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Old God's Time

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From the two-time Booker Prize finalist author, a dazzlingly written novel exploring love, memory, grief, and long-buried secrets

Recently retired policeman Tom Kettle is settling into the quiet of his new home, a lean-to annexed to a Victorian castle overlooking the Irish Sea. For months he has barely seen a soul, catching only glimpses of his eccentric landlord and a nervous young mother who has moved in next door. Occasionally, fond memories return, of his family, his beloved wife June and their two children, Winnie and Joe.

But when two former colleagues turn up at his door with questions about a decades-old case, one which Tom never quite came to terms with, he finds himself pulled into the darkest currents of his past.

A beautiful, haunting novel, in which nothing is quite as it seems, Old God's Time is about what we live through, what we live with, and what may survive of us.

261 pages, Hardcover

First published March 1, 2023

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About the author

Sebastian Barry

51 books1,843 followers
Sebastian Barry is an Irish playwright, novelist and poet. He is noted for his dense literary writing style and is considered one of Ireland's finest writers

Barry's literary career began in poetry before he began writing plays and novels. In recent years his fiction writing has surpassed his work in the theatre in terms of success, having once been considered a playwright who wrote occasional novels.

He has twice been shortlisted for the Man Booker Prize for his novels A Long Long Way (2005) and The Secret Scripture (2008), the latter of which won the 2008 Costa Book of the Year and the James Tait Black Memorial Prize. His 2011 novel On Canaan's Side was long-listed for the Booker. He won the Costa Book of the Year again - in 2017 for Days Without End.

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Displaying 1 - 30 of 1,878 reviews
Profile Image for Rick Riordan.
Author 209 books426k followers
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October 31, 2023
I picked up this book thinking it was a murder mystery, which it is in a way, but it turned all my assumptions upside-down after the first chapter. Tom Kettle is a retired detective, living on his own in a cottage on the Irish coast. Two younger detectives from Dublin come to visit him one night, ostensibly to get his help on a cold case that has been reopened, but the narrative quickly unspools into a series of memories and experiences from Tom Kettle's past, until it begins to dawn on the reader that Tom Kettle is losing his grip on his own mind, and is no longer sure what is present and what is past. Who is alive? Who is dead? What happened to Tom's family, and what secrets are in danger of being unearthed with this cold case from Tom's past?

Are we in Tom's present-day life, or are we reliving things that happened to him decades before, or things he has simply imagined? The writing is beautiful. This is one of the finest examples I've ever read of an unreliable narrator, a story told from the point of view of a man slipping into dementia. It is deeply unsettling, as it is no doubt meant to be. The story is also deeply Irish, grounded in the culture of the place and the daily lives of characters from the 1960s into the present. I would recommend this book for its poignant and lovely character studies, its realism, its meta-cognitive narration that captures a man's entire life in memories as they slip away from him. It is not a traditional sort of mystery novel, but it is a powerful portrait of the ghosts of the past and how they can haunt us right to the grave.
Profile Image for Adina .
1,034 reviews4,252 followers
March 26, 2024
Update 26.03.2024 Now also shortlisted for the Dublin Literary Award 2024

Longlisted for the Booker prize 2023

Book 6/13

Could this novel have been any more depressing? Or more sinuous? To me the answer is no. There is some beautiful prose out there, perfect for book prizes, but, lord, I had to wait to be rewarded with a bit of plot.

Based on the synopsis, the reader might think it is a murder mystery. It isn’t. Newly retired from police, Tom Kettle moves to reclusive village where he hopes to find peace and quiet. One day, two young policemen knock on his door to ask for help with an old case, something about a dead priest. He refuses, then he feels guilty about it. It immediately becomes „clear” that the real mystery is what goes inside Tom’s head, his trauma, and the circumstances surrounding the death of his wife, son and daughter. The present mingles with the past, everything is vague and episodic, the reader does not know what is real and what is part of Kettle’s imagination. I was very confused and the revelations came so slowly and it was just too tedious. I normally like "stream of consciousness” but it was too depressing to feel the character’s torment.

A well written novel but not a pleasure to read.
Profile Image for Meredith (Trying to catch up!).
853 reviews13.5k followers
December 29, 2022
Haunting

4.5 stars


“Nothing was what it was made out to be. The truth included.”

Tom Kettle, a retired policeman, is startled out of his retirement reverie of a secluded life by the Irish sea when former colleagues approach him about a case involving a murdered priest. Stirring memories long tamped down, Tom must finally face the demons in his life.

Tom shifts from sharing memories of the past as he struggles to grapple with life in the present. The reader learns of his immense love for his wife, June, and their two children. Tragedy fills the pages.

Tom's story slowly unfolds. His narrative is sometimes confusing as he meanders from the past into the present. Tom is the sole narrator, and it is hard being in his head. His memories aren’t reliable, and his present is murky at best. I was constantly questioning what was real and what was fabricated to fit his truth.

Over time, he shares a harrowing story filled with love and much loss. As Tom reveals buried memories, I was pained and horrified. This is not an easy book to read.

There is also a bit of a mystery at play involving a case from Tom's past. However, the true mystery is about Tom's life and the losses he suffered.

Barry’s writing is exquisite. He captures the emotions and depths of a man long-suffering alone. It’s a quiet and depressing story filled with loss, trauma, and sorrow, but there is also beauty and unwavering love.

I received an ARC of this book from NetGalley and Penguin Group Viking in exchange for an honest review.

TW: sexual abuse, suicide
Profile Image for Paromjit.
2,913 reviews25.4k followers
January 3, 2023
'The best things in Ireland were the work of unknown hands. And sometimes the worst crimes.'

Sebastian Barry's latest novel is haunting and harrowing, the sins and horrors of child abuse committed by Irish Catholic priests, and the repercussions experienced by the victims throughout their lives. 66 year old widower Tom Kelly is a retired police officer, now living at Queenstown castle, the niche tiny lean to flat, enjoying the apparent idyll of the sea, the garden, for 9 months. He has lived a solitary life, with only visits from his daughter, Winnie, a chill wind is set to blow a great reckoning into his life when his former boss, Chief Jack Fleming, sends 2 police officers, Wilson and O'Casey, to his home, requesting his help on a case involving the church, with documents that Tom has no intention of reading. The 3 of them in Dalkey eat Welsh rarebit, there is a storm with his visitor staying overnight.

Exquisitely written, this is a wretchedly heartbreaking story that illustrates the powers of the Catholic Church in Ireland, the terrors and trauma inflicted on countless numbers of children, boys and girls, a time when justice was little more than a pipe dream, could this begin to change? Tom, and his beloved wife, June, are both examples of those who suffered, finding understanding, solace and a measure of happiness in each other, having 2 children, Winnie and Joe, a remarkable feat, given their pasts. Yet we are left to reflect on just how much we can rely on Tom's unreliable memories, a man with his shattering personal history, dementia, his family, the love, losses, the ghosts, with ambiguities littered throughout.

