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Remixed Classics #5
Self-Made Boys: A Great Gatsby Remix
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Minnesota, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick's feelings grow more complicated when he finds himself falling hard for Jay's openness, idealism, and unfounded faith in the American Dream.
Listening Length: 8 hours and 33 minutes
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick's feelings grow more complicated when he finds himself falling hard for Jay's openness, idealism, and unfounded faith in the American Dream.
Listening Length: 8 hours and 33 minutes
336 pages, Hardcover
First published September 6, 2022
229 people are currently reading
19584 people want to read
About the author
Anna-Marie McLemore
32 books3,480 followersAnna-Marie McLemore (they/them) is the author of William C. Morris Debut Award Finalist The Weight of Feathers; Wild Beauty; Blanca & Roja, one of TIME Magazine’s 100 Best Fantasy Novels of All Time; Indie Next List title Dark and Deepest Red; Lakelore, an NECBA Windows & Mirrors title; and National Book Award longlist selections When the Moon Was Ours, which was also a Stonewall Honor Book; The Mirror Season; and Self-Made Boys: A Great Gatsby Remix. Their latest release is Venom & Vow, co-authored with Elliott McLemore, and Flawless Girls will be released by from Feiwel & Friends in May 2028. Their adult debut, The Influencers, is forthcoming from Dial Press.
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Displaying 1 - 30 of 1,341 reviews
June 14, 2022
Tenderly written and achingly romantic, Anna-Marie McLemore has crafted a romance for the ages. Their Latinx lens provides more nuance and depth to the classic story. With a breath of fresh life, SELF-MADE BOYS shows us how queer love has flourished in quiet corners across history.
ETA: WE HAVE A BOOK COVER AND IT'S FREAKING STUNNING AND PERFECT IM SCREAMING
ETA: WE HAVE A BOOK COVER AND IT'S FREAKING STUNNING AND PERFECT IM SCREAMING
October 22, 2022
one of my favorite books...retold as one of my favorite genres...
this was made for me, obviously.
...OR NOT.
dun dun dun!
whether you like it or not, gatsby (and my original 10-page-long now-deleted-by-the-capitalist-overlords-at-goodreads review of it) are wildly thematically rich.
it's one of the most precise and thoughtful books of all time - that's why it makes such a great high school required read. every light color and word choice can be analyzed. every character is complex and ultimately unredeemable. money and greed and the downfall they cause are crucial.
this book is gatsby without any of that.
in other words, gatsby without anything that makes it good.
the bones of this story weren't built to hold up everything anna-marie mclemore wants it to. to make gatsby and nick and jordan and daisy redeemed characters who care about things makes every theme in the book fall flat. to make a gatsby retelling a story of finding yourself and where you belong just doesn't work.
also...lol @ nick predicting the great depression. ridiculous.
similarly the ending feels silly, if nice.
generally this book nails the language and vibe, and it has a lot of non-gatsby things going for it, and it's often fun.
overall it's a technically skilled retelling, but in the end without its core themes it's as shallow and lovely as one of gatsby's parties.
bottom line: bummer!
this was made for me, obviously.
...OR NOT.
dun dun dun!
whether you like it or not, gatsby (and my original 10-page-long now-deleted-by-the-capitalist-overlords-at-goodreads review of it) are wildly thematically rich.
it's one of the most precise and thoughtful books of all time - that's why it makes such a great high school required read. every light color and word choice can be analyzed. every character is complex and ultimately unredeemable. money and greed and the downfall they cause are crucial.
this book is gatsby without any of that.
in other words, gatsby without anything that makes it good.
the bones of this story weren't built to hold up everything anna-marie mclemore wants it to. to make gatsby and nick and jordan and daisy redeemed characters who care about things makes every theme in the book fall flat. to make a gatsby retelling a story of finding yourself and where you belong just doesn't work.
also...lol @ nick predicting the great depression. ridiculous.
similarly the ending feels silly, if nice.
generally this book nails the language and vibe, and it has a lot of non-gatsby things going for it, and it's often fun.
overall it's a technically skilled retelling, but in the end without its core themes it's as shallow and lovely as one of gatsby's parties.
bottom line: bummer!
June 20, 2023
I was tempted to just have this review be a series of exclamation points, but I’ll say a little something. I remember my first introduction into queer theory was my high school language arts teacher when he said that Nick Carraway from The Great Gatsby was probably gay and even maybe in love with Jay Gatsby. Okay wait, this isn’t a Finding Forrester type heart-warming story, my teacher said this in a “haha gay people” kind of way, as if the possibility of a gay man was a punchline to some bad joke. But the idea of reading classics through a different lens, a different perspective that I could more closely relate to stuck with me.
Honestly, I was a little worried to start this book simply because of the heavier emphasis on romance the story would take. My interpretation of the original Great Gatsby is that despite all the flash and excess of the new decade, connecting with people is becoming impossible. In the original novel, Jay Gatsby’s extravagant and twisted romantic gestures in the form of lavish parties fail to succeed because he isn’t actually interested in Daisy, but a dream he created of her in his mind. The original novel has a rather cynical take on romance as a whole. This book however retools these characters and gives them new layers in order to make a love story feel earned.
If the original Gatsby was about superficiality, then this book is about identity and finding a home in other like-minded people. Very different, but beautiful and important all the same. Thankfully, it’s still stylish and exuberant, but with a tenderness that makes this one of my absolute favorites. I loved this story, and it was silly of me to think I didn’t need it.
Honestly, I was a little worried to start this book simply because of the heavier emphasis on romance the story would take. My interpretation of the original Great Gatsby is that despite all the flash and excess of the new decade, connecting with people is becoming impossible. In the original novel, Jay Gatsby’s extravagant and twisted romantic gestures in the form of lavish parties fail to succeed because he isn’t actually interested in Daisy, but a dream he created of her in his mind. The original novel has a rather cynical take on romance as a whole. This book however retools these characters and gives them new layers in order to make a love story feel earned.
If the original Gatsby was about superficiality, then this book is about identity and finding a home in other like-minded people. Very different, but beautiful and important all the same. Thankfully, it’s still stylish and exuberant, but with a tenderness that makes this one of my absolute favorites. I loved this story, and it was silly of me to think I didn’t need it.
January 7, 2023
welcome to 202-Queer 🌈✨, the year where i only read queer books and finally find happiness in literature again 🌈✨
fun fact about myself: The Great Gatsby is one of my favourite classics
other fun fact: if you couldn't guess, i'm really fucking queer
this book was everything i wanted it to be. is it the perfect Gatsby retelling and keeping with all the themes from the original book? probably not.
did Jay take Nick to a gay club in this one? yes.
did it make my little gay trans heart really happy? also yes
what literature truly needs is more t4t retellings. thank you to the author for writing this one for me specifically, i really appreciate it
fun fact about myself: The Great Gatsby is one of my favourite classics
other fun fact: if you couldn't guess, i'm really fucking queer
this book was everything i wanted it to be. is it the perfect Gatsby retelling and keeping with all the themes from the original book? probably not.
did Jay take Nick to a gay club in this one? yes.
did it make my little gay trans heart really happy? also yes
what literature truly needs is more t4t retellings. thank you to the author for writing this one for me specifically, i really appreciate it
"Gatsby and I may have been nothing to men like Tom Buchanan, but men like that did not know we were as divine as the heavens. We were boys who had created ourselves. We had formed our own bodies, our own lives, from the ribs of the girls we were once assumed to be."
September 30, 2022
The Great Gatsby meets A Lady for a Duke. Okay, I hear you think. What does a YA retelling of Gatsby have to do with Alexis Hall’s book?
LOVE, LOVE, LOVE. That’s what I wrote multiple times in my review of A Lady for a Duke. And it’s also what that story has in common with Self-Made Boys. Love for a classical romance. Love for queer people. Love that just splashes off the pages.
When I start reading a story and immediately root for the main character, I know it’s good. When I start reading and don’t want to stop, I know it’s excellent. When I start reading and am flabbergasted by the descriptive writing, I know it’s stunning.
I didn’t know what to expect from a Great Gatsby’s remix, but the moment Nick started telling his story, warmth ran through my chest. The tenderness of Nick’s and Jay’s relationship let my heart grow bigger, filling it with love. I could gush over them for hours. Whenever I looked at the flowers in my garden, smiles immediately danced on my face. All those roses, and hyacinths, and daffodils in this book added so much to the romantic atmosphere.
Self-Made Boys embodies an enormous beauty and acceptance, and felt like a warm blanket, hugging and keeping me safe. I believe this book belongs in English classrooms, next to its original. It tackles so many great topics. Just that title alone, Self-Made Boys. Two boys who created themselves and so much more.
I have a confession to make. This is the first book by Anne-Marie McLemore that I’ve ever read. But I’m definitely going to read the other ones because their writing is mesmerizing!
I received an ARC from MacMillan Children’s Books and NetGalley in exchange for an honest review.
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LOVE, LOVE, LOVE. That’s what I wrote multiple times in my review of A Lady for a Duke. And it’s also what that story has in common with Self-Made Boys. Love for a classical romance. Love for queer people. Love that just splashes off the pages.
When I start reading a story and immediately root for the main character, I know it’s good. When I start reading and don’t want to stop, I know it’s excellent. When I start reading and am flabbergasted by the descriptive writing, I know it’s stunning.
I didn’t know what to expect from a Great Gatsby’s remix, but the moment Nick started telling his story, warmth ran through my chest. The tenderness of Nick’s and Jay’s relationship let my heart grow bigger, filling it with love. I could gush over them for hours. Whenever I looked at the flowers in my garden, smiles immediately danced on my face. All those roses, and hyacinths, and daffodils in this book added so much to the romantic atmosphere.
Self-Made Boys embodies an enormous beauty and acceptance, and felt like a warm blanket, hugging and keeping me safe. I believe this book belongs in English classrooms, next to its original. It tackles so many great topics. Just that title alone, Self-Made Boys. Two boys who created themselves and so much more.
I have a confession to make. This is the first book by Anne-Marie McLemore that I’ve ever read. But I’m definitely going to read the other ones because their writing is mesmerizing!
I received an ARC from MacMillan Children’s Books and NetGalley in exchange for an honest review.
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January 30, 2021
January 10, 2023
Much in the same way I shouldn't have tried drinking the pitcher of iced tea I'd left in the fridge since before Christmas, but I did, I should not have read this book.
I'm all about transformative works; The Great Gatsby, however, is my favorite novel. F. Scott Fitzgerald left enormous shoes to fill, stylistically, and I wouldn't envy anyone the task, but I've enjoyed books by McLemore before, and I do love the idea of a trans, queer, race-bent Gatsby. So I decided to give this a chance.
