 3 or 4, and finally settled upon 3. There are things I loved about this book and other elements that I did not care for. This a book I really wanted to love and had high expectations for. Perhaps I've grown too old for YA novels.
An elderly witch, an enmagicked girl, a brave young father, a wise, poetry loving monster, a tiny dragon, with a huge heart, paper birds, and a mysterious madwoman meet to stop an evil witch who feeds on sorrow. The heroes and heroines here are all endearing; in fact they are enchanting.
As a baby, Luna is left as a sacrifical offering to an evil witch ~~ but is she??? Instead, the witch, Xan, rescues baby Luna, just as she had rescued hundred of babies like her the past 500 years. In addition to goat's milk, Xan feeds the babies starlight. That gives the babbies strength while Xan looks for a safe home for children. However, with Luna, Xan makes a huge mistake. She feeds Luna moonlight, which fills the girl with magical powers.
As Luna grows, her magic is unstopable ~~ and truths begin to unfold about the place and her people and where she came from. There’s so much to love in this book ~~ and yet, I didn't love it. What I admire about The Girl Who Drank the Moon is Barnhill championing the spiritual powers of hope, love and rebellion in the face of fear and cruelty and nationalism. And while I didn't love this book, I do think it is is a marvelous read for young readers all over the world.
February 23, 2023
I don't know why I'm just now reading this but wow, it's SO good! Thank you to my Patrons for selecting it as a book for me to read and vlog. Blame it on a childhood of being traumatized by Newberry Award winners, but I tend to be wary of them. If you're like me, I urge you to try picking this one up. It's about a town that thinks they must sacrifice a baby once a year to a witch, a witch who doesn't know why she keeps finding babies but does her best to find them homes, and the special little girl who becomes her family and will eventually change everything.
The Girl Who Drank the Moon is a richly layered narrative with beautiful prose, humor, and a lot of heart. It feels very much like a modern fairytale and like the sort of thing that will go on to be a classic. Delightful, nuanced characters (including the villains that are hateful but don't see themselves that way), and big ideas made accessible for a young audience.
One of the central themes is the idea that it really matters who controls a narrative and stories can be twisted in ugly or beautiful ways. Especially for kids today, this concept of how you know which stories are true, and which hide the truth in deceptive ways is valuable. Not to mention that the way history is framed has real impact. It also deals with grief, death, and the reality that while some people use their trauma as a way to hurt others, their pain doesn't excuse their choices. That every choice has consequences, even unintended ones. And parents might try to protect their children, but one day they will begin to grow up. Also MAGIC! So much magic. And a grumpy but loveable bog monster. And a tiny dragon who thinks he's enormous. Ahhhh I love it so much!!
This book is fantastic and I expect to revisit it in the future. Easily one of the best novels for children I've read in a long time.
The Girl Who Drank the Moon is a richly layered narrative with beautiful prose, humor, and a lot of heart. It feels very much like a modern fairytale and like the sort of thing that will go on to be a classic. Delightful, nuanced characters (including the villains that are hateful but don't see themselves that way), and big ideas made accessible for a young audience.
One of the central themes is the idea that it really matters who controls a narrative and stories can be twisted in ugly or beautiful ways. Especially for kids today, this concept of how you know which stories are true, and which hide the truth in deceptive ways is valuable. Not to mention that the way history is framed has real impact. It also deals with grief, death, and the reality that while some people use their trauma as a way to hurt others, their pain doesn't excuse their choices. That every choice has consequences, even unintended ones. And parents might try to protect their children, but one day they will begin to grow up. Also MAGIC! So much magic. And a grumpy but loveable bog monster. And a tiny dragon who thinks he's enormous. Ahhhh I love it so much!!
This book is fantastic and I expect to revisit it in the future. Easily one of the best novels for children I've read in a long time.
November 13, 2016
Stunningly beautiful writing mixed with a perfectly plotted story filled with adventure, humor, and love. Each of Kelly's middle grade books gets exponentially better (which is astonishing, because they are all amazing), and this one will be a new classic for certain sure.
June 27, 2023
A good story. i ranked it 3 stars because it was tiresome for a short tale. i also hated the narration by Christina Moore. the dragon Fyrian voice was grating at best.
Standard tale the humans a bad, the witch is good. the Protectorate is bad and the big boss is the leader of the big tower the shadow mistress. who eats sorrow. my number 1 problem is they whipped magic from Luna's mind. i understand why but i did not like it. Xan was a great grandmother but a awful teacher.
i felt like i have read a better version of this before. had some highlight to it. but why did they whip Luna's memory.
Standard tale the humans a bad, the witch is good. the Protectorate is bad and the big boss is the leader of the big tower the shadow mistress. who eats sorrow. my number 1 problem is they whipped magic from Luna's mind. i understand why but i did not like it. Xan was a great grandmother but a awful teacher.
i felt like i have read a better version of this before. had some highlight to it. but why did they whip Luna's memory.
September 30, 2019
pre-read
This has been on my TBR for awhile, and I have finally checked out a copy from the library.
For some reason I have a feeling that I will love it.
Just have to finish some other books first.
___________________________________
“Not all knowledge comes from the mind. Your body, your heart, your intuition. Sometimes memories even have minds of their own.”
For a book geared towards middle grade readers The girl who drank the moon is exceptionally wise. There were so many hidden truths in its many quotable moments - I found myself taking my time with it. Trying to savor it.