Tom finds himself missing the company of the police officers, leading him to get involved with the case, and has him getting to know his neighbours, the cellist, Ronnie McGillicuddy and fearful actor, Mrs McNulty, with her son, confiding the dangers she faces to Tom. Tom has little inkling of just how brave, resilient and courageous he is, he is mired in feelings of shame and cowardice, common amongst victims, and, even where a supposed form of 'justice' might have taken place, we see it brings little in the way of redress or peace to those with hearts irretrievably missing since childhood. I know that there were a huge number of children abused by priests in Ireland, a shameful history that Barry brings to life, illuminating the lifelong and generational damage endured through the life and family of Tom Kelly. Incredible storytelling that I highly recommend. Many thanks to the publisher for an ARC.
Profile Image for Ceecee.
2,292 reviews1,907 followers
October 18, 2022
I don’t suppose I’m alone in thinking the Irish have a way with words, that many are gifted storytellers and Sebastian Barry is firmly in that category.

This is retired detective Tom Kettle’s story. He lives in an annex attached to a castle in Dalkey that has uninterrupted views of the sea. One evening his hermit like solitude is interrupted by two young detectives, Wilson and O’Casey who ask for Tom‘s expertise in an unsolved cold case. Their visit and the report they ask him to look at deeply unsettle Tom’s much sought for peace and tranquillity. This is further shattered when a young woman and her son move in next door who seeks his guidance and help. The novel is Tom‘s musings in which we learned a great deal about him, his wife June and their two children Winny and Joe.

It is often said that a novel takes you on a journey and this one most certainly does and it’s far from an easy one. It covers ground that has been well trod but because it’s from this lovely kind man’s perspective it seems to hit you harder somehow. What we learn still has the capacity to shock you to the core yet it is also sensitively told. As you would expect from a writer of this calibre it is beautifully written. In places the language is poetic, the phrasing has originality and quirks. The novel is entertaining in places, amusing from time to time and then unbearably sad as you witness suffering and despair. It is extremely poignant, very moving with very powerful undercurrents and the end is the real gut punch.

I love the atmosphere the author creates. He gives us Dalkey with the ever moving sea and its changing colour palette, the castle and its Annex, the vagaries of the Irish climate, there’s a ghostly vibe too and an air of elusive mystery that you try to grasp a hold of.

Overall, another memorable and compelling novel.

With thanks to NetGalley and especially to Faber and Faber for the much appreciated arc in return for an honest review.
August 24, 2023
4.5⭐️

*Longlisted for the Booker Prize 2023*

“No one minds life as long as they are not trying to leave it. Nor death, as long as they are not dying.”

Sixty-six-year-old retired police officer Tom Kettle is nine months into his retirement when he is visited by two young officers in his new home in the annex of a Victorian castle in coastal Ireland. The reason for their visit is to request his help for a cold case from his younger days – a case revolving around the unsolved death of a Catholic priest. The priest in question was one of two who were known to have sexually abused children. The case in question is a sensitive one that hit too close to home for Tom. He is a kind man, who was deeply devoted to his family and is aware of the corruption within the justice system and in the Catholic Church, who took no action when presented with proof of the priests’ crimes. The visit triggers a floodgate of memories for Tom who reflects on his life as a police officer, his family, and the history of abuse both he and his late wife had endured as children and the shadow it cast on their adult life and family. In the present day we also follow, Tom’s interactions with his former colleagues and neighbors among whom is a young woman fleeing from her abusive husband, who Tom agrees to help.

Old God’s Time by Sebastian Barry is an exquisitely penned novel that revolves around themes of trauma, loss and the power of love, family and memory. The tone of the novel tends toward sorrowful and melancholic. Deeply depressing with graphic descriptions of sexual abuse of children and the despair of an old man haunted by his memories of abuse and his personal tragedies, this is not an easy book to read. The narrative is presented from Tom’s perspective in an almost stream-of-consciousness narrative with his memories collapsing upon one other to the point that we, along with Tom, pause to question and reflect on the reliability/accuracy of his memory and therefore his recollections. The effect is an immersive, almost claustrophobic dream-like narrative that reels you in from the very first page building up to an ending that will stay with you long after you have finished the book.

“People endured horrors, and then they couldn’t talk about them. The real stories of the world were bedded in silence. The mortar was silence and the walls were sometimes impregnable.”

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Profile Image for Vit Babenco.
1,549 reviews4,301 followers
June 1, 2023
The main character is a retired police detective wishing to rest living by the sea… But his retirement is restless…
All his working life he had dealt with villains. After a few decades of that your faith in human nature is in the ground. It’s a premature burial, pre-dating your own. But he wanted to be a believer again, in something. He wanted to live in his wealth of minutes, the ones he had left anyhow.

The secrets of the past and the present… He is tormented by his memories… He is besieged by misery on all sides… Mysteries of the past surface… Carnal sins of the clergy…
That was the big thing. Father Joseph Byrne and Father Thaddeus Matthews, two jackals in a coop devouring little chickens. Filthy, relentless, feckless men who never paused a moment in their evil. Oh, he had known what was to be found there, in that pristine presbytery. Jackals, snakes, scorpions, monsters.

It is easier to do evil hiding behind God.
Profile Image for Nataliya.
848 reviews14.1k followers
June 14, 2023
It takes a bit of time to recover from this book.

“People endured horrors, and then they couldn’t talk about them. The real stories of the world were bedded in silence. The mortar was silence and the walls were sometimes impregnable.”

It’s grief and loss and deep sorrow, and trauma underlying it all. A life with happiness so sincere that you know it’s fragile and doomed. Crushing loneliness. The bleeding through of the reality and unreality to the point where the distinctions ate arbitrary and pointless. The weight of things you’re forced to keep hidden deep inside and yet it strains you so much you’re always ready to break. The past haunting you, sometimes almost literally. So much trauma, so much pain shattering lives, so much abuse from those in power over those weaker — and yet it never slides into trendy misery porn.

All done in prose so lyrical and at times feverishly hallucinatory that it takes a moment to surface from the page and rejoin the real world. A poetry in prose but with no overwriting or excessive fancy flourishes.

“Enough time goes by and it is as if old things never happened. Things once fresh, immediate, terrible, receding away into old God’s time, like the walkers walking so far along Killiney Strand that, as you watch them, there is a moment when they are only a black speck, and then they’re gone. Maybe old God’s time longs for the time when it was only time, the stuff of the clockface and the wristwatch. But that didn’t mean it could be summoned back, or should be.”


Ireland has quite a history, doesn’t it? I suppose all places have, with the ugliness of human nature running against the beauty of it — “The strange privilege of that. The lovely wildness of it” — and the results are human tragedy.

4.5 stars.

————
Buddy read with Nastya.

“He still felt the old instinct – professional distance. The curious aloofness he had perfected, especially in the vicinity of bloody crimes. When children were killed, or even animals. When young girls were struck down, felled by fists, by shoes. In the old days, when wives were bloodied and beaten, you were not to go further than the front door. Ah yes. You could check if a person was still breathing, but no more. A child of the house could be lathered into a state of utter distress – you had to leave that alone too. You learned these rules off the station sergeant, off the tough detectives. The lowliest of men were kings of women. Girls fleeing from laundries, children fleeing from orphanages, all had to be returned. There was no statute he knew of requiring him to do so. It was a matter beyond the law. It was what everyone wanted. That was a quare form of policing, but he had never done anything but buckle under. Never done anything, but just the once.”