The opening didn't seem bad! I wish McLemore hadn't aged everyone down to teenagers, but I imagine that was imposed by the publisher and by this being a YA series. (Though why teenagers can read the OG versions of these classics, most of which are about adults, but need the remixes to be about teens is beyond me.) Daisy and Tom are a couple but not married and they don't have a child, so adultery and bad parenting are two sins immediately off the table. Treading into watered-down territory, but okay, fine. I still liked young trans man Nick and his cousin Daisy, who's been fully supportive of his being a boy but disavows him as her relative so she can continue to pass for white. There's some good compensatory tension there! As there is with everything imbued in the double meaning of this novel's title.
But then it got real dumb.
Did The Great Gatsby, one of the most perfect and precise novels ever written, ever need a plot about a missing pearl necklace, or about Nick's work on the stock market, or about -- for fuck's sake -- Daisy and Gatsby planning Daisy a debutante ball? Why were words wasted on all of that, yet Daisy and Jordan were left to
Nick and Gatsby's relationship is also, I'd argue, more nuanced and charged and more freaking romantic in the original than in this book. Fitzgerald didn't even do it on purpose, but because his characters are, even(/especially) when mysterious, so much more complex and complicated, shading naturally fills in around them. Every single character in this book is hideously defanged. Except for Tom, now a CW show villain, everyone secretly has good intentions and is good at heart. And oh boy, when I got to the sequence where McLemore remixes Myrtle Wilson's death and the events that follow, I almost screamed and threw my iPad across the room. They've made this brutal, harrowing climax into such a pathetic nothingburger -- a joke. There's no tension, no emotion, no meaning. McLemore has rendered The Great Gatsby, a book so laden with symbolism it's foisted upon a million ungrateful high school freshman to unpack, meaningless.
This version doesn't have anything to say about America. It doesn't even have anything interesting to say about queer people in the 1920s -- about which a wealth of interesting things could be said! They're all super nice and without significant flaws, though, and if they can trick one guy like he's a bully from a 1980s movie, then everything will be peachy. SNORE.
Uncoupled from Gatsby, there's material here to make a decent queer historical, as these are essentially OCs anyway. But the association only reduces the impact of McLemore's few good ideas. I feel like the best transformative works have something to say about the original text, but aside from the usual vague Daisy apologia -- and one really good idea about Gatsby's backstory that the author later unfortunately undercut -- we're off in what's essentially coffee shop AU territory. I have never been a fan of coffee shop AUs and I don't like this one. Instead of feeling big, bold, brave, queer, it feels cowardly. If the characters are only the most pure and good versions of themselves, who've never done anything worse than pour a bad latte -- well, what's the point? What are you learning and experiencing by reading about them? Don't queer folks deserve a chance to be beautiful jazz age monsters too?
The tea had big blooms of mold in it, by the way. I had to spit it out.
I'm all about transformative works; The Great Gatsby, however, is my favorite novel. F. Scott Fitzgerald left enormous shoes to fill, stylistically, and I wouldn't envy anyone the task, but I've enjoyed books by McLemore before, and I do love the idea of a trans, queer, race-bent Gatsby. So I decided to give this a chance.
The opening didn't seem bad! I wish McLemore hadn't aged everyone down to teenagers, but I imagine that was imposed by the publisher and by this being a YA series. (Though why teenagers can read the OG versions of these classics, most of which are about adults, but need the remixes to be about teens is beyond me.) Daisy and Tom are a couple but not married and they don't have a child, so adultery and bad parenting are two sins immediately off the table. Treading into watered-down territory, but okay, fine. I still liked young trans man Nick and his cousin Daisy, who's been fully supportive of his being a boy but disavows him as her relative so she can continue to pass for white. There's some good compensatory tension there! As there is with everything imbued in the double meaning of this novel's title.
But then it got real dumb.
Did The Great Gatsby, one of the most perfect and precise novels ever written, ever need a plot about a missing pearl necklace, or about Nick's work on the stock market, or about -- for fuck's sake -- Daisy and Gatsby planning Daisy a debutante ball? Why were words wasted on all of that, yet Daisy and Jordan were left to
Nick and Gatsby's relationship is also, I'd argue, more nuanced and charged and more freaking romantic in the original than in this book. Fitzgerald didn't even do it on purpose, but because his characters are, even(/especially) when mysterious, so much more complex and complicated, shading naturally fills in around them. Every single character in this book is hideously defanged. Except for Tom, now a CW show villain, everyone secretly has good intentions and is good at heart. And oh boy, when I got to the sequence where McLemore remixes Myrtle Wilson's death and the events that follow, I almost screamed and threw my iPad across the room. They've made this brutal, harrowing climax into such a pathetic nothingburger -- a joke. There's no tension, no emotion, no meaning. McLemore has rendered The Great Gatsby, a book so laden with symbolism it's foisted upon a million ungrateful high school freshman to unpack, meaningless.
This version doesn't have anything to say about America. It doesn't even have anything interesting to say about queer people in the 1920s -- about which a wealth of interesting things could be said! They're all super nice and without significant flaws, though, and if they can trick one guy like he's a bully from a 1980s movie, then everything will be peachy. SNORE.
Uncoupled from Gatsby, there's material here to make a decent queer historical, as these are essentially OCs anyway. But the association only reduces the impact of McLemore's few good ideas. I feel like the best transformative works have something to say about the original text, but aside from the usual vague Daisy apologia -- and one really good idea about Gatsby's backstory that the author later unfortunately undercut -- we're off in what's essentially coffee shop AU territory. I have never been a fan of coffee shop AUs and I don't like this one. Instead of feeling big, bold, brave, queer, it feels cowardly. If the characters are only the most pure and good versions of themselves, who've never done anything worse than pour a bad latte -- well, what's the point? What are you learning and experiencing by reading about them? Don't queer folks deserve a chance to be beautiful jazz age monsters too?
The tea had big blooms of mold in it, by the way. I had to spit it out.
August 24, 2022
Everyone needs to read this right now 😭
As soon as I saw the cover for Self-Made Boys, I knew I had to read it. Then, when I heard it was a queer Great Gatsby reimagining, I was so excited! Before I get into the review though, in full transparency, I've never actually read the Great Gatsby. I've definitely heard a lot about it, but since it wasn't required reading for me in high school, I never got around to picking it up. So, for all of you wondering if you need to read the Great Gatsby before this one, I'm happy to report that you don't! I had zero issues following along.
I did, however, go to SparkNotes about halfway through just to compare the two out of curiosity, and I was so impressed with how Anna-Marie McLemore was able to faithfully retell the tale, while also adding their own unique twists and spins to it. The Great Gatsby was clearly the source material, but Self-Made Boys can 100% stand on its own.
If you're wondering whether or not I liked it...I LOVED IT. I've been in a bit of a reading slump lately, but once I started this one, I physically could not stop except to eat and sleep. I read it in two sittings and completely devoured it.
It was so refreshing and just so wonderful to see a historical novel (and a retelling of a classic at that), redone with a queer lens. I've read a few queer historical fiction books, but they usually don't end happily because of the time they're set in. This book did take a couple of liberties, as the author explains in their author note, just so that the characters could fully be who they are, and I loved that. I want to see more of this!!
The cast of characters were incredibly compelling and interesting. I especially loved following Nick's journey. He was so loveably oblivious about everyday life, while simultaneously an absolute genius in other aspects. Though to be fair, I can't say I'd have reacted any differently than he did if I'd been in his shoes. I don't pick up context well and everyone thought they weren't being subtle, but they definitely were!
As for the other characters, at first glance, Jay was an enigma, one Nick desperately wanted to solve. His development was subtle but loud, which I think is a great way to describe Jay. On the outside, he appears so mysterious and confident in his life and parties, but on the inside, he's just like the rest of us, looking for someone he can be himself around and confide in.
Daisy was particularly interesting because this story would not exist without her, and she added so much to the plot, but I also wanted to strangle her at times! She's definitely one of those characters you love to hate. She does do a lot of growing throughout the story though, and I thought it was great to see that journey.
Finally, I loved Jordan's character, and I adored the twist revealed at the end (which I won't get into because of spoilers, but I squealed!! I also called it, which always makes me even more excited). Her friendship with Nick was my favorite of the book. I also loved her attitude!
As for Nick and Jay’s relationship, it can best be described as a slow burn, and I really do love a good slow burn. The two immediately connected, but their bond gradually grew and developed as the book went on. All of their moments together were so sweet and filled with chemistry. From the very first moment they met, I was rooting for them and their relationship. It also made me so happy to see two trans boys finding each in this particular time period. I’ve seen queer relationships in historical fiction before, but I believe this is my first time reading about trans characters in a historical setting. Seeing this perspective is so important. I hope schools will one day require this one after completing their study of the Great Gatsby. So much can be learned from Self-Made Boys, and wow, did it pull on my heartstrings.
One of my favorite aspects of this book was the writing style! It was so lyrical, each sentence flowing effortlessly from one to the other. Sometimes writing like this can border on purple prose (which I cannot stand), but this was the perfect mix of expressive writing without going overboard.
There is honestly so much I could still say about this book. I will be so surprised if this doesn’t make it into my top ten favorite reads by the end of the year. It was such a beautiful, heartbreaking, yet uplifting story of diverse characters trying to find their place in the world, while also fitting into what society demands. I cannot recommend Self-Made Boys enough, and I hope you all read it!
Thank you so much to NetGalley and the publisher for providing me with a digital ARC in exchange for my honest opinion.
As soon as I saw the cover for Self-Made Boys, I knew I had to read it. Then, when I heard it was a queer Great Gatsby reimagining, I was so excited! Before I get into the review though, in full transparency, I've never actually read the Great Gatsby. I've definitely heard a lot about it, but since it wasn't required reading for me in high school, I never got around to picking it up. So, for all of you wondering if you need to read the Great Gatsby before this one, I'm happy to report that you don't! I had zero issues following along.
I did, however, go to SparkNotes about halfway through just to compare the two out of curiosity, and I was so impressed with how Anna-Marie McLemore was able to faithfully retell the tale, while also adding their own unique twists and spins to it. The Great Gatsby was clearly the source material, but Self-Made Boys can 100% stand on its own.
If you're wondering whether or not I liked it...I LOVED IT. I've been in a bit of a reading slump lately, but once I started this one, I physically could not stop except to eat and sleep. I read it in two sittings and completely devoured it.
It was so refreshing and just so wonderful to see a historical novel (and a retelling of a classic at that), redone with a queer lens. I've read a few queer historical fiction books, but they usually don't end happily because of the time they're set in. This book did take a couple of liberties, as the author explains in their author note, just so that the characters could fully be who they are, and I loved that. I want to see more of this!!
The cast of characters were incredibly compelling and interesting. I especially loved following Nick's journey. He was so loveably oblivious about everyday life, while simultaneously an absolute genius in other aspects. Though to be fair, I can't say I'd have reacted any differently than he did if I'd been in his shoes. I don't pick up context well and everyone thought they weren't being subtle, but they definitely were!