I will say though that this book is probably not for everybody. It's quite different from other middle grade fantasy books - both in style of writing and structure.
Some things would take a really long time to happen, and some other ones happen too quickly. Points of view jump and differ and wave through time, and stories and memories. To be completely honest I was quite confused for the first 100 pages or so. But somehow I was okay with that.
“And the more they asked, the more they wondered. And the more they wondered, the more they hoped. And the more they hoped, the more the clouds of sorrow lifted, drifted, and burned away in the heat of a brightening sky.”
I would especially recommend this book to mothers, expectant mothers and families who are looking to adopt. The girl who drank the moon is bursting with motherly instincts, affection and family. And with love. So much love.
“Human babies are only tiny for an instant—their growing up is as swift as the beat of a hummingbird’s wing.”
Kelly Barnhill really understands motherhood and growing up. She is either a fantastic mother herself, or knows somebody who is. The bonds of a child and a parent were so beautifully and vividly portrayed here, if anything that is enough of a reason to read this book.
I also really enjoyed the other aspect of the book, which focused on how some people abuse power and twists the truths to mold the reality they wish to impose. If I think about it, this book got quite political, but in a way that was accessible to younger readers.
“Knowledge is powerful, but it is a terrible power when it is hoarded and hidden.”
A solid read with many beautiful messages, a definite must for young minds. As The girl who drank the moon tells that it's okay to grow up, that change is inevitable. It teaches to think for yourself and to question everything. It shows love for what it is - boundless, ever expanding and never jealous.
I will definitely be reading more by this author in the near future.
“Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.”
My WEBSITE
My BOOKSTAGRAM
This has been on my TBR for awhile, and I have finally checked out a copy from the library.
For some reason I have a feeling that I will love it.
Just have to finish some other books first.
___________________________________
“Not all knowledge comes from the mind. Your body, your heart, your intuition. Sometimes memories even have minds of their own.”
For a book geared towards middle grade readers The girl who drank the moon is exceptionally wise. There were so many hidden truths in its many quotable moments - I found myself taking my time with it. Trying to savor it.
I will say though that this book is probably not for everybody. It's quite different from other middle grade fantasy books - both in style of writing and structure.
Some things would take a really long time to happen, and some other ones happen too quickly. Points of view jump and differ and wave through time, and stories and memories. To be completely honest I was quite confused for the first 100 pages or so. But somehow I was okay with that.
“And the more they asked, the more they wondered. And the more they wondered, the more they hoped. And the more they hoped, the more the clouds of sorrow lifted, drifted, and burned away in the heat of a brightening sky.”
I would especially recommend this book to mothers, expectant mothers and families who are looking to adopt. The girl who drank the moon is bursting with motherly instincts, affection and family. And with love. So much love.
“Human babies are only tiny for an instant—their growing up is as swift as the beat of a hummingbird’s wing.”
Kelly Barnhill really understands motherhood and growing up. She is either a fantastic mother herself, or knows somebody who is. The bonds of a child and a parent were so beautifully and vividly portrayed here, if anything that is enough of a reason to read this book.
I also really enjoyed the other aspect of the book, which focused on how some people abuse power and twists the truths to mold the reality they wish to impose. If I think about it, this book got quite political, but in a way that was accessible to younger readers.
“Knowledge is powerful, but it is a terrible power when it is hoarded and hidden.”
A solid read with many beautiful messages, a definite must for young minds. As The girl who drank the moon tells that it's okay to grow up, that change is inevitable. It teaches to think for yourself and to question everything. It shows love for what it is - boundless, ever expanding and never jealous.
I will definitely be reading more by this author in the near future.
“Everything you see is in the process of making or unmaking or dying or living. Everything is in a state of change.”
My WEBSITE
My BOOKSTAGRAM
March 29, 2018
This book was a whimsical treasure of a book. It's one of those middle grade books that works on two levels, like a Pixar movie. Middle graders will love the story just for the story (even if some of the deeper themes woven in go over their head; not discounting children readers, though, we don't give them enough credit), but adults will also find a lot of deeper meaning to the book.
This is a story for EVERYONE to enjoy.
Beautiful writing, quirky, lovable characters (like a big-hearted and wise swamp monster named Glerk, a delightful tiny dragon named Fyrian suffering from delusions of grandeur, and a sweet tempered and gentle witch named Xan), and most of all a plot that will make your heart grow bigger and bigger and bigger. It's ultimately about hope and forgiveness and love. Hope in the midst of suffering, forgiveness in the midst of failure, and loving so big and so much that no one is left out. And it's about consequences - the consequences of power unchecked, hiding from memories, and most of all, of pushing down and ignoring the hard things like sorrow and pain.
I LOVED THIS BOOK. Please read it. Even if you never read middle grade. It's worth it.
This is a story for EVERYONE to enjoy.
Beautiful writing, quirky, lovable characters (like a big-hearted and wise swamp monster named Glerk, a delightful tiny dragon named Fyrian suffering from delusions of grandeur, and a sweet tempered and gentle witch named Xan), and most of all a plot that will make your heart grow bigger and bigger and bigger. It's ultimately about hope and forgiveness and love. Hope in the midst of suffering, forgiveness in the midst of failure, and loving so big and so much that no one is left out. And it's about consequences - the consequences of power unchecked, hiding from memories, and most of all, of pushing down and ignoring the hard things like sorrow and pain.
I LOVED THIS BOOK. Please read it. Even if you never read middle grade. It's worth it.
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