——————

Also posted on my blog.
Profile Image for Gumble's Yard - Golden Reviewer.
1,928 reviews1,522 followers
March 26, 2024
Shortlisted for the 2024 Dublin Literary Prize

#9 in my Booker Prize longlist rankings after reading all the longlist books twice.
My Instagram post on what worked for me, what did not, my favourite quote and of course a book-themed Golden Retriever photo here:

https://www.instagram.com/p/CxM_u0MgZ...

Longlisted for the 2023 Booker Prize - which caused me to re-read the book 10 months after my first reading.

Enough time goes by and it is as if old things never happened. Things once fresh, immediate, terrible, receding away into old God's time, like the walkers walking so far along Killiney Strand that, as you watch them, there is a moment when they are only a black speck, and then they're gone. Maybe old God's time longs for the time when it was only time, the stuff of the clockface and the wristwatch. But that didn't mean it could be summoned back, or should be. He had been asked to reach back into memory, as if a person could truly do that.


On a re-read my thoughts were very similar to the first time.

The writing is undoubtedly consistently strong and not infrequently (small in joke there as Tom enjoys his double negatives) brilliant. On a descriptive/complex sentence level only Paul Harding and Paul Lynch from the longlist can compete with Sarah Bernstein taking a more enigmatic route to her excellence.

Some passages are, slightly oddly, written in a clear omniscient narrator voice and these (for example one on neutrinos) are some of the most transcendent. But much of the rest seems to be the close third person voice of Tom and while many very cleverly contain metaphors, similes and other imagery which closely match what we know of Tom and his lives experience, others - as seems effectively to be a repeated stylistic choice of Barry - seem much more the author’s voice than his character’s. And Barry himself it should be noted sees the voice as effectively Tom’s : He is reliable in the sense that he is actually experiencing what is being described (by me, in the third person). I felt my job was to be his witness and to see and hear what he was seeing and hearing, and to take it down faithfully, and not butt in.

In terms of my main reservations (and in fact let me add one - the choice of a native reservation and the fate of Joe seems an odd choice of cultural appropriation): the blurring of time and reality was less bothersome to me this time (and perhaps more clearly signposted than I remembered) as well as justified by Tom’s long term and accumulative PTSD; while by contrast the catalogue of horrors was if anything worse second time (not least as I had forgotten some of them). Barry has said of the graphicness of the revelations (particularly around clerical abuses) My understanding of abuse is, the survivor carries terrible imagery which is so hard to erase, and even harder to suppress. My prayer was that, by being forensic in my descriptions when necessary, readers might elect to take on some of those images and memories, as an act of solidarity - but I feel this does not address the frequency of horrors which also go much beyond this.

But overall I think this could well appear in the shortlist and while it will probably not make my own list I could not even begrudge this highly talented author a Booker win.

ORIGINAL REVIEW FROM OCTOBER 2022

Quoth the raven, never would be. Here was now, a light year removed from that reverberating day, and all the things that followed, all the hard things, the happy things, the happier things. The usual fog cleared a moment from his mind. The small hours were refining him down, like a rough whiskey. What would God want to take from his story, he wondered. St bloody Peter at his gate. What was important in all this, his life, his life, like any other life? He thought suddenly of all the detectives on the earth, and all the detectives that had been on the earth – would it be hundreds of thousands? Would they be herded into the detective enclosure? And made to race against each other like horses? All the detectives – the violent crimes, the rapes, the murders, the con jobs, the robberies, the frauds, the very waterspout, the waterfall, the great flood of crimes in human stories. The hubbub, the hubbub. That had so concerned them all. Like the waterfall in Powerscourt, pouring down, pouring down. And all these men, in all the languages of the world, all the races, all the forces, trying to peer in, to weigh up, to come to conclusions, to strike it lucky, cop a break, to squeak a case through by the skin of its teeth. What was their worth, their own weight? And what was at the heart of it? His life, his little life? The fog edged away from the shore of himself, the sea opened like the stage in a theatre, the helpful sun burned in its element, there was a truth told to him, a truth, in his curious age, in his palpable decay, that there at the heart of it, there at the heart of it, for ever and always, was June. Winnie and Joseph and June. But June.


Sebastian Barry is a much garlanded writer: most notably twice Costa Novel of The Year winner (both times then going on to win Costa Book of the Year across all categories) and four times longlisted for the Booker Prize (two of which books went on to be shortlisted), he has also won the Kerry Group Irish Fiction Prize, the Irish Book Awards Best Novel, the Walter Scott Prize, the Independent Booksellers Prize and the James Tait Black Memorial Prize.

This is his first novel since the widely acclaimed “Days Without End” and its sequel “A Thousand Moons”. Those excellent novels (the only ones I have read) featured a very distinctive writing style: one which mixes plain speaking characters, and descriptions of violence and harsh poverty, with beautifully poetic imagery conveying the grandeur, beauty and terror of the American landscape and weather. The books could I think be criticised on two aspects: a rather made-for-Hollywood plot (with rather too many improbable rescues) and an apparent disconnect between the writing style (clearly written as a first person reminiscence and not as an omniscient narrator) and the narrators background.

This book in short I would say: retains the evocative landscape writing - with the coast of Ireland substituted for the American plains; has a greater emphasis on interiority – but again conveyed in a beautifully crafted prose; retains the stark contrast between the beauty of the writing and the unpleasantness of much of what is being described (if anything I found that contrast stronger here); loses the made-for-Hollywood plot but retains a cinematic feel (more introspective art film than Hollywood Western); still has the slight disconnect that the beautiful prose is largely (not exclusively) the thoughts of the main character – even if this time expressed in the third person - and slightly incongruous to their background.

The set up of the book is relatively simple: Tom Kettle is a retired Irish policeman who has moved into a small lean-to on the side of a Castle on the Irish Sea Coast. He is widowed (having lost his beloved wife June) with two children – a daughter Winnie who is his solitary, occasional visitor and a son Joe who has emigrated to America (working as a locum on a pueblo in New Mexico) and seems set on a simple if melancholic life.

At the book’s opening two policeman visit him to ask for his help with a recently re-opened case concerning two allegedly abusive priests.

Immediately Tom is forced to revisit the ghosts of memories, feeling and actions that he had long suppressed, with the past effectively colonising the present and with both Tom and our views of what is real and what is dream or memory increasingly unclear among the gradually revealed horrors and truths.

On the strength side, in addition to the powerful writing, the book is a moving explanation of what it means to love and be loved, but one which is far from sentimental in its portrayal of the life long and generational impact of unpunished and unacknowledged abuse, and how even seeming justice can lead to an unbearable weight of guilt (particularly when coupled with the undeserved shame of a victim).

On the weaker side I did feel that the two key tropes of the book: the blurring of past/present and reality/memory/dreams; and the unspooling atrocities were both overdone (particularly the latter as ultimately the accumulative revelations end up dampening rather than reinforcing their impact).

But overall I think this is a book which will appeal hugely to existing Sebastian Barry fans – particularly those who enjoyed “Days Without End” as well as win him some new ones.