As for the other characters, at first glance, Jay was an enigma, one Nick desperately wanted to solve. His development was subtle but loud, which I think is a great way to describe Jay. On the outside, he appears so mysterious and confident in his life and parties, but on the inside, he's just like the rest of us, looking for someone he can be himself around and confide in.
Daisy was particularly interesting because this story would not exist without her, and she added so much to the plot, but I also wanted to strangle her at times! She's definitely one of those characters you love to hate. She does do a lot of growing throughout the story though, and I thought it was great to see that journey.
Finally, I loved Jordan's character, and I adored the twist revealed at the end (which I won't get into because of spoilers, but I squealed!! I also called it, which always makes me even more excited). Her friendship with Nick was my favorite of the book. I also loved her attitude!
As for Nick and Jay’s relationship, it can best be described as a slow burn, and I really do love a good slow burn. The two immediately connected, but their bond gradually grew and developed as the book went on. All of their moments together were so sweet and filled with chemistry. From the very first moment they met, I was rooting for them and their relationship. It also made me so happy to see two trans boys finding each in this particular time period. I’ve seen queer relationships in historical fiction before, but I believe this is my first time reading about trans characters in a historical setting. Seeing this perspective is so important. I hope schools will one day require this one after completing their study of the Great Gatsby. So much can be learned from Self-Made Boys, and wow, did it pull on my heartstrings.
One of my favorite aspects of this book was the writing style! It was so lyrical, each sentence flowing effortlessly from one to the other. Sometimes writing like this can border on purple prose (which I cannot stand), but this was the perfect mix of expressive writing without going overboard.
There is honestly so much I could still say about this book. I will be so surprised if this doesn’t make it into my top ten favorite reads by the end of the year. It was such a beautiful, heartbreaking, yet uplifting story of diverse characters trying to find their place in the world, while also fitting into what society demands. I cannot recommend Self-Made Boys enough, and I hope you all read it!
Thank you so much to NetGalley and the publisher for providing me with a digital ARC in exchange for my honest opinion.
January 1, 2023
Starting 2023 off RIGHT!
I deliberately saved this as my first read of the year since I rang in 2020 by reading The Great Gatsby and thought maybe reading this would result in a year that is not awful. I hope it works, but even if it doesn't, it was an amazing experience. As always, Anna-Marie McLemore's writing is gorgeous and their depiction of the queer experience is tender and full of heart. I have to say my favorite character was Daisy, who captivated me whenever she was on-page. An incredible book that was a joy to read.
I deliberately saved this as my first read of the year since I rang in 2020 by reading The Great Gatsby and thought maybe reading this would result in a year that is not awful. I hope it works, but even if it doesn't, it was an amazing experience. As always, Anna-Marie McLemore's writing is gorgeous and their depiction of the queer experience is tender and full of heart. I have to say my favorite character was Daisy, who captivated me whenever she was on-page. An incredible book that was a joy to read.
February 5, 2023
i just- *camera pans to me audibly yelling alone in my room*
urged by his cousin daisy, nicolás caraveo, a young trans man, moves to new york to jumpstart his life. upon arrival at west egg, he learns two things: first, that daisy has erased all signs of of her latina heritage, going by a new last name & passing as white; second, his neighbour, the enigmatic jay gatsby, is in love with daisy. nick commits to helping the two lovers reconnect. it goes well—until nick falls for gatsby himself.
so like. we all know the great gatsby. even writing this is taking me back to lit class, back to assignments left unfinished in favor of thinking about queer subtext. how do you make your own mark on an icon? how do you put your own flair on it?
anna-marie mclemore makes it queer as fuck, in ways i’ve always dreamed of. take nick & jay & make them trans, make them self-made boys in the most literal sense, surrounded by communities so integral to who they are.
in the author’s note, mclemore talks about how they wanted to use terms about race & queerness in a way that falls between historical realism & contemporary consciousnesss. here there’s a reclamation of words, even though historical, into something softer, something fit for the space inside a heart. something that shines a soft light to how queer love has quietly flourished across history.
take a story that we know well, but couldn’t necessarily see ourselves in. take a dream, a hope that we hold but feel like isn’t ours to have & spin it into something more relatable—how we’re all just looking for ways to make or be a bright light & not the other things we don’t want to remember.
i knew the great gatsby much better in high school than i do now, but i feel like this breathed fresh life into old friends. & absolutely more so than years ago, this time i gasped & audibly yelled so many times over lines & Choices that were made. i’ve been waiting my whole life for a story like this.
“gatsby and i may have been nothing to men like tom buchanan, but men like that did not know we were as divine as the heavens. we were boys who had created ourselves. we had formed our own bodies, our own lives, from the ribs of girls we were once assumed to be.”
urged by his cousin daisy, nicolás caraveo, a young trans man, moves to new york to jumpstart his life. upon arrival at west egg, he learns two things: first, that daisy has erased all signs of of her latina heritage, going by a new last name & passing as white; second, his neighbour, the enigmatic jay gatsby, is in love with daisy. nick commits to helping the two lovers reconnect. it goes well—until nick falls for gatsby himself.
so like. we all know the great gatsby. even writing this is taking me back to lit class, back to assignments left unfinished in favor of thinking about queer subtext. how do you make your own mark on an icon? how do you put your own flair on it?
anna-marie mclemore makes it queer as fuck, in ways i’ve always dreamed of. take nick & jay & make them trans, make them self-made boys in the most literal sense, surrounded by communities so integral to who they are.
in the author’s note, mclemore talks about how they wanted to use terms about race & queerness in a way that falls between historical realism & contemporary consciousnesss. here there’s a reclamation of words, even though historical, into something softer, something fit for the space inside a heart. something that shines a soft light to how queer love has quietly flourished across history.
take a story that we know well, but couldn’t necessarily see ourselves in. take a dream, a hope that we hold but feel like isn’t ours to have & spin it into something more relatable—how we’re all just looking for ways to make or be a bright light & not the other things we don’t want to remember.
i knew the great gatsby much better in high school than i do now, but i feel like this breathed fresh life into old friends. & absolutely more so than years ago, this time i gasped & audibly yelled so many times over lines & Choices that were made. i’ve been waiting my whole life for a story like this.
December 6, 2022
Gatsby didn't say "old sport" even once. Two stars.
February 7, 2024
I feel this book would have been much better if it wasn't a Great Gatsby retelling. I know that defeats the whole purpose of this being a part of the remixed classics series, but The Great Gatsby story just doesn't make sense with teens.
I loved that this book featured two trans male leads with a diverse group of characters. That's where my love of this book ends. The idea that 14 year olds were fighting in the war, Jay meeting Daisy when she was 13 (yikes), and an added in jewelry heist plot point all didn't work. I know the author was approached to write this book and I think they did the best they could. But this just didn't work for me. I may be biased because I am not a huge fan of The Great Gatsby to begin with, but this retelling actually made me appreciate the original and didn't seem to accomplish what it set out to do.
I loved that this book featured two trans male leads with a diverse group of characters. That's where my love of this book ends. The idea that 14 year olds were fighting in the war, Jay meeting Daisy when she was 13 (yikes), and an added in jewelry heist plot point all didn't work. I know the author was approached to write this book and I think they did the best they could. But this just didn't work for me. I may be biased because I am not a huge fan of The Great Gatsby to begin with, but this retelling actually made me appreciate the original and didn't seem to accomplish what it set out to do.
March 23, 2023
Another book I finished all in one day for the Trans Right Readathon (March 20-27 2023!) This Gatsy retelling casts Nick Carraway as Nicolás Caraveo, a 17-year-old trans boy from Wisconsin. He wants to move to New York not for the glamour but because he has a head for numbers and wants to make money working on Walls Street to support his parents and establish himself as a man. His cousin Daisy finds him a cottage in West Egg, but when he reunions with Daisy he's shocked to realize she's passing as white and lying about her past to her sort-of fiancé, Tom, a man who pretends at tolerance while exhibiting casual racism. Then Nick meets his other neighbor, the infamous Jay Gatsby, who throws outrageous and extravagant parties but is more similar to Nick than most people can see. This retelling adds an insurance investigation about a missing $350,000 pearl necklace; a visit to an underground gay club; and cast full of queer characters, all trying to make some kind of safety or place for themselves in the world. I'd love to see this version added to school reading lists along side the original!
September 11, 2022
4.5 stars. Self-Made Boys succeeds as a remix of F. Scott Fitzgerald’s classic tale: not only does it capture the same longing present in the original text, but makes it even more compelling when told through a QPOC lens.
August 4, 2022
This wasn't quite what I was expecting, but I ended up liking it. Given McLemore's dreamy writing style, I was expecting something that mirrored the tone and vibe of The Great Gatsby, just making the queer themes more overt and adding trans characters. Instead, Self-Made Boys reads rather like Great Gatsby fanfic, but not necessarily in a bad way.
The prose and vibe feel more straightforward than what we usually see from McLemore. It takes the plot beats from the film (this does feel more aligned with the 2013 adaptation than it does with the original text) and turns it into a queer love story that avoids the "bury your gays" trope and explores intentional white passing as well as the realities of living with a marginalized identity in the 1920's, both as a Latinx person and as a queer person.
The original was quite queer in its undertones but this is much more overt. To the point that some readers might find it abrasive. But if you go into this expecting more Gatsby fanfic and less Gatsby retelling, I think you'll have a better time with it. In this version, Jay Gatsby and Nick (Nicolás Caraveo) literalize the ideal of a "self-made man" as trans teenagers. Daisy is Nick's cousin and is passing as a white woman, engaged to a wealthy and bigoted man. The choices are really interesting and while I wasn't totally sold from the start (partly because it wasn't what I expected), I ended up really liking what McLemore did with the story and appreciated their author's note as well. The audio narration is good and has that kind of 20's vibe to it. I received an advance audio review copy via NetGalley, all opinions are my own.
The prose and vibe feel more straightforward than what we usually see from McLemore. It takes the plot beats from the film (this does feel more aligned with the 2013 adaptation than it does with the original text) and turns it into a queer love story that avoids the "bury your gays" trope and explores intentional white passing as well as the realities of living with a marginalized identity in the 1920's, both as a Latinx person and as a queer person.
The original was quite queer in its undertones but this is much more overt. To the point that some readers might find it abrasive. But if you go into this expecting more Gatsby fanfic and less Gatsby retelling, I think you'll have a better time with it. In this version, Jay Gatsby and Nick (Nicolás Caraveo) literalize the ideal of a "self-made man" as trans teenagers. Daisy is Nick's cousin and is passing as a white woman, engaged to a wealthy and bigoted man. The choices are really interesting and while I wasn't totally sold from the start (partly because it wasn't what I expected), I ended up really liking what McLemore did with the story and appreciated their author's note as well. The audio narration is good and has that kind of 20's vibe to it. I received an advance audio review copy via NetGalley, all opinions are my own.