My thanks to Faber for an ARC via NetGalley

It was a story of atrocities, certainly. It was almost beyond description, and he had laboured for years not to describe it, to anyone else, and more importantly to himself. Never to allow the little sequence of horrors to play in his brain. Think everything else before he thought of those things. Think of things that did not exist, talk to the tumbleweeds of souls that did not exist. See ghosts before telling that story. Clamp his mind shut with heavy Victorian metal clamps. Now no more. It was no longer possible to be a citizen of grief, his passport to grief was cancelled, he couldn’t enter there. Now he must be brave. Of course, unbeknownst to him, he had been brave all his life. That was true, but not true for him. The main drone of the pipes he had heard under everything for sixty years and more was alarm and confusion, like the very pith of battle. Now that was not so, so much. He wondered was there God involved? Had he been released from his ordeal? He didn’t know. He could be suspicious of the brightness in him, in his limbs, in his almost ecstasy, as being something slipped into him by a medicinal god, like a needle with a vaccine in it. He didn't know. Something else knew. It might as well have phoned him on the telephone. Come in, come in, you can row that boat no more. The current was against you. Here is a little harbour. Rest up there.
Profile Image for Meike.
1,684 reviews3,603 followers
April 10, 2024
Now Shortlisted for the Dublin Literary Award 2024
Nominated for the Booker Prize 2023

Barry is just a master of empathetic, intense prose that illuminates the movements of human consciousness - but this is also a moral investigation into the crimes of the Catholic church in Ireland, and how the consequences of child abuse permeate individual lives and the destiny of families and communities. While told in the third person, the text is strongest when it turns into a maelstrom of consciousness and takes readers inside the mind of retired police officer Tom Kettle who, as his last name suggests, had found warmth and solace in his home, his family. But from the beginning, we learn that he suffers because his wife and kids have all died within the last ten years. When young policemen visit Tom about a cold case involving the murder of a clergyman who was accused of pedophilia as well as another priest who evaded imprisonment, we start to wonder what Tom knows about the case, and what happened to his loved ones.

The narration is highly complex, jumping between memory and present-day reality, showing a man struggling to revive long-buried trauma in order to know himself. Nine moths Tom has been retired, and the time has birthed a breakthrough of his inner turmoil. Both he and his beloved wife grew up in the care of the church, both were abused. In a way, Tom is an Irish noir detective, and Barry serves us typical elements of a crime novel - questionings, evidence gathering, theories -, but rooted in the psychological investigation of his protagonist's past.

The hallucinatory quality heightens the sense of entrapment that renders the whole text gloomy and claustrophobic. Tom is existentially lonely, his pain is overpowering, and to sort out his trauma-stricken, huddled memory seems like the only path to salvation: From the Catholic institution, Tom escaped into the military, was sent to war, joined the police, and tried to make a home for himself with his equally damaged wife whom he loved dearly - all while experiencing how even the police has continued to protect abusers in the clergy. Barry's lyrical prose shines once more, and his unreliable protagonist - unreliable even to himself - remains an enigma, as we all are, but a captivating one.

And then there's Tom's neighbor, an actress named, of course, Ms McNulty, who has fled her husband who used to abuse her now deceased daughter - who are this woman and her son? Not only do they relate to Barry's McNulty family that appears in several of his works, they also relate to the hauntings of the past, the ghosts that have followed Tom since his childhood in the orphanage.

I'm not sure how Barry manages to write such moving novels that are also this complex and never kitsch-y. Just nominate him for the Booker again, he deserves it.
Profile Image for Flo.
342 reviews183 followers
August 11, 2023
An early Booker 2023 favorite

A frightening mystery about how unreliable memory can be. I found it fascinating that the protagonist might have forgotten whether he is the hero or the monster. It certainly made me more interested in discovering how and why the events happened, rather than just focusing on who did it. Be aware that some descriptions are difficult to read, and the ideas and writing are so complex that you will most likely find yourself pondering other connections and possibilities as well. I certainly was.

This was my first time reading something from Sebastian Barry, who is one of those authors that is easy to neglect despite all the praise surrounding his work. A Booker Prize could dispel this hesitancy for many readers, but only time will tell. I would be surprised if this doesn't make it onto the shortlist.
Profile Image for Beata.
790 reviews1,244 followers
April 2, 2023
Absolutely beautifully written, gripping and haunting novel of love gained and lost. I was shaken to the core as the story of Tom Kettle's life was gradually revealed and the roots of his pain and loneliness unearthed.
*A big thank-you to Sebastian Barry, Faber and Faber, and NetGalley for arc in exchange for my honest review.*
Profile Image for Karen.
627 reviews1,499 followers
March 31, 2023
My first book by Barry!
Ireland mid 90’s
This story is haunting and bleak, just heartbreaking things have happened in the life of retired police officer Tom Kettle and also his wife and children.
We see how lives were destroyed by the pedophile Catholic priests and how it effects the rest of the victims lives.
So Tom is trying to live his retired life in a lean-to built on to a Victorian castle by the sea when two active duty young cops come knocking and want his help in a case from the 60’s .. about a murdered priest. Tom and his wife were both abused as children in orphanages in Ireland.
The writing was sublime, as my goodreads friend Bianca stated in her review.. perfect word for it..
Will be picking up some of Barry’s other books in the future!
Profile Image for Josh.
336 reviews218 followers
January 28, 2024
At this point in my life, as many of you may have noticed, I have chosen not to show my face on here for quite some time. Not because I am shy, nor to hide, but because there are only a select few that remember who I am or who I was, and that select few is dwindling in number as the years go by. I tell you this because Goodreads and its community I've come to know have been important to me over the last 12 years. With this book, I can honestly (without thinking more than a second) say that this affected me more than any in recent memory. This is the best example of what it means to remember trauma and the lasting grief that it causes that I can recall and is one of the best books I've ever read. My concentration and patience for the ever-growing list of fiction that is written by anyone with fingers nowadays has diminished hence my shrinking number of books I read each year, so with a comment by my wife saying that I'm engrossed in a book, that is saying something.

Barry has been well-known for years, but I've always felt his name often gets overlooked, even though he's been nominated and won awards many times. I'm even at fault for this, forgetting about him from time to time, until a new novel comes out.

"Old God's Time" is not a novel to be read, but to be immersed inside of. Each word of Barry's prose is carefully chosen. Each punctuation mark is as it should be.

The hurt, the pain. There is nothing left but time; left to languish with your own memories, fact or fiction is anyone's guess.

EDIT: This did not even make it to the short-list for the Booker Prize in 2023 which is a travesty. After finishing the eventual winner 'Prophet Song' by Paul Lynch, I feel it is inferior to Barry's Magnum Opus, but still good enough to be mentioned in the same conversation.
Profile Image for William2.
784 reviews3,348 followers
August 22, 2023
Tragedy with the force of Macbeth. A grieving Irish policeman, Tom Kettle, has moved to new digs in Dalkey after the death of his wife. Tom is in thrall to a hideous bereavement. At the same time he's able to relive — somewhat delusively — his former happiness. He has been retired from the force for nine months, but now his old colleagues come to ask his help with a major case. Much of the detail of the case is still in the Tom's memory, faltering though it is. The case has to do with pedophilic Catholic priests. So, despite his personal grief he must now continue somehow this work that is rife with psychic risks. For his late wife, June, came from a religious orphanage where she was hideously raped by a priest for years. Sometime later that same priest is murdered. Tom's colleages suspect he is the killer. The story seems a little diffuse, but about halfway through all its disparate facts suddenly jigsaw together. The writing is spectacular! In the early going I was reminded of James Joyce's story "The Dead." The novel has that familiar sonority. But soon it becomes plain that Barry is in a league of his own. As Robert Gottlieb says in a jacket blurb, "he sounds like no one else.” Sebastian Barry's work has been a great new find for me. I plan to read many of his works. Let me also recommend his astonishing Days Without End.
Profile Image for Dem.
1,217 reviews1,286 followers
November 5, 2022
3.5 Stars

A poetic, atmospheric and emotional novel


Sebastian Barry is one of my favorite Irish writers having absolutely loved The Secret Scripture and A Long Long Way. I was very excited to get an advance copy of his new novel to read in return for an honest review.

Recently retired policeman Tom Kettle is settling into life out of the fast lane of law enforcement, his new home is a lean-to annexed to a Victorian castle overlooking the Irish Sea. He is leading a solitary existence catching only glimpses of his eccentric landlord and a nervous young mother who has moved in next door. With only his memories for company he reminisces of the good times and bad, of his family, his beloved wife June and their two children, Winnie and Joe. When two of his old work colleagues call unexpectedly to get his help with an old case he worked on, Joe is forced to confront an emotional past and time in his life.

I enjoyed many aspects of this novel. The writing is poetic and descriptive and draws the reader in from the very first page. The subject matter is grim and heartbreaking The story is told largely in a stream of consciousness, which I found a little difficult to connect with. I wasn’t entirely sure of what was real or imagined in the story and finished the book wondering if I had completely understood the story or believed what I was being told by Joe. Having said that I really enjoyed the book . I loved the character of Joe. I think this this would make a good bookclub read as there is plenty of discussion in this one. An emotional read and a book that will stay with me.

My thanks to NetGalley for an advance copy in return for an honest review.
Profile Image for Carol.
378 reviews398 followers
September 7, 2023
***3.5 Stars****
I love this gifted author. This is a beautifully written novel, often complex, which required some concentration on my part. I wasn’t going to write any review because the subject is about the unpunished child sexual abuse by Catholic priests. Tom Kettle, the main character in this novel, spent his childhood in an orphanage, where the boys were serially raped by the Catholic Brothers within the place.
All these haunting revelations of sexual abuse triggered memories of my own complicated relationship with the Catholic church. I know that this is fiction, but it was based on heartbreaking facts, and these disgraceful exposés of child sexual abuse have tainted my faith in religions.
Profile Image for Elyse Walters.
4,010 reviews11.3k followers
March 24, 2023
Audiobook….read by
Stephen Hogan
…..8 hours and 34 minutes

“Raindrops Keep Falling on my head….” 🎶
—June, a beauty, Tom’s wife — favorite song was the B. J. Thomas hit song from Butch Cassidy and the Sundance Kid…
and she liked to sing…
“Oh God, baby baby, it’s a wild world”….words from the Cat Steven’s song: It’s a Wild World 🎶
Tom thought it was so rare to share emotions like June did —
it made Tom crazy….
and
Tom would think of June —
—in her best blue dress - in her shoes - her underwear - remember her scent -
or
— their marriage bed ….

After nine months of solitude….
Tom Kettle welcomed Jack Fleming intruding on his life —
“Must be nice to be retired”
“It is fucking nice”

“It was a tricky thing to get ‘out’ of life”.
Tom felt shame for entertaining suicide thoughts…

Tom Kettle was loved — by June…
by Fleming …

Tom respected Fleming… a policeman-partner-friend —
He loved his daughters —

The island, the sea, the morning sunlight- the morning biscuits, an ordinary day….
saluted Tom …
“Oh, how he had loved June”….
Some gesture would remind Tom of June and the pain would flood all over him again maybe just for an hour….

…Lyrical and brutal
unbearable abuse
…Sentences slice opened my heart ….
Shocking tragic experiences….
A murder mystery….but less painful than personal mystery…

My God — “Old God’s Time”….. explores suffering beyond comprehension….
….detailed stories ….
….detailed memories
And June….. could a husband love a wife anymore and Tom did June?
“She was never finished because she never would be”….

“Here is now”….
“What would God want to take from his stories?”
“What was important in his life?”
“What was at the heart of his life?” Of any life?

June was always at the heart of Tom’s life. His daughters too —
And
Tom Kettle was in mine.

Penetrating - cutting - infuriating - and also moving …. as the prose is pure perfection!






Profile Image for Diane Barnes.
1,376 reviews449 followers
April 22, 2023
I don't know what to say about this novel. It's Sebastian Barry, so of course it's good, of course it's excellently written, of course it delves into the darkness of the soul. This somehow goes even deeper that that though, making you question everything you think you know. There are sentences that slice you like a knife, and others that make you feel the joy of creation. I wanted to stop reading it more than once because of the subject matter, but I could not. I had to continue, just like the children described here as the victims of sexual abuse by the Catholic Church in Ireland had no choice but to go on, grow up, and deal with shattered lives.

Not more than a month ago I read Indian Horse, by Richard Wagamese, dealing with the same subject matter in the Canadian institutional schools which took native children from their families to make them forget their indigenous language and ways to make them "whiter". Again, most of them run by the Catholic church, but in reality were simply holding pens for priests to satisfy their sexual appetites. I should have let more time elapse before I read another book like that, but the library had a long waiting list, so I took it when it was offered.

To say that I believe that priests (or anyone else, for that matter) who harm children like this in the name of God should be consigned to the darkest, hottest regions of Hell is putting it mildly. It was hard to read, and I can only imagine how difficult it must be to write about it, but good for those who do. Only Sebastian Barry could turn this into such a work of art. It was terrible in it's beauty. And what a story!

Now, if you'll pardon me, I have to find some happier reads for the next little while.
Profile Image for Diane S ☔.
4,839 reviews14.3k followers
June 3, 2023
"Even those you love dont need the truth always."

"She survived everything but survival."

Barry doesn't shy away from difficult subjects and he has given us characters that are not forgettable. This was an extremely intense read, both for its subject but also for the love and grief within. Two damaged souls find each other and for a short time they find happiness, start a family and share a life. In the background though the past abuses against them rear its head with horrific consequences Victims of the Catholic Church and the priests that the hierarchy protected with no regard to the harm they were doing to the children in their care.

This was the second of the books I read that one had to pay careful attention in order to differentiate between reality and a dream world. What was truth or imagination. The stories we tell ourselves in order to live our lives, the pact we make with ourselves to put behind damaging thoughts and actions. The bargains we make, the things we need to forget.

Stephen Hogan was the narrator and he was absolutely terrific. one could feel the love and yearning Tom had for June. The sorrow he feels and the family he misses. this is not a happy little book but it is a important one. A story hard to read but one that needed to be told.

Thanks to the two Cs, grateful for the discussions.
Profile Image for Cathrine ☯️ .
686 reviews359 followers
May 21, 2023
4.5 ❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹
I'd love to write a worthy review of this but can only offer up a few thoughts.
Difficult, heart-breakingly sad subject matter, left me with questions and ambiguity.
Wrapped in achingly beautiful prose which makes you work for clarity and sometimes remains shrouded in murkiness with no answers and yet by the end you have walked in Tom's shoes.
Not many author's can rough me up like this and have me seeing stars but it was Himself who wrote it, and so.
I can only imagine if he had read it to me what kind of emotional state I would be in. In a time of life where my brain is letting go of unnecessary data I won't be forgetting it.
Profile Image for PattyMacDotComma.
1,576 reviews936 followers
February 23, 2023
5★
“He had not been, he did not wish to go, he was quite content just to gaze out. Just to do that. To him this was the whole point of retirement, of existence – to be stationary, happy and useless.”