July 16, 2022
I genuinely have no words to express how much I love this book. I’m so grateful to have been provided an arc of it because now I can scream my love of it from the rooftops.
As a Great Gatsby enthusiast, a firm believer in the fact that Nick and Gatsby were very much in love, a writer, and a trans masc person, I’ve always wanted to write a queer retelling of this story, but now all of my whims (and more) have been satisfied by this book. It was literally like it was taken from my brain and put into a book. I love everything about it and all I want is to permanently etch it on the back of my eyelids.
When I first heard this was gonna be a t4t retelling of one of my favorite classics, I was over the moon and I’m so glad it exceeded my expectations in the way it did. The references to the source material, the changes in character, the development of the story line, they were all amazing and lovely and just the best things ever.
And at the risk of spoiling everything in this book because all I want to do ir infodump about it now, I’ll leave you with this: if you like The Great Gatsby as much as I do, especially if you’re queer, trans, or latine, and ever wonder what if would be like if the story was as queer as humanly possible, please pick up this book when it comes out in September. You won’t regret it.
(oh also they turned Meyer Wolfsheim into the coolest lesbian ever and if that doesn’t get you to read it idk what will)
As a Great Gatsby enthusiast, a firm believer in the fact that Nick and Gatsby were very much in love, a writer, and a trans masc person, I’ve always wanted to write a queer retelling of this story, but now all of my whims (and more) have been satisfied by this book. It was literally like it was taken from my brain and put into a book. I love everything about it and all I want is to permanently etch it on the back of my eyelids.
When I first heard this was gonna be a t4t retelling of one of my favorite classics, I was over the moon and I’m so glad it exceeded my expectations in the way it did. The references to the source material, the changes in character, the development of the story line, they were all amazing and lovely and just the best things ever.
And at the risk of spoiling everything in this book because all I want to do ir infodump about it now, I’ll leave you with this: if you like The Great Gatsby as much as I do, especially if you’re queer, trans, or latine, and ever wonder what if would be like if the story was as queer as humanly possible, please pick up this book when it comes out in September. You won’t regret it.
(oh also they turned Meyer Wolfsheim into the coolest lesbian ever and if that doesn’t get you to read it idk what will)
September 18, 2022
This book has:
- trans main character
- Latino love interest
- lesbian Latina side character
- mlm couple
This book sounds perfect 😭😭
——
THE COVER OMG I CAN’T WAIT SNDJDUSUDB
——
”Back home, such men referred to neighbors whose families had come from Guatemala and Peru as Mexicans without ever bothering to check.”
I would’ve loved to include a happier quote to start off this review, but I was so immersed in this book that I didn’t bookmark much else.
I’ll keep this short so you can read this book for yourself. Self-Made Boys follows Nicolás Caraveo, a trans teen who moves to New York to establish himself as a professional. He meets with his cousin, Daisy, a Latina passing as white, and of course, Jay Gatsby. At a party Jay Gatsby throws, Nick learns that Jay is trans like him. The two become closer, and Nick‘s feelings for Jay become intense and complicated.
I would really, really, love to give more details, but this is one of those books you need to experience for yourself with little information. Given that this is a retelling, those that have read The Great Gatsby already know a lot about the plot and characters.
I would truly recommend this book to anyone. With its connection to history and modern spin, there’s something to like, no matter who you are. So with that, I leave you with one last quote.
”I think we just recognize each other.” He fastened the buttons on the gleaming brown shirt. “Boys like us always know one another about a thousand years before anyone else knows us, don’t we?”
- trans main character
- Latino love interest
- lesbian Latina side character
- mlm couple
This book sounds perfect 😭😭
——
THE COVER OMG I CAN’T WAIT SNDJDUSUDB
——
”Back home, such men referred to neighbors whose families had come from Guatemala and Peru as Mexicans without ever bothering to check.”
I would’ve loved to include a happier quote to start off this review, but I was so immersed in this book that I didn’t bookmark much else.
I’ll keep this short so you can read this book for yourself. Self-Made Boys follows Nicolás Caraveo, a trans teen who moves to New York to establish himself as a professional. He meets with his cousin, Daisy, a Latina passing as white, and of course, Jay Gatsby. At a party Jay Gatsby throws, Nick learns that Jay is trans like him. The two become closer, and Nick‘s feelings for Jay become intense and complicated.
I would really, really, love to give more details, but this is one of those books you need to experience for yourself with little information. Given that this is a retelling, those that have read The Great Gatsby already know a lot about the plot and characters.
I would truly recommend this book to anyone. With its connection to history and modern spin, there’s something to like, no matter who you are. So with that, I leave you with one last quote.
”I think we just recognize each other.” He fastened the buttons on the gleaming brown shirt. “Boys like us always know one another about a thousand years before anyone else knows us, don’t we?”
February 6, 2024
Tengo sentimiento, VARIOS, hacia este libro. Algunos buenos, otros malos, muy controvertidos en general.
Resumiendo, me... gustó, pero hasta ahí. Me agradó la historia, los personajes, y la diversidad que trae consigo. También, me decepcionó en partes, en algunas mucho. Lectura normalona, libro equis, sencillas dos estrellas.
Ahora, yendo a lo específico.
Como retelling como tal de El gran Gatsby hubieron cosas que me quedaron mucho a deber. Hay ciertos factores que siento que son indispensables en la historia, elementos que hacen del libro lo que es, hablando de temas, matices y características. Hay mucho de eso que no esta presente aquí, y se sabe que en este tipo de libros es válido tomarse libertades creativas. De hecho, me gustaron algunos de los elementos nuevos que agrego Anna-Marie McLemore, pero para mi gusto personal hubieron cosas que no se debieron haber eliminado. Siento que esta historia, El Gran Gatsby, no funciona como libro juvenil. Hay tanto de los personajes que no se puede traducir en adolescentes, y eso hace que se pierda MUCHO. Tampoco es que sea el más fan del libro original, pero hasta cierto punto Self-Made Boys olvida tanto de lo original que hubiera funcionado mejor como historia independiente, no como retelling.
Sin duda, siento que donde este libro resalta dentro de todo lo demás es en la manera en la que involucra los temas respecto a la experiencia trans y al racismo. Anna-Marie McLemore escribe con una gentileza extrema la identidad, tanto de género como de orientación sexual, que es imposible no sentirla como un tributo; una oda al dolor y la belleza que esta trae consigo. El hecho de que nuestros protagonistas sean chicos trans, uno de ellos racializado, agrega un gran punto de vista nuevo. Me gustó como se trabajó, como fue puesto en perspectiva, como se trabajó y además que discusiones se trajeron a la mesa. Eso si se lo aplaudo. (Aclaro que también hay mucha diversidad en otros personajes que me parece igual de importante, aunque en esta novela se le dió enfoque justo a ellos dos)
Sin embargo, no puedo no mencionar el espantoso error de usar mal el español y la ironía que se presenta más adelante. Nick, que Anna Marie McLemore describe como "Mexican-American" en la nota del final, dice y cito: "Puedo seguir los manos", en vez de usar el artículo correcto (las), y unos cuantos capítulos después menciona que siempre se percata cuando alguien usa mal el idioma. Por favor autores y editoriales, chequen, revisen, investiguen y edúquense!! Independientemente de si tienen ascendencia latina o no, hagan bien el trabajo si van a involucrar elementos como esto. Literal con la MÍNIMA investigación esto no habría ocurrido. Ugh.
No se, tengo que procesarlo más, pero si de una les digo que esperaba que estuviera en el top de mis lecturas y no hasta el fondo.
Resumiendo, me... gustó, pero hasta ahí. Me agradó la historia, los personajes, y la diversidad que trae consigo. También, me decepcionó en partes, en algunas mucho. Lectura normalona, libro equis, sencillas dos estrellas.
Ahora, yendo a lo específico.
Como retelling como tal de El gran Gatsby hubieron cosas que me quedaron mucho a deber. Hay ciertos factores que siento que son indispensables en la historia, elementos que hacen del libro lo que es, hablando de temas, matices y características. Hay mucho de eso que no esta presente aquí, y se sabe que en este tipo de libros es válido tomarse libertades creativas. De hecho, me gustaron algunos de los elementos nuevos que agrego Anna-Marie McLemore, pero para mi gusto personal hubieron cosas que no se debieron haber eliminado. Siento que esta historia, El Gran Gatsby, no funciona como libro juvenil. Hay tanto de los personajes que no se puede traducir en adolescentes, y eso hace que se pierda MUCHO. Tampoco es que sea el más fan del libro original, pero hasta cierto punto Self-Made Boys olvida tanto de lo original que hubiera funcionado mejor como historia independiente, no como retelling.
Sin duda, siento que donde este libro resalta dentro de todo lo demás es en la manera en la que involucra los temas respecto a la experiencia trans y al racismo. Anna-Marie McLemore escribe con una gentileza extrema la identidad, tanto de género como de orientación sexual, que es imposible no sentirla como un tributo; una oda al dolor y la belleza que esta trae consigo. El hecho de que nuestros protagonistas sean chicos trans, uno de ellos racializado, agrega un gran punto de vista nuevo. Me gustó como se trabajó, como fue puesto en perspectiva, como se trabajó y además que discusiones se trajeron a la mesa. Eso si se lo aplaudo. (Aclaro que también hay mucha diversidad en otros personajes que me parece igual de importante, aunque en esta novela se le dió enfoque justo a ellos dos)
Sin embargo, no puedo no mencionar el espantoso error de usar mal el español y la ironía que se presenta más adelante. Nick, que Anna Marie McLemore describe como "Mexican-American" en la nota del final, dice y cito: "Puedo seguir los manos", en vez de usar el artículo correcto (las), y unos cuantos capítulos después menciona que siempre se percata cuando alguien usa mal el idioma. Por favor autores y editoriales, chequen, revisen, investiguen y edúquense!! Independientemente de si tienen ascendencia latina o no, hagan bien el trabajo si van a involucrar elementos como esto. Literal con la MÍNIMA investigación esto no habría ocurrido. Ugh.
No se, tengo que procesarlo más, pero si de una les digo que esperaba que estuviera en el top de mis lecturas y no hasta el fondo.
October 19, 2022
AAAAAAAA YOU GAVE ME NICK AND GATSBY AND FOR THAT I'M FOREVER THANKFUL
5 STARS.
Also yes lesbian daisy say aye
5 STARS.
Also yes lesbian daisy say aye
January 16, 2025
Let's just say the cover does justice to this book. A faithful enough adherence (+/-) to the original The Great Gatsby that I needed to finish the final 100 pages in a single session per the worries I was developing.