Retirement – happy and useless. It is raining fiercely outside, and Tom Kettle has been sitting cosy at home in his flat, which faces out to sea, watching the boats, and enjoying his solitude. He is reminiscing about his wife, his daughter, and his son.

“It was four in the afternoon and night was creeping in to take everything away till only the weak lights of the lamps on Coliemore Harbour would bounce themselves a few yards out onto the water, speckling the darkling waves.”

But someone has begun knocking on his door. Nobody ever knocks on his door, not in the nine months he has been glorying in his privacy.

“He was beholden to no man, he had earned that. His pension was his gun, his weapon against work.”

The knocking is louder, the doorbell rings, and he can just make out two figures through the glass. He recognises them immediately as the new fellows from his old station. Cups of tea all around and then, finally, they broach the subject.

‘It’s something that’s come up and he thought, the chief thought, it might be useful to hear your thoughts on it,’ said the detective, ‘and, you know.’

‘Oh yes?’ said
Tom, not uninterested, but all the same with a strange surge of reluctance and even dread – deep, deep down. ‘Do you know, lads, the truth is I have no thoughts – I’m trying to have none, anyhow.’

They both laughed.”


The talk meanders, discussing the area where Tom lives now, how the two young men grew up and where, and as they exchange these intimacies, Tom’s mind meanders even more, worrying about what’s coming.

The men say they have reports for him to read, but he says not now. The weather is far too bad for them to leave, so he offers to make Welsh rabbit.

While he potters in the kitchen, we begin to get a sense of what his life has been like and why he may be stalling these men. The next day, he tries to put it out of his mind by walking to the ocean for a swim (which seems more like punishment than respite to me).

“Scimitars of blunt wind flashed about everywhere, swiping at his hat, his hair, his heart.
. . .
A chill rain began, just for his benefit, he thought, oh it would, and soon made free with his coat collar, without a by your leave, and wet the back of his neck, just enough to put him in mortal dread of pneumonia. But by the time he had covered half the distance to the park at the top of the hill, here was the blessed sunlight, suddenly, the rain’s shy sister, not with any heat in it, but a measure of pleasing hope. He thought of those rare summer days when the whole land thereabouts would be oven-baked, every crevice and wide vista crammed with lovely, belligerent heat. Well, he was not there yet.”


I imagine I can hear the Irish lilt in the words as they are written. It isn’t enough to say that Barry’s descriptions are evocative – you have to read them yourself.

That is the overall tone and manner of the storytelling. Tom’s mind jumps from the happy times with June and the children when they were young, and then it suddenly sinks back into the extremely unhappy childhoods both he and June were trying to overcome. His childhood as an orphan left scars.

“Sometimes his head was like a wild horse, without bit or rein. He couldn’t leave it to its own devices. He must be talking to himself, give himself good orders like an officer of a higher rank. A state of mind he had beheld in so many men who had been in orphanages and industrial schools in the army. They had been incarcerated among gradual and impossible torments. Yet oftentimes as a bewildered boy walked out the gates at sixteen, he might shed a different kind of tear, with the new fright of the unknown world before him. Up early, get your grub, obey your commands – the army was something of a tonic, and no war ever seemed to compare with what they had already endured. Nothing again as terrifying as the shadow of a dark-soutaned Brother by your bed, in the deep night, to drag you out either to lather you or f*ck you. No Malayan fighter, magnificent, fearsome and dark, ever as terrifying as the small shopkeeper’s son in his measly garb, given a coward’s power over you by virtue of being at least a grown man. No wonder they released the boys, like knackered greyhounds from the cage, at sixteen, before they gained the muscles and the strength to fell the Brothers with just and merciless blows.”

Send them out the door before they’re too big to control, then for Tom, straight to the army to Palestine and later to Malaya.

“First you had your dress of sweat, only then your uniform. There was never a soldier didn’t sweat in Malaya, there was no such creature.”

The exceptional rifle skills he developed in the army stood him in good stead with the police recruiter, so there he stayed, a loyal policeman, for forty years. He does not want someone knocking on his door. He does not want to read the old police reports. He does not want to remember the bad old days.

“In the old days, when wives were bloodied and beaten, you were not to go further than the front door. Ah yes. You could check if a person was still breathing, but no more. A child of the house could be lathered into a state of utter distress – you had to leave that alone too. You learned these rules off the station sergeant, off the tough detectives. The lowliest of men were kings of women.”

He couldn’t possibly talk to today’s young police about such things.

“Couldn’t say why the contents of those reports assailed him even before he could read them. Couldn’t read them, couldn’t in any sense read them. Under any circumstances read them.”

The story of his family unfolds gradually, as Tom’s mind slides between reality, memory, imagination, and dreams. There is darkness and despair, but over all of that, is Tom’s undying love for June and Winnie and Joseph.

At some point while reading this, I remembered that I had learned the term “kettle” in a mystery when someone found themselves “kettled” in a dead-end alley. It seems to be used in policing to mean “corral”, when they form a cordon around people for crowd control.

I have no idea if the author intended this connection, but it seems apt. Tom Kettle has only ever wanted to cordon off the bad actors and protect people – the innocents – to keep them free from harm. All he wanted was love and justice and being with his family.

I thoroughly enjoyed this interview that the author did in 2019 with another great Irish author, John Boyne, who is a favourite of mine. It was this interview that convinced I must read Barry. It’s a delight to listen to them both.
https://www.rte.ie/culture/2019/0121/...

Many thanks to NetGalley and Faber and Faber for the copy for review. I’m looking forward to reading more of Barry’s impressive, award-winning body of work.
Profile Image for Liz.
2,321 reviews3,153 followers
February 12, 2024
Old God’s Time takes its own sweet time getting started. Tom Kettle is a retired policeman, living a very quiet life filled mostly with memories. But then two police men show up on his door, asking for help with a cold case.
The writing is gorgeous. But I think this is a book best read rather than listened to. So much of the story takes place inside Tom’s head and I wasn’t always clear on what was happening. Plus, momentous events happen in the blink of a few words. This isn’t a story where you can’t afford to lose focus for even a few seconds. Tom is the very definition of an unreliable narrator. At one point he even questions whether he is mad, but don’t mad people not realize they’re mad, so does that make him sane?
The story is beautifully written but horribly depressing and dark. There are multiple TWs here, especially pedophilia.
Stephen Hogan did a good job as the narrator.
Profile Image for Trudie.
567 reviews662 followers
April 30, 2023
I have many conflicting thoughts about this new novel by Sebastian Barry.

I am not going to argue that the writing isn't as the Guardian suggests "sublime" and "uncanny" or that Barry, isn't "a writer of almost Joycean amplitude" - ( actually I don't know what that means ). The bottom line, the guy can write, no one should be questioning that.

But this particular tale I did not enjoy.

Unfairly perhaps, I compared it to Claire Keegan's jewel-like Small Things Like These which traversed similar ground and did it in a way that was less jarring and more impactful for me.
This is curious as I have appreciated Barry's past books, The Secret Scripture (2008) and Days without End (2016 ). His writing is gauzy, understated and often riven with murky violence. In this respect Old God's Time is no different. However, this time I found it all a little too much.