Most of the characters here are queer, positive people of various ethnicity that make you wish to be them. But you need some straight homophobic and racist protagonists to match the kinds of complexity the original Great Gatsby had between specific characters.
This is the same setting as the real Great Gatsby, with all the character names borrowed. Daisy lives across the water with the dock that has the green light, in a house Tom Buchanan owns. Gatsby got his money from who-knows-where, and his history is all rumors. We have a gas station, where Myrtle resides. And don't forget Jordan Baker. They're all here.
And wasn't the real Nick Carroway in the real "Great Gatsby" in love with Jay Gatsby? Is this discussed in high school today? I sure wish we could have talked about that back when this was 'required reading' for me. Feel free to do a google-search right now for the debate.
99% of you reading this review have probably read The Great Gatsby by Fitzgerald. If not, I highly recommend reading that original book first. Sure, this story here stands on its own. But the appreciation of this story is at its absolute best if you know the source.
My only qualm was the ending felt very slightly rushed, since it had some complex elements all coming together. The real Great Gatsby had its own dramatic ending too.
I had yellow-quote stickies all through the book, but not in the faster-paced conclusion, where the story line dominated over the need for flowery prose.
The prose had ample gold nuggets for me to highlight:
Latino Nick, realizing how to succeed in the early 1920's (pg 16):
If people like us wanted to make something of ourselves in a world ruled by men as pale as their own dinner plates, we had to lie.
Colorful descriptions abounded on most pages. A quick sample here (pg 56):
They’d also been alongside faded, peach, Rose, beige, acorn, brown, deep, brown, soft color, sparkling with beads and paillettes.
Didn't we all want (and maybe still do) that rapid rise with friends/society that the Great Gatsby showed to us? (pg 84)
I don’t want to get so distracted with what I might deserve that I might miss what I might actually be able to have.
The Nick Carroway in this story is a bit more open about how Jay Gatsby makes him feel. (pg 87)
His smile was a needle of sun piercing a gray scrim of clouds. And perhaps it was this, how he could be touched by so small a compliment, that made me understand all he’d stored up in his heart.
Nick is in love with his neighbor, Jay. (pg 87)
I thought of kissing him in the way I imagined everyone must think of kissing someone who was this close and this beautiful.
Nick is Transmasculine, insightfully written by the author. (pg 123)
Boys like us get used to having to lie about everything else just so we can tell the truth about ourselves.
Did I already mention Nick is in love? (pg 128)
Gatsby looked back at me how any boy in the world would want to be looked at – as though there was such infinite possibility in me, such infinite light, that I was one endless, longest day of the year.
But young Nick is just accepting that although he is Transmasculine, wasn't this supposed to make him like girls now? (pg 158)
Was a boy like me even allowed to love another boy? What did that make me? I had parents who respected me telling them that I was a boy, and who helped me live as the boy I was. Shouldn’t that have been enough? Shouldn’t I like girls as more than friends by now?
Queer wisdom. (pg 187)
They’ll always be someone trying to make you apologize for something about who you are.
Nick talking 'openly' to Martha. (pg 188)
"You think I’m gay?" I asked.
"Aren’t we all?" Martha gave me a smiling glance. "Young and gay and radiant, and ready for all sorts of gay exciting things?"
Acceptance that is reassuring to hear confessed. (pg 189)
Gay was far from the only word I ever heard for boys who loved other boys, but it was the nicest one I knew.
Nick feels like he is the third wheel in the Jay-Daisy-Nick friendship. (pg 199)
She (Daisy) was the sun around, which is being orbited, and I was his moon, shadowed and undetected.
Like the real Gatsby, there was an innocence/non-pretentious attitude by Jay Gatsby. (pg 200)
For the thousand times since meeting Gatsby, I marveled at how a boy could have such a beaten up heart and still have his wonder so untarnished.
A proud transmasculine quote that is poster-worthy. (pg 212)
Gatsby and I may have been nothing to men like Tom Buchanan, but men like that did not know we were as divine as the heavens. We were boys who had created ourselves. We had formed our own bodies, our own lives, from the ribs of the girls we were once assumed to be.
True to the original Great Gatsby, all this opulence can have it's pitfalls. (pg 245)
From far away, it looks like something you want. But if you get too close, it’s poison.
All these parties, and the constant flirting by anyone can become a permanent part of someone's personality. (pg 255)
I worry that chasing after me or some other girl like me is something he’s done for so long. He doesn’t know how to do anything else.
Nick is not just a boy, but a gay boy that has grown quickly through this story. (pg 257)
I hadn’t even known for sure that boys like me – like us – were allowed to claim the word gay.
Applicable to the real Great Gatsby story too. (pg 261)
First you start lying.
Then, you become a liar.
Then, you become a lie.
This is the best lesbian quote/poster-worthy writing that quietly weaved its way to become the level of importance as the transmasculine main theme. (pg 261)
I thought maybe I could love a man if he was sweet and sensitive enough. But I’ve met the sweetest, most wonderful man, and I can’t even manage to fall in love with him. It’s the queerest thing. He’s everything I ever would have said I wanted, anything any girl would want. If a fairy godmother had asked me to make a list of all I’d like in a young man, he’s what she cook up. But I love him only as a friend, or as a sister loves her brother. It’s as though I had all the ingredients set out to make Eaton mess, or Mrs. Sanderson‘s tomato soup cake, but I couldn’t follow the recipe. The ingredients wouldn’t come together.
4.5*, and a desire by me to read more of these 'remix' novels.
***** Spoiler Alert *****
***** Do NOT Read - Under Penalty of Knowing Too Much *****
(I just personally want to remember this section, so I included it in my review below)
Nick has a math/science background, so I personally loved this beautiful climax. (pg 266)
He kissed me, and I felt the contours of that reclaimed word in my mouth. He kissed me, and I saw the tinsel flashing in his hair at that first party. He kissed me, and those silver threads bloomed into heat and fire.
I came to New York, as a handful of Wisconsin earth, but it was that precise earth, this precise body and heart, that Jay Gatsby wanted. Falling stars may have been spectacularly, miss named, but in this moment, I understood the impulse. The earth I was made of blazed like cosmic, dust, lighting up brighter the faster I fell.
Yes, there was inevitable space between all atoms. When my palm lay flush against his, when his lips pressed the perfect imprint of his mouth against my jawline, I knew there were still invisible distance between the charged particles of his body and mine. But I couldn’t feel that distance. We were electrons flying across each other‘s orbits, throwing off quanta of light and energy.
Learning this boy, touching him – it was as fractal as measuring a coastline . Within every corner and curve, there were countless more. Every feature of him, I learned, I wanted to learn in greater depth and detail, every bay and channel and shoal.
I could never learn all of him. It was as impossible as finding the true length of the shore along the sound. But I wanted to get as close as I could.
Most of the characters here are queer, positive people of various ethnicity that make you wish to be them. But you need some straight homophobic and racist protagonists to match the kinds of complexity the original Great Gatsby had between specific characters.
This is the same setting as the real Great Gatsby, with all the character names borrowed. Daisy lives across the water with the dock that has the green light, in a house Tom Buchanan owns. Gatsby got his money from who-knows-where, and his history is all rumors. We have a gas station, where Myrtle resides. And don't forget Jordan Baker. They're all here.
And wasn't the real Nick Carroway in the real "Great Gatsby" in love with Jay Gatsby? Is this discussed in high school today? I sure wish we could have talked about that back when this was 'required reading' for me. Feel free to do a google-search right now for the debate.
99% of you reading this review have probably read The Great Gatsby by Fitzgerald. If not, I highly recommend reading that original book first. Sure, this story here stands on its own. But the appreciation of this story is at its absolute best if you know the source.
My only qualm was the ending felt very slightly rushed, since it had some complex elements all coming together. The real Great Gatsby had its own dramatic ending too.
I had yellow-quote stickies all through the book, but not in the faster-paced conclusion, where the story line dominated over the need for flowery prose.
The prose had ample gold nuggets for me to highlight:
Latino Nick, realizing how to succeed in the early 1920's (pg 16):
If people like us wanted to make something of ourselves in a world ruled by men as pale as their own dinner plates, we had to lie.
Colorful descriptions abounded on most pages. A quick sample here (pg 56):
They’d also been alongside faded, peach, Rose, beige, acorn, brown, deep, brown, soft color, sparkling with beads and paillettes.
Didn't we all want (and maybe still do) that rapid rise with friends/society that the Great Gatsby showed to us? (pg 84)
I don’t want to get so distracted with what I might deserve that I might miss what I might actually be able to have.
The Nick Carroway in this story is a bit more open about how Jay Gatsby makes him feel. (pg 87)
His smile was a needle of sun piercing a gray scrim of clouds. And perhaps it was this, how he could be touched by so small a compliment, that made me understand all he’d stored up in his heart.
Nick is in love with his neighbor, Jay. (pg 87)
I thought of kissing him in the way I imagined everyone must think of kissing someone who was this close and this beautiful.
Nick is Transmasculine, insightfully written by the author. (pg 123)
Boys like us get used to having to lie about everything else just so we can tell the truth about ourselves.
Did I already mention Nick is in love? (pg 128)
Gatsby looked back at me how any boy in the world would want to be looked at – as though there was such infinite possibility in me, such infinite light, that I was one endless, longest day of the year.
But young Nick is just accepting that although he is Transmasculine, wasn't this supposed to make him like girls now? (pg 158)
Was a boy like me even allowed to love another boy? What did that make me? I had parents who respected me telling them that I was a boy, and who helped me live as the boy I was. Shouldn’t that have been enough? Shouldn’t I like girls as more than friends by now?
Queer wisdom. (pg 187)
They’ll always be someone trying to make you apologize for something about who you are.
Nick talking 'openly' to Martha. (pg 188)
"You think I’m gay?" I asked.
"Aren’t we all?" Martha gave me a smiling glance. "Young and gay and radiant, and ready for all sorts of gay exciting things?"
Acceptance that is reassuring to hear confessed. (pg 189)
Gay was far from the only word I ever heard for boys who loved other boys, but it was the nicest one I knew.
Nick feels like he is the third wheel in the Jay-Daisy-Nick friendship. (pg 199)
She (Daisy) was the sun around, which is being orbited, and I was his moon, shadowed and undetected.
Like the real Gatsby, there was an innocence/non-pretentious attitude by Jay Gatsby. (pg 200)
For the thousand times since meeting Gatsby, I marveled at how a boy could have such a beaten up heart and still have his wonder so untarnished.
A proud transmasculine quote that is poster-worthy. (pg 212)
Gatsby and I may have been nothing to men like Tom Buchanan, but men like that did not know we were as divine as the heavens. We were boys who had created ourselves. We had formed our own bodies, our own lives, from the ribs of the girls we were once assumed to be.
True to the original Great Gatsby, all this opulence can have it's pitfalls. (pg 245)
From far away, it looks like something you want. But if you get too close, it’s poison.
All these parties, and the constant flirting by anyone can become a permanent part of someone's personality. (pg 255)
I worry that chasing after me or some other girl like me is something he’s done for so long. He doesn’t know how to do anything else.
Nick is not just a boy, but a gay boy that has grown quickly through this story. (pg 257)
I hadn’t even known for sure that boys like me – like us – were allowed to claim the word gay.
Applicable to the real Great Gatsby story too. (pg 261)
First you start lying.
Then, you become a liar.
Then, you become a lie.
This is the best lesbian quote/poster-worthy writing that quietly weaved its way to become the level of importance as the transmasculine main theme. (pg 261)
I thought maybe I could love a man if he was sweet and sensitive enough. But I’ve met the sweetest, most wonderful man, and I can’t even manage to fall in love with him. It’s the queerest thing. He’s everything I ever would have said I wanted, anything any girl would want. If a fairy godmother had asked me to make a list of all I’d like in a young man, he’s what she cook up. But I love him only as a friend, or as a sister loves her brother. It’s as though I had all the ingredients set out to make Eaton mess, or Mrs. Sanderson‘s tomato soup cake, but I couldn’t follow the recipe. The ingredients wouldn’t come together.
4.5*, and a desire by me to read more of these 'remix' novels.
***** Spoiler Alert *****
***** Do NOT Read - Under Penalty of Knowing Too Much *****
(I just personally want to remember this section, so I included it in my review below)
Nick has a math/science background, so I personally loved this beautiful climax. (pg 266)
He kissed me, and I felt the contours of that reclaimed word in my mouth. He kissed me, and I saw the tinsel flashing in his hair at that first party. He kissed me, and those silver threads bloomed into heat and fire.
I came to New York, as a handful of Wisconsin earth, but it was that precise earth, this precise body and heart, that Jay Gatsby wanted. Falling stars may have been spectacularly, miss named, but in this moment, I understood the impulse. The earth I was made of blazed like cosmic, dust, lighting up brighter the faster I fell.
Yes, there was inevitable space between all atoms. When my palm lay flush against his, when his lips pressed the perfect imprint of his mouth against my jawline, I knew there were still invisible distance between the charged particles of his body and mine. But I couldn’t feel that distance. We were electrons flying across each other‘s orbits, throwing off quanta of light and energy.
Learning this boy, touching him – it was as fractal as measuring a coastline . Within every corner and curve, there were countless more. Every feature of him, I learned, I wanted to learn in greater depth and detail, every bay and channel and shoal.
I could never learn all of him. It was as impossible as finding the true length of the shore along the sound. But I wanted to get as close as I could.
September 4, 2022
I received an ARC from Edelweiss
TW: colorism, historical racism & transphobia, historical sexism, mentions of PTSD
4.5
Nick has come to stay with his cousin Daisy in West Egg, a glamorous place he's free to be himself without any who knew him in the past- only to discover that Daisy is not herself at all. Brought in by a White-passing Daisy to play the role of not cousin, but former maid's son, Nick has found himself a pawn in a place that's prepared to hate him, even without his secret revealed. It's only with the elusive and apparently love lorned Jay Gatsby, revealed to be just the sort of boy Nick himself is, that he feels safe and comfortable. Maybe that's why he pledges himself to the plot of winning Daisy away from her awful Tom, even if Nick wishes himself in Gatsby's arms instead.
I found myself screaming many times throughout this book, because it felt so true. McLemore has a glorious way of writing that I always forget just how deeply I love and how easily I can sink into, but I couldn't have guessed just how accurate they could emulate the story and the writing of a classic. These characters feel so organic, like they were scooped gently off the page of the original book and told to live freely, shape themselves how they see themselves instead of the rigid way of the age. This book is so queer, and so classic, and I wanted to badly to quote it all throughout reading it because it was beautiful and it was real and it was Gatsby.
My main criticism I find myself with when I read works retelling or adapting older stories, is that the author doesn't seem to have really done any analysis. Of course you can write whatever you want and for whatever reason, but I think the best reason to delve into an established work and refit it as your own, is to say something, and a lack of true analysis makes things hollow. I feel so strongly that McLemore knew their take away and exactly what they wanted to say and wanted us to feel reading this book, and it made it even more solid than it would have been with excellent writing aside. That's truly the biggest compliment I can give.
For the reason previously stated, while I was willing to be charmed by the romance between Nick and Gatsby, a romance many if not all queer American high schoolers have already hesitantly or victoriously put their finger on during their own initial read, I was also uncertain how well the romance would actually work- I didn't want characters or arcs based off of the assumptions of having already read the source material. And I had nothing to worry about, because Nick and Gatsby are such a tender, fragile, well written pair here it almost hurt. Nick of the original story always felt a bit more narrator than character to me, but he breathes life and casts a shadow over the page itself here, you are so vividly with him and feeling his heart.
The only thing keeping this from being a complete win for me is personal preference.
I like my stories messier, and I especially think Gatsby, as a generally messy and bittersweet story itself, deserves frayed ends and crossed wires. So the neatness of this book, particularly the ending, just struck me as a bit false.
And while I adored Nick's affections towards Gatsby and their dynamic together, I would have loved to see them as a romantic pair for more than the handful of pages we're given. I felt a bit unsatisfied that I couldn't see how things actually played out with them.
This is an incredibly written queer, Latine story in itself, but also an alarming accurate, carefully done, engaging reimagining of The Great Gatsby.
TW: colorism, historical racism & transphobia, historical sexism, mentions of PTSD
4.5
Nick has come to stay with his cousin Daisy in West Egg, a glamorous place he's free to be himself without any who knew him in the past- only to discover that Daisy is not herself at all. Brought in by a White-passing Daisy to play the role of not cousin, but former maid's son, Nick has found himself a pawn in a place that's prepared to hate him, even without his secret revealed. It's only with the elusive and apparently love lorned Jay Gatsby, revealed to be just the sort of boy Nick himself is, that he feels safe and comfortable. Maybe that's why he pledges himself to the plot of winning Daisy away from her awful Tom, even if Nick wishes himself in Gatsby's arms instead.
I found myself screaming many times throughout this book, because it felt so true. McLemore has a glorious way of writing that I always forget just how deeply I love and how easily I can sink into, but I couldn't have guessed just how accurate they could emulate the story and the writing of a classic. These characters feel so organic, like they were scooped gently off the page of the original book and told to live freely, shape themselves how they see themselves instead of the rigid way of the age. This book is so queer, and so classic, and I wanted to badly to quote it all throughout reading it because it was beautiful and it was real and it was Gatsby.
My main criticism I find myself with when I read works retelling or adapting older stories, is that the author doesn't seem to have really done any analysis. Of course you can write whatever you want and for whatever reason, but I think the best reason to delve into an established work and refit it as your own, is to say something, and a lack of true analysis makes things hollow. I feel so strongly that McLemore knew their take away and exactly what they wanted to say and wanted us to feel reading this book, and it made it even more solid than it would have been with excellent writing aside. That's truly the biggest compliment I can give.
For the reason previously stated, while I was willing to be charmed by the romance between Nick and Gatsby, a romance many if not all queer American high schoolers have already hesitantly or victoriously put their finger on during their own initial read, I was also uncertain how well the romance would actually work- I didn't want characters or arcs based off of the assumptions of having already read the source material. And I had nothing to worry about, because Nick and Gatsby are such a tender, fragile, well written pair here it almost hurt. Nick of the original story always felt a bit more narrator than character to me, but he breathes life and casts a shadow over the page itself here, you are so vividly with him and feeling his heart.
The only thing keeping this from being a complete win for me is personal preference.
I like my stories messier, and I especially think Gatsby, as a generally messy and bittersweet story itself, deserves frayed ends and crossed wires. So the neatness of this book, particularly the ending, just struck me as a bit false.
And while I adored Nick's affections towards Gatsby and their dynamic together, I would have loved to see them as a romantic pair for more than the handful of pages we're given. I felt a bit unsatisfied that I couldn't see how things actually played out with them.
This is an incredibly written queer, Latine story in itself, but also an alarming accurate, carefully done, engaging reimagining of The Great Gatsby.
October 11, 2022
It took me a while to get invested but once I did I finished it super quickly! The relationship was so sweet and tender and I was rooting for them the whole way. Their relationship was described in such a beautiful way I couldn't not love them. Even the use of visual imagery was gorgeous. The Trans and queer rep felt so natural and made me feel so at ease.
The cast was a huge highlight. This mostly queer group was super fun and I liked how each character was well rounded. Nick was a great main character and made it enjoyable to follow his journey. Jay was also very likable. Daisy wasn't as likeable but still added much to the plot. She was a very complex character and I had mixed feeling throughout reading. Jordan was the best! Her friendship with Nick was the cutest.
I'm not often a fan of historical fiction but this was done so well. This story made the setting easy to grasp and made the representation feel authentic to this Era. I definitely want to see more of these types of queer retellings. This is my first book in the Remixing Classics series so I'll definitely have to check out some others.
Overall, I would definitely recommend for anyone who wants a fresh queer take on the Great Gatsby.
The cast was a huge highlight. This mostly queer group was super fun and I liked how each character was well rounded. Nick was a great main character and made it enjoyable to follow his journey. Jay was also very likable. Daisy wasn't as likeable but still added much to the plot. She was a very complex character and I had mixed feeling throughout reading. Jordan was the best! Her friendship with Nick was the cutest.
I'm not often a fan of historical fiction but this was done so well. This story made the setting easy to grasp and made the representation feel authentic to this Era. I definitely want to see more of these types of queer retellings. This is my first book in the Remixing Classics series so I'll definitely have to check out some others.
Overall, I would definitely recommend for anyone who wants a fresh queer take on the Great Gatsby.
August 5, 2022
Not only is Self-Made Boys the first Anna-Marie McLemore book I've read, it's tied as my favorite retelling of The Great Gatsby. It's unapologetically trans, wonderfully Latinx, and as gorgeously written as its cover is illustrated. Throughout the book, McLemore's characters wrestle with the perceptions of their race, sexuality, and status in New York high society, shining a light on the diverse and marginalized people who went unmentioned in Fitzgerald's classic story. Self-Made Boys shows that queer people and people of color are just as worthy of success and love as their straight, white counterparts and, between this and Nghi Vo's The Chosen and the Beautiful, it couldn't be a better time for queer Great Gatsby retellings. Self-Made Boys will rank up there with the best of them, with an author’s note from McLemore that is one of the most beautiful and affirming I’ve ever read.
Please read this book, and if you're into audio, Avi Roque and Kyla Garcia do an excellent job narrating McLemore's mesmerizing prose.