This is an insanely bleak tale. The descriptions of abuse were uncomfortably jolting alongside what is mostly a lyrical style. The consequences for Tom's family seemed... elaborate ?.

Ultimately I never brought into this entire thing in the way I thought I should. My ongoing battle to determine who was a figment of Tom's imagination and where we were in time was at odds with immersion and enjoyment at least for this reader.
Profile Image for Hanneke.
350 reviews419 followers
March 4, 2024
What can I say. No doubt about it that Sebastian Barry wrote this novel in an admirable stream of consciousness style but, really, he went too far with the constant depiction of horrible child abuse. Truly despicable scenes. I never read anything like it on that subject. I just could not take it, my fault.
Profile Image for James.
101 reviews112 followers
June 6, 2023
4.5 stars — Around the time I first picked up this book, I started seeing headlines about the nearly 2,000 children who'd been sexually abused by Catholic priests over the past several decades, JUST IN THE STATE OF ILLINOIS ALONE, abuse that has largely been under-reported or completely covered up by church authorities. Just last year, a bombshell report exposed decades of sexual abuse by hundreds of pastors belonging to America's largest Protestant denomination, abuse which had largely been kept secret in an effort to protect the church from scandal and legal liability.

Yet to hear Fox News and the Religious Right tell it, you'd think the gravest threats facing America's children today are Drag Queen Story Hours and Pride displays at Target. Where is that same outrage and calls for boycotts in response to the systemic abuse of children (and subsequent corrupt cover-ups) taking place within their own churches? Virtually non-existent, because it's ALWAYS just been hatred and bigotry masquerading as moral panic and "protecting the kids."

One of my favorite new social media trends has been those "NOT A DRAG QUEEN!" memes attached to the almost daily barrage of news stories about men - almost always white, cis, conservative, and religious - being arrested for possession of child porn and/or the sexual abuse of minors.

It's against this infuriating backdrop of glaring inaction and moral hypocrisy that I read this bitterly angry, achingly sad, but also breathtakingly beautiful book about how the profound pain, trauma, and damage inflicted by childhood sexual abuse can reverberate throughout a person's adult life and even across generations.

Through unnervingly intimate, lyrical, almost stream-of-consciousness prose, we're introduced to Tom Kettle, a recently retired Irish policeman whose peaceful solitude at his new rural home overlooking the Irish Sea is disrupted by two younger policemen suddenly showing up at his doorstep to seek his assistance with a decades-old "cold case" involving a still-active Catholic priest alleged to have abused multiple children.

I suppose this could LOOSELY be categorized as a psychological thriller, but be warned that this is anything but a plot-driven novel. The actual criminal investigation is mostly just a narrative impetus for Tom's internal confrontations with his own childhood trauma, personal demons, and almost unfathomable depths of pain, loss, and grief.

It's a mercilessly bleak, excruciatingly difficult read, and not something I'd recommend for the faint of heart, or those already in a dark or fragile mental space. But there were just enough glimmers of light and humor and hope to make it not only bearable but even cathartic and empowering for a certain kind of reader.

If nothing else (and there's actually quite a bit else), Sebastian Barry has masterfully created one of the most fascinating, sympathetic, deeply imagined, and intriguingly unreliable characters I've read in a very long time, and by the end I just wanted to give the poor guy a big hug and weep with him over the childhood innocence that had been so cruelly and casually stolen from him and others he loved.

By somebody who was most definitely: NOT A DRAG QUEEN.
Profile Image for Sandysbookaday .
2,210 reviews2,222 followers
March 11, 2023
EXCERPT: How young they were, him and Billy - late twenties, but also just raw gossoons, in a way. When you got old enough, these old matters changed in your head, took on new meaning. You saw more clearly what the gift of life could be - something precious given, then snatched back by the mean gods. How rare was a man like Billy. When you were young you thought there would be a succession of Billys. But there was only the one.

ABOUT 'OLD GOD'S TIME':
'Have you ever been the custodian of a story no one else believed?'
'Oh yes,' he said.
'You have?'
'Yes,' he said.
'Then I can tell you.'

Recently retired policeman Tom Kettle is settling into the quiet of his new home, a lean-to annexed to a Victorian castle overlooking the Irish Sea. For months he has barely seen a soul, catching only glimpses of his eccentric landlord and a nervous young mother who has moved in next door. Occasionally, fond memories return, of his family, his beloved wife June and their two children.

But when two former colleagues turn up at his door with questions about a decades-old case, one which Tom never quite came to terms with, he finds himself pulled into the darkest currents of his past.

MY THOUGHTS: I think Old God's Time is going to haunt me forever. I cried great heartwrenching tears throughout this book. I wept in pain and in sorrow. It is a harrowing read. But I loved Tom. I loved his love for his wife, June, and his children Winnie and Joe. I felt his overwhelming pain, and wondered how he could have gone on. So much loss. So much grief. So much pain. Even now, days after finishing Old God's Time, just thinking about it makes my heart constrict.

But amongst all the pain and the sorrow, there is great beauty. Tom's friendship with Billy. His love for his wife and children, all now dead and gone too, but living on in his heart. The descriptions of the Irish countryside and even the weather.

Sebastian Barry is an exceptional writer and I am so glad that I have more books by this author lined up to read.

⭐⭐⭐⭐.5

#OldGodsTime #NetGalley

I: #SebastianBarry @faberbooks

T: #SebastianBarry @FaberBooks

#aging #crime #familydrama #friendship #irishfiction #mystery

THE AUTHOR: Sebastian Barry is an Irish playwright, novelist and poet. He is noted for his dense literary writing style and is considered one of Ireland's finest writers

Barry's literary career began in poetry before he began writing plays and novels. In recent years his fiction writing has surpassed his work in the theatre in terms of success, having once been considered a playwright who wrote occasional novels.

DISCLOSURE: Thank you to Faber and Faber for providing a digital ARC of Old God's Time by Sebastian Barry for review. All opinions expressed in this review are entirely my own personal opinions.

For an explanation of my rating system please refer to my Goodreads.com profile page or the about page on sandysbookaday.wordpress.com

This review is also published on Twitter, Amazon, Instagram and my webpage
Profile Image for switterbug (Betsey).
878 reviews1,003 followers
September 15, 2023
“The fog edged away from the shore of himself, the sea opened like the stage in a theatre, the helpful sun burned in its element, there was a truth told to him, a truth, in his curious age, in his palpable decay, that there at the heart of it, there at the heart of it, for ever and always, was June.”

Elegant passages like this are prolific in Sebastian Barry’s latest novel. I’ve been a quiet collector of his oeuvre, yet this is the first one I’ve actually read. Why did I wait so long? I am truly dazzled by the author’s ability to tell a mature and tragic love story by way of quick glances, at times, into his characters, set against a half century of Ireland’s history. And then filling in these gaps at the most surprising turns and times. Barry is certainly a highbrow author, but not with swagger. He paints this portrait of retired policeman, Tom Kettle’s, post retirement life in Dalkey (near Dublin) by going back, back, back into a bleak and sometimes beautifully lived life with his wife, June, and their two children, Winnie and Joseph. By the close of the novel, I was stunned into hearing the silence around me after the tumultuous storm of the story.