Thank to NetGalley and Macmillan for providing an ARC in exchange for an honest review.
Please read this book, and if you're into audio, Avi Roque and Kyla Garcia do an excellent job narrating McLemore's mesmerizing prose.
Thank to NetGalley and Macmillan for providing an ARC in exchange for an honest review.
Read
November 28, 2022Somehow missed marking this one when I first read it, but I absolutely loved it. A-M doing what they do best, all the way down.
October 3, 2022
Thank you to Pride Book Tours and Fierce Reads for my copy in exchange for an honest review and promotion. All opinions are my own.
This was amazing. If you haven’t heard of the Remixed Classics series, listen up! This series takes classics and updates them with diverse characters and authors. You’ll see elements from the stories you love as well as new twists.
The remixed classics feature: A Clash of Steel by C.B. Lee, So Many Beginnings by Bethany C. Morrow, Travelers Along the Way by Amina Mae Safi, What Souls Are Made of by Tasha Suri, Self-Made Boys by Anna-Marie McLemore, My Dear Henry by Kalynn Bayron (Out March 2023), and Teach the Torches to Burn by Caleb Roehrig (Out August 2023). I’ve read 4/5 of the remixes that are out and Self-Made Boys and So Many Beginnings are currently tied for my favorite of the series. I’ve enjoyed every installment but these two made me feel feelings 🥺🥺
In this remix, Nick is a Mexican-American trans boy who is trying to repay his family for everything they’ve done for him. When he gets the chance to come to New York and see his beloved cousin, he jumps at it. But Daisy has changed since she’s been gone, all ties to her Latina heritage have been pushed down so Daisy can pass as white. Then Nick meets Gatsby, a rich boy who throws lavish parties and hides from them. Nick can’t help but be swept away by the lives Daisy and Gatsby live.
If I could I would review this book with a string of crying emojis because that’s exactly how I feel after reading this. The Great Gatsby was one of the books I actually enjoyed reading in high school because the characters were so fascinating (minus Tom he’s just an asshole in both books). And this remix takes the characters to a new level. I loved the discussions of identity and seeing how queer culture was still alive and well. I hated the ending of the original, but the ending of this one was PERFECTION. I kind of want a sequel/companion to see what Daisy gets up to next. All in all, I cannot recommend this one enough!!
Rep: Mexican-American gay-questioning trans male MC, biracial Mexican-American lesbian cis female side character, white gay trans male side character, Jewish lesbian cis female side character, biracial Latina sapphic cis female side character, various BIPOC and queer side characters.
CWs: Racism, xenophobia, colorism, transphobia/transmisia, queerphobia/queermisia, sexism and references to soldiers' experiences during and after WWI.
This was amazing. If you haven’t heard of the Remixed Classics series, listen up! This series takes classics and updates them with diverse characters and authors. You’ll see elements from the stories you love as well as new twists.
The remixed classics feature: A Clash of Steel by C.B. Lee, So Many Beginnings by Bethany C. Morrow, Travelers Along the Way by Amina Mae Safi, What Souls Are Made of by Tasha Suri, Self-Made Boys by Anna-Marie McLemore, My Dear Henry by Kalynn Bayron (Out March 2023), and Teach the Torches to Burn by Caleb Roehrig (Out August 2023). I’ve read 4/5 of the remixes that are out and Self-Made Boys and So Many Beginnings are currently tied for my favorite of the series. I’ve enjoyed every installment but these two made me feel feelings 🥺🥺
In this remix, Nick is a Mexican-American trans boy who is trying to repay his family for everything they’ve done for him. When he gets the chance to come to New York and see his beloved cousin, he jumps at it. But Daisy has changed since she’s been gone, all ties to her Latina heritage have been pushed down so Daisy can pass as white. Then Nick meets Gatsby, a rich boy who throws lavish parties and hides from them. Nick can’t help but be swept away by the lives Daisy and Gatsby live.
If I could I would review this book with a string of crying emojis because that’s exactly how I feel after reading this. The Great Gatsby was one of the books I actually enjoyed reading in high school because the characters were so fascinating (minus Tom he’s just an asshole in both books). And this remix takes the characters to a new level. I loved the discussions of identity and seeing how queer culture was still alive and well. I hated the ending of the original, but the ending of this one was PERFECTION. I kind of want a sequel/companion to see what Daisy gets up to next. All in all, I cannot recommend this one enough!!
Rep: Mexican-American gay-questioning trans male MC, biracial Mexican-American lesbian cis female side character, white gay trans male side character, Jewish lesbian cis female side character, biracial Latina sapphic cis female side character, various BIPOC and queer side characters.
CWs: Racism, xenophobia, colorism, transphobia/transmisia, queerphobia/queermisia, sexism and references to soldiers' experiences during and after WWI.
March 8, 2023
3.5 stars, just read this in one sitting and enjoyed it so much!!! I love TGG so any retelling is worth my time, but especially this one. I will say that the one thing that continued to take me out of the story is how close the stories of the characters are to the original text, while here the characters are (late, but still) teenagers. it wasn’t believable in the slightest, and I would have loved an aged up story with all the things this book tackled, but still really liked it nonetheless!
November 12, 2024
This shit was 10/10 absolutely smashed it mami
October 7, 2022
8/2/22: I genuinely don’t have enough words to explain my feelings and my love for this book but it’s a top 5 of the year for sure bc wow.
10/6/22: t4t books are really doing the most this year but this one just edges out the competition.
Anne-Marie McLemore is an expert in weaving stories full of double meanings and affection and love. Every work of theirs I’ve read has a certain glimmer that just makes each book so special. Out of every book of theirs I’ve read, however, this one is by far my favorite. There was a certainty to each and every moment shared between Nicólas and Gatsby, almost a finality as if you didn’t know which moment shared would be the last. The connection between them was instantaneous and the way it was written made me feel as though I was right there, watching Gatsby help Nicólas inside.
The words A-MM uses to describe queerness throughout the book is just so special to me. The word “lacers” instead of “binder” and how the word “gay” is used both for happiness, but also, as it turns out, for queerness. Those are the two things that made me happiest and stuck with me the most, but there are countless others. Anne-Marie McLemore wove history with queer history and created this beautiful book that will forever stick with me.
Each moment I read between these two made me more and more eager to see more of them, together. And each time I thought it was going to happen, but it didn’t, made me more anxious because, again, there was this dreadful feeling that something was about to happen. And that is another thing that A-MM is extremely good at. They interlace drama and mystery and love all throughout their books. It feels like the climax could be at any moment. Beyond that, however, this is, hands down, the BEST Great Gatsby retelling I have ever read.
This year alone, I’ve read three but this tops the charts on all of them. Jay was just the sweetest person, I knew he was someone I could be comfortable with from the get-go. Nicólas sort of reminded me of who I am (Idk if it’s the fact that we’re both trans and brown?) and I instantly felt connected to him because of it. Daisy gave me weird vibes at the beginning, I will admit. As we got to know her, however, things changed. (ALSO when Daisy did the THING, I was OVERJOYED because THAT is the fantastic ending we needed!)
Back to Joe and Gatsby, the love that slowly builds between Nick and Gatsby is just so precious to me. They get to know each other slowly and fall together so perfectly. THIS is how the original story should’ve been written. THIS is what Jay and Gatsby deserved and I’ll forever be grateful to A-MM for writing it.
10/6/22: t4t books are really doing the most this year but this one just edges out the competition.
Anne-Marie McLemore is an expert in weaving stories full of double meanings and affection and love. Every work of theirs I’ve read has a certain glimmer that just makes each book so special. Out of every book of theirs I’ve read, however, this one is by far my favorite. There was a certainty to each and every moment shared between Nicólas and Gatsby, almost a finality as if you didn’t know which moment shared would be the last. The connection between them was instantaneous and the way it was written made me feel as though I was right there, watching Gatsby help Nicólas inside.
The words A-MM uses to describe queerness throughout the book is just so special to me. The word “lacers” instead of “binder” and how the word “gay” is used both for happiness, but also, as it turns out, for queerness. Those are the two things that made me happiest and stuck with me the most, but there are countless others. Anne-Marie McLemore wove history with queer history and created this beautiful book that will forever stick with me.
Each moment I read between these two made me more and more eager to see more of them, together. And each time I thought it was going to happen, but it didn’t, made me more anxious because, again, there was this dreadful feeling that something was about to happen. And that is another thing that A-MM is extremely good at. They interlace drama and mystery and love all throughout their books. It feels like the climax could be at any moment. Beyond that, however, this is, hands down, the BEST Great Gatsby retelling I have ever read.
This year alone, I’ve read three but this tops the charts on all of them. Jay was just the sweetest person, I knew he was someone I could be comfortable with from the get-go. Nicólas sort of reminded me of who I am (Idk if it’s the fact that we’re both trans and brown?) and I instantly felt connected to him because of it. Daisy gave me weird vibes at the beginning, I will admit. As we got to know her, however, things changed. (ALSO when Daisy did the THING, I was OVERJOYED because THAT is the fantastic ending we needed!)
Back to Joe and Gatsby, the love that slowly builds between Nick and Gatsby is just so precious to me. They get to know each other slowly and fall together so perfectly. THIS is how the original story should’ve been written. THIS is what Jay and Gatsby deserved and I’ll forever be grateful to A-MM for writing it.
October 31, 2022
DNF @ 47%
I thought I’d love this book. And I actually was loving it at first! It was the 1st book in aaaages that I read 15% of both fast and without wanting to DNF! But then I ended up completely losing interest and never picking it up again. ☹️ So here are my thoughts about the 1st half of the book:
✘ The writing was kinda meh. There were some weird descriptions like “If an Irish castle had an affair with a cathedral, that might be the house that came of it.”. 🤨 Also, the author compared colours to food A LOT… “lemon-meringue light; lemon-hued early light; melon pink; drinking something the same color as the sky”…. girl how hungry were you when you wrote this?? 😭
✘ The racism was soooooo unsubtle. I would’ve liked to see something more nuanced, instead of having every other interaction in the book have some over-the-top racism. It felt forced and borderline ridiculous.
✘ Gatsby’s reputation wasn’t properly built up. I was supposed to believe he was this incredibly popular man, but the author did a terrible job portraying his status.
✘ The relationships between characters (other than Nick and Daisy) weren’t properly built up. At some point, this Jordan character (who’d barely been in the book) suddenly spills her whole backstory to Nick (who she barely knows)… Why???
✘ Nick and Gatsby’s relationship was also not properly established. They became super close really quickly, and off-page. There was no development of their friendship, let alone their romance. Also, it lowkey felt like insta-love on Nick’s side… 😒😑🥱 And their random ass kiss was so…???????????????? Like, it came out of nowhere, and I didn’t care about them at all, bc of the ZERO development we got at that point, so it was just weird.
✘ Why did the mystery of the necklace only start to be solved 37% into the book?
✘ I was actually excited about Nick’s passion for maths (it’s not a common hobby/passion for fictional characters!), but he ended up rarely even being at work, so….. 😕
✘ Everything after the first 15% was a STRUGGLE to get through! I literally had to force myself to read more than 2 pages…
(review written on 31/10/2022)
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21/07/2022
this cover!! 👀
I thought I’d love this book. And I actually was loving it at first! It was the 1st book in aaaages that I read 15% of both fast and without wanting to DNF! But then I ended up completely losing interest and never picking it up again. ☹️ So here are my thoughts about the 1st half of the book:
✘ The writing was kinda meh. There were some weird descriptions like “If an Irish castle had an affair with a cathedral, that might be the house that came of it.”. 🤨 Also, the author compared colours to food A LOT… “lemon-meringue light; lemon-hued early light; melon pink; drinking something the same color as the sky”…. girl how hungry were you when you wrote this?? 😭
✘ The racism was soooooo unsubtle. I would’ve liked to see something more nuanced, instead of having every other interaction in the book have some over-the-top racism. It felt forced and borderline ridiculous.
✘ Gatsby’s reputation wasn’t properly built up. I was supposed to believe he was this incredibly popular man, but the author did a terrible job portraying his status.
✘ The relationships between characters (other than Nick and Daisy) weren’t properly built up. At some point, this Jordan character (who’d barely been in the book) suddenly spills her whole backstory to Nick (who she barely knows)… Why???
✘ Nick and Gatsby’s relationship was also not properly established. They became super close really quickly, and off-page. There was no development of their friendship, let alone their romance. Also, it lowkey felt like insta-love on Nick’s side… 😒😑🥱 And their random ass kiss was so…???????????????? Like, it came out of nowhere, and I didn’t care about them at all, bc of the ZERO development we got at that point, so it was just weird.
✘ Why did the mystery of the necklace only start to be solved 37% into the book?
✘ I was actually excited about Nick’s passion for maths (it’s not a common hobby/passion for fictional characters!), but he ended up rarely even being at work, so….. 😕
✘ Everything after the first 15% was a STRUGGLE to get through! I literally had to force myself to read more than 2 pages…
(review written on 31/10/2022)
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21/07/2022
this cover!! 👀
September 8, 2022
As someone who read the Great Gatsby in tenth grade, loved it, and refused to think anything other than the fact that Nick and Gatsby were definitely in love, this book is all I've ever wanted in the form of a hardcover book.
If you've by any chance come in meter proximity of me, you will have known that I have been waiting for this book to come out since March, and had refused to shut up about it for the next six months after my initial discovery of the book (see my spiral into madness after the review).
September came, I ordered it, I got it, and after my hour-long panic of being too afraid to read it in case I didn't like something that I had anticipated for half a year, I finally read it.
And I mean, I don't know what to say other than it's pretty fucking good.
The book has all the familiarity of the Great Gatsby, yet still maintained its own sense of style and purpose. The introduction of plotlines originally not present in the book (such as the mystery of the pearl necklace) blends wonderfully into the original story, and the creative spin put on both the story and certain characters were fantastic to read.
And even though I came for the relationship between Jay and Nick, I slowly found myself getting more and more engrossed with the relationship between Daisy and Nick. Especially with the character of Daisy.
The Daisy Fay who accepted her cousin in a time that no one else would. The Daisy Fay who knew she had to abandon her heritage and her natural skin in order to thrive in a world dominated by the white upper class. The Daisy Fay whose real name was Daisy Fabrega.
And Nick is still the same protagonist we had in the original classic- he's honest, tolerant, and inclined to reserve judgment- but now he is accompanied by a certain level of depth. He's a person of colour. A brown boy.
Although I am not part of the Latinx community, I am still a person of colour, and that helped me understand him as a character so much more thoroughly.
I understood his reaction toward Daisy when she appeared white. I understood his anger and the continuous pushing back of it for the comfort of people who saw him at a party and automatically thought of him as a waiter. I understood what he felt when met with Tom's "You're one of the good ones".
Gone was the man who's tolerant as this was the way he was raised up to be. This Nick is tolerant because he has to be.
Story and characterisation aside- McLemore's writing was great. The writing style was fairly simplistic, yet kept me engaged for hours to the point where I genuinely did not notice the passage of time. The intertwining of letters between chapters brought not only excess context to the story, but also characterisation for the characters. A glimpse into private words that they thought no one else would lay their eyes upon.
HOWEVER, I do have to say that the book was slightly lacklustre.
I know it seems kind of dumb to put this right under a whole five hundred words of me praising the book, but despite it being a great story, it was kindofsortofmaybejustalittlebitunderwhelming.
As I've stated before, I read this for the relationship between Nick and Jay, and while I did get more attached to Daisy and Nick instead, I wish we got more than just a handful of the two as a romantic pairing- especially as they are literally smack dab in the middle of the front cover.
Don't get me wrong, it was still a lovely retelling with its own changes and twists, but I just wish there was more. Everything seemed a little surface level, and it kind of just felt like there was a hole in the book.
But it was still great, and to be honest if I really wanted a relationship-centric story about Nick and Jay I probably should've just gone on ao3.
In conclusion- Wonderful retelling that added its own plotlines and characterisations successfully to a classic. Read this if you read the Great Gatsby in tenth grade and thought Nick and Gatsby were gay as fuck.
-
"We were boys who had created ourselves.
We had formed our own bodies, our own lives, from the ribs of the girls were were once assumed to be."
-
below is my aforementioned spiral into madness in the six month period before the release of this book :)
-
QUEER RETELLING OF THE GREAT GATSBY??? WITH TRANS GATSBY AND NICK????? AND LATINA DAISY????? oh my actual god shove this book into my brain immedaitely pls
May 18th update - it's been two months since I commented my text scramble, and every day that passes without me reading this book pains me to my very core... SEPTEMBER PLEASE COME QUICKER I AM BEGGING YOU
June 13th update - HOLY SHIT THE COVER IS SO BEAUTIFUL AAAAAAAAA I CANT WAIT
July 12th update - watch me invent a time machine for the sole purpose of travelling to september to read this book
August 14th update - ONE MORE MONTH!!! TWENTY TWO MORE DAYS!!!
August 31st update - SIX MORE DAYS!!!!
September 4th update - TWO MORE DAYS!!!!! I have this book pre-ordered on Amazon with publishing day delivery. IF ANYONE IS GONNA GET THEIR HANDS ON THIS BOOK ITS ME
SEPTEMBER 6th update - MY BOOK IS FINALLY HERE AFTER SIX MONTHS OF WAITING
If you've by any chance come in meter proximity of me, you will have known that I have been waiting for this book to come out since March, and had refused to shut up about it for the next six months after my initial discovery of the book (see my spiral into madness after the review).
September came, I ordered it, I got it, and after my hour-long panic of being too afraid to read it in case I didn't like something that I had anticipated for half a year, I finally read it.
And I mean, I don't know what to say other than it's pretty fucking good.
The book has all the familiarity of the Great Gatsby, yet still maintained its own sense of style and purpose. The introduction of plotlines originally not present in the book (such as the mystery of the pearl necklace) blends wonderfully into the original story, and the creative spin put on both the story and certain characters were fantastic to read.
And even though I came for the relationship between Jay and Nick, I slowly found myself getting more and more engrossed with the relationship between Daisy and Nick. Especially with the character of Daisy.
The Daisy Fay who accepted her cousin in a time that no one else would. The Daisy Fay who knew she had to abandon her heritage and her natural skin in order to thrive in a world dominated by the white upper class. The Daisy Fay whose real name was Daisy Fabrega.
And Nick is still the same protagonist we had in the original classic- he's honest, tolerant, and inclined to reserve judgment- but now he is accompanied by a certain level of depth. He's a person of colour. A brown boy.
Although I am not part of the Latinx community, I am still a person of colour, and that helped me understand him as a character so much more thoroughly.
I understood his reaction toward Daisy when she appeared white. I understood his anger and the continuous pushing back of it for the comfort of people who saw him at a party and automatically thought of him as a waiter. I understood what he felt when met with Tom's "You're one of the good ones".
Gone was the man who's tolerant as this was the way he was raised up to be. This Nick is tolerant because he has to be.
Story and characterisation aside- McLemore's writing was great. The writing style was fairly simplistic, yet kept me engaged for hours to the point where I genuinely did not notice the passage of time. The intertwining of letters between chapters brought not only excess context to the story, but also characterisation for the characters. A glimpse into private words that they thought no one else would lay their eyes upon.
HOWEVER, I do have to say that the book was slightly lacklustre.
I know it seems kind of dumb to put this right under a whole five hundred words of me praising the book, but despite it being a great story, it was kindofsortofmaybejustalittlebitunderwhelming.
As I've stated before, I read this for the relationship between Nick and Jay, and while I did get more attached to Daisy and Nick instead, I wish we got more than just a handful of the two as a romantic pairing- especially as they are literally smack dab in the middle of the front cover.
Don't get me wrong, it was still a lovely retelling with its own changes and twists, but I just wish there was more. Everything seemed a little surface level, and it kind of just felt like there was a hole in the book.
But it was still great, and to be honest if I really wanted a relationship-centric story about Nick and Jay I probably should've just gone on ao3.
In conclusion- Wonderful retelling that added its own plotlines and characterisations successfully to a classic. Read this if you read the Great Gatsby in tenth grade and thought Nick and Gatsby were gay as fuck.
-
"We were boys who had created ourselves.
We had formed our own bodies, our own lives, from the ribs of the girls were were once assumed to be."
-
below is my aforementioned spiral into madness in the six month period before the release of this book :)
-
QUEER RETELLING OF THE GREAT GATSBY??? WITH TRANS GATSBY AND NICK????? AND LATINA DAISY????? oh my actual god shove this book into my brain immedaitely pls
May 18th update - it's been two months since I commented my text scramble, and every day that passes without me reading this book pains me to my very core... SEPTEMBER PLEASE COME QUICKER I AM BEGGING YOU
June 13th update - HOLY SHIT THE COVER IS SO BEAUTIFUL AAAAAAAAA I CANT WAIT
July 12th update - watch me invent a time machine for the sole purpose of travelling to september to read this book
August 14th update - ONE MORE MONTH!!! TWENTY TWO MORE DAYS!!!
August 31st update - SIX MORE DAYS!!!!
September 4th update - TWO MORE DAYS!!!!! I have this book pre-ordered on Amazon with publishing day delivery. IF ANYONE IS GONNA GET THEIR HANDS ON THIS BOOK ITS ME
SEPTEMBER 6th update - MY BOOK IS FINALLY HERE AFTER SIX MONTHS OF WAITING
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