Tom has spent the last nine months (the length of his retirement) keeping his wicker chair warm and walking around the city, swimming in the Liffey, appreciating the nature of Dalkey, like eyeing a perched cormorant near the river. He lives in a lean-to attached to a castle. Some of the characters who inhabit the story are real, yet others, usually preceded by a passage about a unicorn, seem to arrive from the fever dream of Tom’s mind, his unreliable memory and gaps. He has a sea of memories that wash over him, often occupy his days and nights, good and bad ones that overflow and threaten to take over his life. He's a widower, misses June madly; they were two orphans who met and loved each other to pieces.

One day, Tom is visited by two young policemen who want his help in a cold case involving the murder of a priest. Tom, a former detective sergeant, wants little to do with it, would rather be left alone. But it stirs a resounding hot pot of agonizing memories, for him, about his wife, and within the community. Since finishing this book, I have dived a bit into the public figure of Archbishop McQuaid, a man who incited generational trauma for people whose lives remain forever traumatized by McQuaid’s cloaked deceptions. Old God’s Time presents two immensely appealing characters—Tom, and his wife, June, and how it invariably burned into the lives of their beloved children.

The prose is stunning, the story is exquisite, tragic, and at times, with a touch of light-hearted bursts. This is not a book to read at a busy airport, or in noisy surroundings. Like the sweet cormorants that ever infuse the story, I found my quiet perch, too, to read this slow burn of a book. Stay attentive and you will be rewarded. I recommend a quiet place to read; it helped me hear that music was always playing in the background. When Tom's neighbor plays Kol Nidre, the genius of the story heightened for me. A Jewish prayer of redemption sung on the eve of Yom Kippur, which is the highest of high holy days, (and a sharp contrast to the antisemitic McQuaid), and an ennobling and promising song of possibilities. Also, a way to wipe the slate clean of moral crimes, and welcome atonement.

Old God’s Time is Tom Kettle’s confession--told in the third person, but very much conveyed from Tom’s head. It brought me to tears. This is one of those rare books that deserves a re-read. Sebastian Barry is a novelist, poet, playwright, and a was a laureate for Irish fiction from 2018-2021. I heard that he is quite the actor, too, and can read his works out loud in a way that transforms the listener. I heard his voice as I read, and, yes, I was transported to Ireland, into Tom Kettle’s head and heart.
Profile Image for Nat K.
456 reviews168 followers
August 26, 2023
*** Longlisted for the 2023 Booker Prize ***

” Even those you love don’t need the truth always."

From the opening pages there's a quiet sense of resignation, bordering on acute melancholy.

Despite the beauty of the wildness of the Irish coast and a flourishing rhododendron bush in the front garden, all is not well.

An unassuming man, a kind man, recently retired, his name is Tom Kettle. This is his story. A Detective Sergeant in the police force, for the past nine months he has made himself as small and invisible as possible. He lives in an annexe which is part of an elegant, run down castle, overlooking the sea. He just wants to be alone, thinking his thoughts.

Each day has a sameness to it, until one evening Fate knocks on the door. In the shape of two policemen - detectives no less - working on a cold case that Tom was previously involved with in the 1960s. The death of a priest, in what was a very troubling time in both the Church's past, and in society overall with various uprisings and IRA bombings. But it’s because of a man of the cloth, that Tom Kettle’s world is again turned upside down.

” ‘I am almost ashamed to show you these reports,’ Wilson said. ‘I am ashamed. I think it is a dirty business.”

” But the priests have brought this on themselves. They've cooked the devil's stew for themselves. And now they must sup.”

For into Tom Kettle’s quiet world, Wilson and his colleague O’Casey have come to ask for his help, his thoughts regarding this unsolved crime, which has resurfaced after several decades.

The time frame of nine months is mentioned several times. The same time as a pregnancy. And Tom’s retirement. But what is the result of the end of these nine months? Tom ponders on this.

We crisscross time, as Tom Kettle looks back on his memories, meeting and falling deeply in love with his wife June. Truly the one for him. Creating the family life neither of them had. As both Tom and June suffered despicable physical, emotional & sexual abuse at the hands of the priests and nuns assigned to their care. Appalling, heinous acts that went largely ignored by various hierarchies that should have acted but willingly turned a blind eye.

”There are worse things and worst things, he remembered thinking."

Then in the next sentence we're in present time. Or are we? Moments of razor sharp lucidity are counterbalanced by foggy forgetfulness. Which Tom himself acknowledges he has. He sees things that are not there, or that he is not sure if he imagined them. Or a bit of both.

This makes Tom somewhat an unreliable narrator, which can be forgiven when you consider what he has lived through.

”Sometimes his head was like a wild horse, without bit or rein."

Widowed at the age of 56, Tom soon after has to also bear the loss of his children. And the re-opening of the cold case re-opens all sorts of wounds which were never healed in the first place. It's more than one person should have to deal with. He is a survivor, but at what cost?

This book shows the weight of grief and generational trauma, and the toll it takes.

The descriptions of the deaths of Tom's wife June and children Winnie and Joseph are graphic, as they are violent and cruel. Unfathomable. For a moment or two, I was flummoxed as to how brutal the deaths in the book are. How they seem unreal. Yet it’s perfectly possible that this could have happened. As it seemed like one act of cruelty perpetuated a domino effect that continued throughout Tom and June’s lives, then onto their children’s, despite their best efforts to put the past behind and lead “normal” lives.

” ...but then, when had his life been normal? Or was abnormality the measure of all our lives? No doubt."

As if that’s not enough, there’s some domestic violence thrown in, with Tom’s neighbour in the castle they both let rooms in. A single mother with a partner who is determined to make her life a misery.

It's a strange thing, and I cannot put my finger on it, but Sebastian Barry has a way with words. Of drawing you in despite the subject matter. And this is very heavy subject matter yet is lyrical and has a lightness about it. It’s a feeling that's difficult to explain.

I'd suggest that if you're in a difficult frame of mind then perhaps this isn't the book for you at this time. Despite the beautiful writing, there is so much sadness throughout. And then more sadness.

This is a very troubling story that shines a light on very dark acts.

Although in saying this, most books have been written for a reason. And perhaps sometimes we should read something which makes us feel uncomfortable and asks us to think. As perhaps this is one of the few ways we can be more compassionate to others suffering which is often not easily seen. More importantly, hopefully some change can be made to prevent future wrongs. And for those of us fortunate enough not to have experienced such trauma, to be grateful.

Will the truth set you free? The jury is out on that one.

” Things once fresh, immediate, terrible, receding away into old God’s time, like the walkers walking so far along Killiney Strand that, as you watch them, there is a moment when they are only a speck, and then they’re gone. Maybe old God’s time longs for the time when it was only time, the stuff of the clockface and the wristwatch. But that didn’t mean it could be summoned back or should be. He had been asked to reach back into memory, as if a person could truly do that.”

I was hovering between 4.5 ☆ and 5 ☆ but as the story neared its completion, I realised its brilliance.

Postscript. There is a passage in the book that says it all really:
"...all children must be guarded. They must have safety and if they could also have love, so much the better. To threaten a child, to bring hurt to a child, was the chief crime before God and man. It must never go unpunished. A child was a small matter by definition. Who will speak for the child? Who will act for him or her? It seemed to Tom, in the great dark of human affairs, that he could say he would. And he had done so."

That you did Tom, that you did.
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